Speaking of "Lover", the first thing that comes to mind is the film shot by Leung Ka Fai. Why was I so impressed, because I was nervous when I watched this movie. There are six people in the university dormitory, and I am the class president and dormitory leader, so I must lead by example.
But I heard that Leung Ka Fai has a classic work, and the scale is very large, how can you not look at it? Watch it with everyone during the day, it will damage the image of my squad leader, and at night, when everyone is asleep, look at it again, afraid of being discovered. What to do? It seems that on the weekend, everyone went out on a date, and I was alone in the dormitory.
Worried that everyone will suddenly come back, I will quickly go in and look, what do you say you can see?
Later, looking at the original novel of Duras's "Lover", that is another feeling. However, the emotional parts described in the book are clearer and more delicate.
To be honest, the memory of the movie "Lover" now is at most the footage of Liang Jiahui bathing his little girlfriend. The film was a sensation with the bold performances of Leung Ka Fai and actress Jane March. When love is presented in front of everyone in this way, what is experienced?
The novel "Lover" has a high status in the history of world literature and has won many international awards. The film was also very successful, and Liang Chaowei once became a public lover in the eyes of people in the East and the West.
In the previous paragraph, some people compared the historical status of Leung Ka Fai and Leung Chao Wai, and I think this movie has already put Leung Ka Fai half a position ahead.
This movie has too much helplessness about reality, Jane is forced to find Tony for her livelihood, at first just for the joy of fish and water, but after the real feelings are generated, it is really difficult to achieve a long-lasting ending.
Although Jane says she won't fall in love with a Chinese man, if Tony's side can convince her father, is it possible for the two to be reunited? Everything is hypothetical, and Tony's father demanded that his son must marry the right Chinese woman, and foreigners could not consider it.
Heartbroken Tony can only marry a woman who does not love, which also reflects the customs handed down from The Chinese feudal society, it is really too difficult to love freely, marriage freedom is really too difficult, at least from that era, basically impossible.
When Brief returned to France with her mother's sad departure, Jane once again went to their former gentle township, but this place was already empty, leaving only sorrow.
When Jane stood at the bow of the boat, she still thought of the Chinese lover that made her unforgettable, and she no longer dared to say that she would not fall in love with a Chinese man, but this love could only be a worry that could not be released in her heart.
In this movie, I feel the most is love, but if I have to add features, it is the display of a large-scale gentle scene, which makes many people eye-opener. Past and present, the same movie, but the cognition has changed dramatically.
What do you think? Is this a tertiary film?
Later, Liang Jiahui recalled that the bed scenes in this movie were all filmed under the supervision of his wife, and men with good acting skills also needed to be cared for by women who cared.
Thanks for reading.