<h1 class= "pgc-h-arrow-right" > Ma Gongyu (1893-1969).</h1>
The real name Fan, the initial character Gong Yu, later changed to Gong Yu, Gong Yu, the late name Leng Weng, because of its name "畊石簃", so it is also signed as the lord of the stone.
Ma Gongyu inherited his family's education at an early age, and a little longer studied under Rui'an Sun Yaorang, studied Zhou Ding Qin Quan and carved strange characters in stone, and later attended wenzhou middle school with his brother Meng Rong. Its calligraphy seal, li, true, grass are all exquisite, the real grass takes the law bell, the king, the pen is thick, the breath is mellow; the seal is more powerful, and the title of the book is spread all over the country. Painting is good at landscapes, flowers, birds and fish, etc., seal carving to take the Law of Qin and Han, explore the source, without the slightest habit of being close, but all are covered by the title of the book, known as "calligraphy master" and "art garden all-rounder".
He successively served as a director of the Shanghai Fine Arts Association and the Chinese Painting Society, a standing director of the China Art Education Society, and was hired as a painter by the Shanghai Chinese Painting Academy in his later years and pre-social affairs of the Shanghai Golden Stone Seal Carving Research Society.
He is the author of "Speech in Calligraphy", "History of Calligraphy", "Gongyu Seal Spectrum", "Miscellaneous Works of Stone", "Ink Marks of Stone", etc.
<h1 class="pgc-h-arrow-right" > artistic perspective</h1>
● Mr. Ma Gongyu advocated that the study of books should be high: "You must not be unsubscribed when writing books. Today's people write books, don't write all over the paper, only because they ignore their books and write with their ears. The font of the law of the seal is not bad, and the law of the rule of the general seal is based on the pen, and this is the first step to get started. ”
● To study seal engraving, it is required to take the Fa Han seal: "To make a seal must be Zong Han, the Jushu is to the Jin, and the poetry is to the Tang Ye." If you do not teach Qin and Han, you will fall into the path of evil. The Gai Qin han people made seals like the Beiping people made plain language, and they learned it when they were young and pure out of nature. After the Jin Dynasty, the calligraphy is good, and people do not know the seal. Occasionally, such as the effect of the Fujian and Cantonese people, can not be similar. ”
● Mr. Ma Gongyu made the following exposition on the dialectical relationship between the calligraphy and the grass: "If the writing is not written in the pen of the grass, there is no blood vein at all; if the grass is not produced by the pen of the grass, there is no rise." ”
<h1 class = "pgc-h-arrow-right" > alcohol and Gu li's Ma Gong Yu calligraphy</h1>
The festival is on the "Stone Drum Text" banner
I drive its special to come and go, that is, I immediately drive the deer to the deer
Ma Gongyu's seal is mellow and elegant, and the Lishu integrates the two steles of the Han "Zhang Qian" and "Shi Chen", with profound skill; its seal book peeks into Zhou Qin, tracking the stone drum, the seal text, the Zhaoban, and the Han Jin, and the "Stone Drum Text" he wrote slightly shortens the length compared with Wu Changshuo, the knot body is reduced, and the pen is rounded with square folds. Mr. Zhu Ziqing once inscribed a poem on Ma Gongyu's "Stone Drum Text": "The literary style shines on the four feasts, and every thought is leisurely and leisurely." There should also be hatred that is difficult to make up, but it is good in the famous mountains. "This shows Ma Gongyu's character, art, academic accomplishment and influence at that time."
Book couplets
The chief of the division and the middle of the office is blessed
LeRen Shangde guang sees good luck
This joint embodies the typical characteristics of Ma Gong Yu Xing's book. From the perspective of calligraphy, the work reflects Ma's "neutral" calligraphy aesthetic, with a pen that pays attention to roundness and smoothness, without any edges and corners, fast and slow, curved and straight, hidden and dew, square and round, broken and connected, dry and moist, sick and astringent, mention and press, and the changes are in the lines. In terms of structure, the works mainly seek changes in the middle of the flat, and well coordinate the relationship between sparse and dense, large and small, long and short, strange and positive. The breath is pure and elegant, the glyphs are straight, the structure is strict, the orthography comes from the "two kings", feminine but not slippery, smooth and not indulgent, in line with the Confucian way of "from the heart to do not exceed the rules".
and parent
Concentric stem
Plum blossoms rejoice in the snow (with side)
Ma Gongyu's seal engraving skills can also be described as extraordinary. With rich knowledge, Ma's seal engraving method is high and ancient, without the slightest habit. The seals he produced were few and refined, and the method was taken between the Warring States Ancient Seal and the Qin and Han Dynasties. Ma Zun Qin Han Seal is printed as the right vein of the seal, and he expresses the rich ancient rhyme with simple words with exquisite knife work and neat structure. In addition, Ma Gongyu also took a different path from the seal book of the edict, combining the neatness and solemnity of the seal with the jagged and fluent appearance of the edict, and using the written title of the edict seal as a seal, and there were tight knots in the scattered chapters and loose knots; the knife method was mainly square folding, supplemented by round rotation, and the double knife rampage and the single knife were used lightly, which properly showed the simple and simple style of the edict text being hurried and casual, not carving, and seemingly neat and untidy. Its seal engraving is especially the most exquisite way in zhu wen's private seal and imitation of the Qin Dynasty edict, and the knife is leisurely and quiet, and it has its own graceful and mellow beauty.