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Song Ke's cursive "Idle Poetry", the "Dun" of Bo Zhen, is more ornamental

Song Ke's cursive book "Idle Dwelling Poems", interpretation: Negative Guo Tang into water bamboo columns, ordinary life pen yan is a hoe plough; sex field like no ditch, the heart of he once had a town; autumn rice sorghum noisy birds and finches, Chunfeng Gate Lane no hooves; recently planted with green clouds, full of children and grandchildren alone cane quinoa.

Song Ke's cursive "Idle Poetry", the "Dun" of Bo Zhen, is more ornamental

Song Ke's life's activities were mainly in the Susong area at the end of the Yuan Dynasty. Qian Qianyi's "Small Biography of the Poetry Collection of the Lie dynasty" contains his "first march of the country as a book of service", but he is not seen to contain it. Gao Qi called it "military counseling", or it was related to the Song Ke youth Shang Wu conspiracy.

Song Ke's cursive "Idle Poetry", the "Dun" of Bo Zhen, is more ornamental

In the fourth year of Ming Hongwu (1371), he went to the official Fengxiang Tongzhi, and the traces after that are unknown, and no works have been passed down, until the twentieth year of Hongwu (1387), that is, the year of his death, there is still a long scroll of the "Urgent Chapter", or Song Ke returned to Suzhou in his later years, still has a creative career. In short, after Song Ke left the Suzhou cultural circle, coupled with the brutal policy of the scribes in the early years of the Ming Dynasty, he made almost no great achievements in his later years. This kind of situation was not uncommon among the Suzhou literati in the early Ming Dynasty.

Song Ke's cursive "Idle Poetry", the "Dun" of Bo Zhen, is more ornamental

Song Ke cursive writing into a vertical trend, written in a mixture of chapter grass, wild grass, and modern grass, has both a continuous trend and a wave of "Dun", increasing the meaning of the work' high ancient and spicy, and the chapter is more ornamental.

Song Ke cursive "Idle Poetry"

Song Ke's cursive "Idle Poetry", the "Dun" of Bo Zhen, is more ornamental

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