Some people say that cross-talk used to be very vulgar, and it was based on vulgarity to pay attention to many people, and later Hou Baolin and other cross-talk masters continued to reform and eventually cross-talk became more and more civilized.
Nowadays, some mainstream cross-talk groups and some non-mainstream cross-talk groups have been arguing over "elegant customs", but in any case, vulgarity is really undesirable.
Peking Opera is our "National Essence" Many people think that the art of Peking Opera is elegant, that is, it is the white snow of Yangchun, that is, it is about the talented and beautiful emperors and generals, that is, it is about benevolence, righteousness, etiquette, wisdom and faith. In fact, peking opera art was originally vulgar, because it had to cater to many audiences, so it was not just Yangchun white snow.
Like the original Peking Opera, some plays are more tacky, especially some Peking Opera Danjiao actors are not like this now, they will interact with the audience, and even sometimes there will be some verbal provocations.
The famous Peking Opera master Xiao Cuihua Yu Lianquan, he mainly focused on Hua Dan opera, especially good at playing the roles of "Pan Qiaoyun" and "Pan Jinlian", he had a play "Ma Siyuan" is some vulgar, and later this play was banned.
In addition, there are Tong Zhiling, Wu Suqiu, Zhang Zhengfang, Yan Huizhu and other Peking Opera Kunling once sang "The Great Splitting Coffin" and "Spinning Cotton" in Shanghai Beach, and made a lot of money, otherwise Yan Huizhu would have accumulated a lot of money during this period.
These two plays are nothing, but when they act, they add a lot of on-the-spot plots, and it is very bad to play on and off the stage.
Therefore, these vulgar plays are prohibited, which is the abandonment of vulgarity in the process of artistic development, only in this way can the art of Peking Opera develop benignly and be passed down to this day!