Then introduce the landscape painters of the Ming Dynasty.
Zhang Hongzi Jundu, The Crane Stream, is good at painting landscapes, attaches great importance to sketching, and his pen strength is steep, the ink color is wet, the layers are stacked, the hills are deep, and there is a yuanren ancient meaning; he paints stone faces and dyes as his characteristics. He is the backbone of the Wumen school. Surviving works include "LinGong Qingxue Map", "Qixia Mountain Map", "Stone Chip Mountain Map", "Landscape Map" and so on.
Lin Gong Qingxue Map Ming Dynasty Zhang Hong
The picture depicts the snow in the pine forest, covering the Lin Palace. The composition is complicated and trivial, and the penmanship is fine. The arrangement of cold forest, pine trees, and dotted moss is very rhythmic and dynamic. The painting method is exquisite, especially the white space points out the snow, and the background is decorated with mud, showing the feeling of shining snow in the winter on a sunny day, which is very ingenious.
Qixia Mountain Map Ming Dynasty Zhang Hong
The mountain peaks in the picture are upright and undulating, and the streams are rushing and densely lined. The trail winds upwards, connecting the peaks and trees. Technically, the bamboo forest is painted, the pen and ink are thick and dry and wet, the pen is fine, and the composition is complicated, showing the artistic conception of summer heat.
Zhao Zuozi Wendu, Shan Shan Shui, is said to be a ghostwriter for Dong Qichang. Surviving works include "Cold Cliff Snow Map", "Autumn Forest Book House Map", "Autumn Pond Grass Pavilion Map", "Hanjiang Grass Pavilion Map", "Autumn Mountain Mangrove Tree Map" and so on.
Cold cliff snow map Ming Dynasty Zhao Zuo
This picture depicts high cliffs with snow, cold forests and deserts, lanruo dewy minarets, and dong ju wind.
Hanjiang Caoge Figure Ming Dynasty Zhao Zuo
Autumn Mountain Mangrove Diagram Ming Dynasty Zhao Zuo
Gu Zhengyi character Zhongfang, trumpet Tinglin. His landscape began to learn Ma Wan, and then went in and out of Wuzhen and Huang Gongwang, painting mountains as square peaks, layers of peaks, less forest trees, natural deep beauty. Surviving works include "Imitation Cloud Forest Tree and Stone Map", "Landscape Map", "Chunqi Map" and so on.
Imitation of yunlin tree stone figure Ming Dynasty Gu Zhengdao
Song Xu (宋旭字初穤), a native of Shimen Mountain, was a pioneer of the Songjiang School. Surviving works include "Five Yue Diagram", "Qing Yin Summer Map" and so on.
Qing Yin Xia Tu Ming Dynasty Song Xu
Shen Shichong Ziju, who is good at composition and dyeing Zhou Zhi, is a skilled writer's painting. Surviving works include "Mountain Tower View Map", "Cold Forest Floating Mist Map", "Snow Landscape Map", "Tianxiang Book House Map" and so on.
Hanlin Floating Mist Figure Ming Dynasty Shen Shichong
On the screen, the cliffs are towering, the smoke cages are cold, and the pavilions and distant trees are all covered by fog, and there is a desolate and cold atmosphere. With a pen, cangxiu, the ink color is thick, and the smudge is wet, representing the typical style of Shen's landscape.
Li Liufang character Long Su, one word Mao Zai, number Tan Garden, Xiang Hai, Gu Huai Tang, Cang'an, late number Shen Yu resident, Liu Fu Dao people. Good at painting landscapes, learning Wu Zhen and Huang Gongwang, Jun Shuang is smooth and smooth, and is one of the "Nine Friends in Painting". Surviving works include "Tang Poetic Intentions", "Rainy Mountain Color Map" and so on.
Rainy Mountain Color Map Ming Dynasty Li Liufang
The landscape is painted with beautiful scenery connected by mountains and rivers and forests of green trees. The painter paints the distant mountains with thick brush and ink, smudges the trees with freehand ink, and outlines the houses with several strokes, all of which are gods.
