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Love in the Trilogy: Years Later, No one gets better

author:Watching entertainment from the other side

"Love Before dawn breaks" shot across Jesse's face, a frustrated young man who doesn't care about his own frustration.

Decadent, it doesn't matter how decadent.

There are new and interesting ideas, but there is no desire and motivation to really do it for the realization of the idea.

Celine was full of vitality, and when she took down her luggage, she smashed it hard, deliberately smashing it so that the quarreling couple heard that she was angry, and her luggage followed her, complaining silently.

Jesse was passively positive, he had only lost his lover, but he saw Celine, his eyes lit up, and when they began to talk, he could not help but be attracted by Celine's beauty and talent and intelligence, he was blind and excited, so he took the initiative to invite Celine to the dining car.

Celine seems to be actively weak inside, and she is also attracted to Jesse, especially when she hears Jesse say that she saw the soul of her deceased grandmother when she was three years old, and she is touched, so she decides to get off the bus with Jesse in Vienna, but she does not say it or do it.

It wasn't until Jesse persuaded her and offered to invite her that she followed Jesse out of the car.

Love in the Trilogy: Years Later, No one gets better

Later, they talked to each other about their childhood, about their parents, about their deceased relatives, and about their love.

Jesse faces that the old love has gone, takes the initiative to liquidate, and leaves completely, but Celine is suffering from depression from her ex-boyfriend and writes in a novel about how to kill the betrayed lover.

Even though they all came out of the past later, there were differences in their ways and methods.

Jesse was pessimistic and free, and couldn't afford to lose.

Celine was determined but injured, and could not afford to lose.

Their personality traits, crossed fragile, silently powerful, tangled, chaotic, sticky, inexplicable.

Jesse said he worries that he will always do not do well and will not be able to take good responsibility.

Celine seems to be brave and vivid, but in fact, she is sensitive and affectionate, and she is hurt everywhere.

They were two little beasts with bright eyes, with wounds that were sometimes large and small, smiling or frowning, knowing each other from a distance.

Love in the Trilogy: Years Later, No one gets better

In "Love at Sunset and Dusk", their personality traits are more concrete because of what they have experienced, Celine did not marry and have children, but she was not happy because of such seemingly clean and clean behavior. Jesse has a beautiful wife and a lovely son, but is depressed, imagining that at the age of 52 he will cry and admit that he has never loved his partner.

If in the past they did not dare to choose, afraid of choosing, then, in the second part, they really chose the wrong one in fear.

Love in the Trilogy: Years Later, No one gets better

But ah, in the third part, "Love Before Midnight" they have the right choice?

Their happiness, sadness, pain, pleasure, all have to do with each other, but there are also many things that have nothing to do with each other.

The irrelevant part is the dark, deep thing that has been flowing back and forth in their lives.

Celine's bondage and longing to have a bondage contradicts the freedom she yearns for, and Jesse's negative pessimism and loss of trying to do everything but actually finding herself fundamentally unmotivated and not strongly desired to tear each other apart.

Ever been happy?

Of course.

Always powerless?

yes.

These things seem to be the result of entanglement with partners, marriage and family, but in essence, in fact, from the beginning, there have been clues, there is a source, and later it is only strengthened.

Love in the Trilogy: Years Later, No one gets better

Jesse sees the jealousy and strife between her daughters and feels that humanity is forever limited to human nature, and Celine feels full of vitality and motivation from it, but you can't think that Celine is the optimistic one.

Celine certainly saw Jesse's vanished red beard grow into her daughter's eyelashes (hair?). But she did not contribute to the eternal sacrifice and dedication of women, she was imprisoned in female identity and role, often in the fog of nowhere.

Life hunts them in different predicaments.

Years later, no one gets any better.

But they, no doubt, are all serious about life.

Love in the Trilogy: Years Later, No one gets better

The text is original, and the pictures come from the internet.