Su Wenmao, as a descendant of Chang's cross-talk, became a family of his own throughout his life because of his good at making Wen Wei. Looking at Mr. Su Wenmao's performing arts career, it can be roughly divided into three stages. In the first stage, when he was a fledgling, he was promoted by Mr. Zhu Xiangchen, a master of praise; in the second stage, the artistic maturity stage and Ma Zhicun jointly created and performed a series of highly representative cross-talks; the third stage was to start speaking stand-up small segments in his later years. In fact, Mr. Su also performed stand-up comedy when he was young, mostly in traditional life. In his later years, he took the stage and replaced Shan Huo with a new work. Like the audience is most familiar with "with pear slices", "throwing boots", "fulfilling dreams", "the secret of longevity" and so on. Among them, the creator of the stand-up segment of "Fulfilling dreams" is Su Wenmao's beloved disciple Liu Junjie.
Liu Junjie is also nearly old now, but his generation in the cross-talk door is not high. In the words of Mr. Tian Lihe: "Liu Junjie, little young", in the old man's impression, Liu Junjie has always been a "little young", but in fact he has also said thirty or forty years of cross-talk, and twice appeared on the stage of the CCTV Spring Festival Gala. In addition to teaching at the Northern Qu School, Liu Junjie has also received nearly twenty apprentices over the years, most of whom have now become the mainstay of tianjin xiangsheng garden, which can also be regarded as adding imports to Sujiamen and passing on the tao.
Back to "Fulfilling Dreams", this work was tailor-made by Liu Junjie for his mentor Su Wenmao, and from the tone of mouth to the baggage, it is in line with Master Wen's performance style. The structure of the paragraph is compact, from the three dreams made by the "chief of the cattle section" to the two completely different dream interpretation results of the sister-in-law and the mother-in-law, there are characters, plots, and baggage. At first, Su Wenmao saw that the passage written by the apprentice was also praised, and basically did not make any changes before moving to the stage. Because the passage comes from life, the performance has a strong response, and every burden will ring. However, this stand-up mr. Duan Su has only acted two or three times and then stopped acting, what is the reason for this?
At a performance, Mr. Su also made this "Dream Come True" performance smoothly and successfully. But a few days later, he received a letter from an audience member. The content of the letter is roughly that after watching Mr. Su's "Fulfilling Dreams", I think that the third dream in the paragraph is "dreaming of sleeping in a bed with my sister-in-law, but back to back" and "your boy has a time to turn over sooner or later" The bottom bag is inconsistent with the temperament of Mr. Su's lifelong portrayal. Perhaps out of recognition of the audience's opinions, or perhaps the old artist's love for feathers, Su Wenmao finally adopted the audience's suggestion and decided to completely "ban" the work that the apprentice gave himself, and has never said this "Fulfilling Dream" since then.
Objectively speaking, "Fulfilling Dreams" is a good work. The controversy about the third dream in the paragraph is indeed not necessary to define it as a stinky bag on the line. Even if it is classified as dark spring, it can be said that the flaws are not hidden, and it does not affect the theme and performance effect of the work. After the master endured the pain of cutting love and abandoning this paragraph, the apprentice Liu Junjie still picked up this piece of work again. Different from master's polite and polite performance style, Liu Junjie's slightly infidelic performance interprets this work with a different feeling.