Qian Yuzi Shubao, self-proclaimed room, good at landscapes, flowers and birds, characters, brushwork, elegant painting style, quite popular with the literati and scholars at that time. Surviving works include "Deep Show of Xishan Mountain", "Picture of Stone Lake", "Landscape Map", "Map of Snow Mountain Travel" and so on.
Snow Mountain Travel Map Ming Dynasty Qiangu
Bian Wenyu character Runfu, number floating white, Luo'an. Good landscape, trees and stones, very penmanship. Surviving works include "Ancient Landscape Album", "Xishan Writing Victory Album" and so on
Cheng Jia Flint character Meng Yang, songyuan, 偈庵, 偈庵), 偈庵居士, 偈庵 old man, converted to Buddhism in his later years, interpreted the name Hai Neng, and Tongli Loujian, Tang Shisheng, and called "Lianchuan Three Elders". Surviving works include "Landscape Album" and so on.
Dong Qichang character Xuan Zai, trumpet Si Bai, XiangGuang resident, good at landscape painting, teaching in Dong Yuan, JuRan, Huang Gongwang, Ni Zhan, the pen to Qing Xiu neutralize, quiet and sparse; with ink Ming clean and elegant, Wen Dun light; green color, simple and elegant. With buddhist Zen buddhism metaphorical painting, he advocated the theory of "Southern and Northern Sects" and was an outstanding representative of the "Huating School". Surviving landscape painting works include "Rock Residence Map", "Eight Views of Qiuxing Atlas", "Day Jintang Map", "Yanjiang Stacked Ridge Map", "Xia Mu Weeping Yin Map", "Shi Ling Fei Liu Map", "Spring Light Cloud Shadow Map", "Frost Forest Autumn Reflection Map", "Lan Rong Chuan Color Map", "Qifeng Baiyun Map", "Fangshu Yaofeng Map", "Yushan Yuji Map", "River Bank Wangshan Map", "Chushan Qingxiao Map", "Fengjing Visiting Ancient Map" and so on.
Xia Mu Weeping Yin Figure Ming Dynasty Dong Qichang
This composition and pen are dong qichang's self-style after he has become a master. The brushwork is born from calligraphy, paying attention to the use of the pen to make the turn of the ground Toton suppress the Yang, and the ink color is thick and dry, and the level changes are also many. The contrast between the black and white strips on the main mountain is strong, and the intention is not to express three-dimensionality, but to pursue the fun of the virtual reality of the picture.
Shuanglin Qiusitu Ming Dynasty Dong Qichang
In the painting method, the outline is outlined with a light pen, and the horizontal pen is used to make a horizontal pen; the mountain stone is polished with a polishing pen, and the belt is rubbed, the distant tree is not divided into leaves, and the near tree crosspoint, the picture highlights the main peak, rendering the beautiful scenery of Jiangnan. The pen and ink are elegant and gentle, beautiful and idyllic, and it is a representative work of Dong Qichang's landscape.
Qifeng Baiyun Figure Ming Dynasty Dong Qichang
The picture of the small scenery of the mountain village, the mountain color is clear and lush, the mountain peak stands in the sky, the painting of the mountain and the tree are all made of light ink, and the moss is thickened layer by layer with horizontal brushes.
Fangshu Yaofeng Figure Ming Dynasty Dong Qichang
The picture of the scenery on both sides of the river, the towering peaks in the distance, the white space in the middle of the highest peak, and the half-hanging on the top of the mountain, are a wonderful stroke; the nearby river bank is lined with trees, the leaves have withered, the poles are straight and slender, and the peaks on the other side of the river are far away.
Yushan Yuji Figure Ming Dynasty Dong Qichang
This painting is one of Dong's color landscape paintings. He passed through Yushan Mountain by boat and created this painting with a sense of its beautiful natural scenery. The mountains and rivers in the painting are clearly layered, with mountains and rivers, flowing clouds, light colors and ink brushes, and the twists and turns are transformed, and the scenery is elegant and elegant.