Jin Wensheng said that cross-talk is "there are no good people in this line", and Guo Degang regards it as a golden rule. In fact, this is not very authentic, Chang Baokun, Ma Sanli, Zhao Peiru and others are recognized as both virtuous and artistic.
There is indeed a problem with the cross-talk line, the biggest problem is to put gold on the face, and the statement of dropping the book bag is to make the Spring and Autumn brushwork good.
The initiator is Zhu Shaowen, the founding ancestor of cross-talk. In the eyes of the disciples, Zhu Shaowen was a reader with a full belly, the so-called "full belly of the article is not afraid of poverty, the five carts of history books are poor", because he is dissatisfied with the darkness of the official field and does not want to be examined, so he said cross-talk.
This statement is very beautiful, Zhu Shaowen's image is instantly tall, and even his personality is extremely admirable. But unfortunately, it doesn't make sense logically.
First of all, Zhu Shaowen should not have read a few years of books, and it is no problem to recognize a few words, but it will not be too much. Zhu Shaowen's artistic experience is very clear, he has learned Peking Opera since childhood, and specialized in big flower faces when he became an adult. In the old society, if there is a way out, it will not let children learn drama, this line is too hard, it is not easy to become a talent, and practicing for a lifetime may only be able to run a dragon set. He was so poor that he couldn't send his children to the theater, so Zhu Shaowen was probably a child of a poor family and couldn't afford to go to school at all.
Zhu Shaowen's extremely limited culture was probably learned in the drama class. There are many oil poems in the lyrics of Peking Opera, and the rhyme rhymes with ancient styles, and these things have been copied by cross-talk artists, forming what artists often call "set poems". The logic of this combing is immediately clear.
Secondly, Zhu Shaowen did not sing Peking Opera to change the land, and the reason given by the younger generations was that during the Tongzhi period, there were consecutive years of national mourning, and the city of Beijing banned singing. This also can't be said, Zhu Shaowen should really be so educated, show talent can be tested, casually find a job than say cross-talk to earn more, wind halve the rain is nothing, why bother?
Zhu Shaowen's real experience is likely to be like this: born in poverty, he learned Peking Opera for mixed food, and his talent could not become a corner, so he could only "fish for the wrong door" to make art.
The master of the "Spring and Autumn Brushwork" is our "Ten Thousand Fans" Li Dezhuo. His story is so legendary that it is true and false when it is true, and it is difficult to distinguish between true and false.
Take income, for example. According to Mr. Tian Lihe, Li Dezhao used 3 praises at the same time, and each person gave 100 real oceans per month.
This statement is false. Li Dequan first cooperated with Zhang Dequan, and Zhang Dequan is Zhang Mazi, who is the best cooperation with Li Dequan. Zhang Mazi died of illness in 1918, and Li Dezhao used Ma Delu + Zhou Deshan, and these two were a little worse. So "megalomania" is not "simultaneous" with three praises, there is a sequence.
100 a month is even more fake, in Tianjin dialect "introduction to the end". According to this saying, Ma Delu and Zhou Deshangan could buy a courtyard in Beijing in 5 months, and the two cooperated with Li Dezhao for 4 years. Therefore, Li Dezhuo is strong and can't earn so much.
Saying that crosstalk offended Yuan Shikai.
This story is fake and breaks the sky. In 1910, li desperation was lifted and Li Dezhao returned to Beijing and quickly became popular, invited by Yuan Shikai to perform at the Presidential Palace, and was beaten up by Yuan Shikai for performing the harmonic sound of "Eating the Lantern" "Yuan Que" and driven out of the capital.
In this story, Yuan Shikai, a generation of tyrants, is described as a second-in-command, sleeping when he eats enough, and beating people when he sees them, which is not much stronger than Gu Qiuzai. The story of making up such a story is to paste gold to the old ancestors, and the second is to compose a song for Li Dezhuo after Zhang Mazi was seriously ill in Beijing.
Li Dezhuo's suggestion of bringing Zhang Shouchen is also likely to be forcibly "saved" by later generations. After the rise of the Shouzi generation, Li Dezhao gave Zhang Shouchen a measure of work for the posterity, the so-called promotion of the younger generation. According to my repeated deliberations, this statement is false.
Promoting younger generations should be advocated, but it is too outrageous to build into his own career and real money, and Li Dezhuo also has a gambling hobby, so the story is likely to be fake.
What is the truth? The answer to re-combing Li Dezhuo's artistic career is ready to come out. The actual situation is that Li Dezhao has indeed been on fire for more than 10 years, and Zhang Mazi began to decline after he became seriously ill, and the time should be 1915-1918. Partner Zhou Deshan Madelu later collapsed because of smoking a large cigarette, can not say a long paragraph can only disperse, the three people cooperated for 4 years. At this time, Li Dezhuo completely declined, and he could only measure the work for the younger generations in order to make a living, and that was it.
According to Chen Yongquan, Li Dezhuo's failure to break into Shanghai was because of a "misunderstanding", and when Shanghainese heard that "Ten Thousand People Were Fascinated" thought that she was a big beauty, she was not happy when she saw that she was a bad old man.
The actual situation is that the southerners did not have the tradition of listening to crosstalk, and Li Dezhuo's state at that time was long gone, and the combination of the two aspects led to the failure of breaking into Shanghai.
In 1926, Li Dezhao went to the northeast to perform, because he could not afford to stay in the hotel, he froze to death in the stinky ditch of Shenyang, and a generation of funny kings "died of incense".
There are many similar Spring and Autumn brushwork, Li Dezhao has the most, and Mr. Ma Sanli is the most moving. In the 1960s, Mr. Ma returned to the stage, and many old cross-talk fans flocked to cheer for him, and the media described Ma Sanli's return as an "atomic bomb".
Ma Lao was touched by the enthusiasm of the audience and could not open his mouth for several minutes. After the scene was calm, Mr. Ma finally opened his mouth to speak: The old man did not see it, I, sick.....
Ma Lao's "sick" means something, and the two words are written into the desolation and heaviness of life. Every time I think back on this scene, I can always make people move and burst into tears.