On October 29, the next episode of the 8th episode of Li Chengru's personal program "Drama Confucian Life" was launched. In this issue, teacher Li Chengru talked about an incident of that year, saying that more than twenty years ago, various dramas involved in the case were in full swing, but suddenly, because of a so-called "document", no one filmed the drama involved in the case. Later, CCTV asked Teacher Li Chengru to shoot a drama involved in the case, and Li Lao asked and got the answer, there was no such a "document".
This seems to be a "haunting" story. However, this matter, in the film and television industry, is real. The old editor once worked for a film and television company, more than ten years ago, we also invested in the drama involved in the case, after the completion of the play, it was broadcast on the CCTV TV drama channel, and the effect was not bad. At that time, although the drama involved in the case could be filmed, the process of setting up the project and sending it for trial was something that many small and medium-sized companies could not do. Therefore, I would like to take the opportunity to talk about the content of the dramas involved in the case in the past two decades or so, as a supplement to Teacher Li Chengru's "Life of Confucianism".
The first climax of the drama involved in the case should be the end of the 1990s. By the time of the 2003 TV series "Conquest", it was actually the end of the first small climax of the genre. At that time, in terms of the review scale of the drama involved in the case, according to our current standards, it was "very relaxed". Therefore, a large number of case-related dramas around the new millennium have even reached the brink of needing to be graded, and in terms of the degree of violence, and even the degree of women's color, they have infinitely approached many Hong Kong film and television dramas involved in the 1990s.
Hong Kong film and television dramas in the 1990s, but they are graded. After a large number of such works involving the subject matter come to us in the form of VCD, everyone watches them as colored videotapes. However, when we began to study these film and television dramas involved in the case, there was no awareness of grading or not grading, that is, a large scale of one color and one brain. The dramas involved in the case around the new millennium, because of the excessive scale (lines, pictures and plots), were once discussed in many print media entertainment pages. But there was no online discussion at that time, after all, the content of the print media layout was limited, and no strong consensus of critics and audiences was formed.
Therefore, after works such as "Conquest", the film and television industry did have a period of time to shoot the drama involved in the case, which was very hesitant. Among them, there is a poor grasp of its own creative scale. There are also some things at the level of project approval. Many of our film and television companies and production teams are slowly groping for the scale of this drama involved in the case, how to try not to bring bad underage audiences when the film and television drama is not graded.
Looking back at some of the dramas involved in the case around the new millennium, I personally believe that some of the lines, pictures and bridge content are indeed debatable, especially the hints of many colored content have left the track of film and television dramas that should spread positive values, and it is indeed not good for underage audiences. In particular, the bridge sections in which the villains are filmed in the dramas involved in the case are always nightlife entertainment venues, hotels and hotels, and the bridge sections are also more filthy. This problem, until now, still exists in some online movies.
However, the content of the drama involved in the case that conveys positive values will not face the danger of not being able to broadcast. As Teacher Li Chengru said in "Drama Confucian Life", CCTV was still able to shoot the drama involved in the case when he was looking for Elder Li. In fact, some of the dramas involved in the case broadcast by CCTV that year were of great significance to the value and significance of the film and television industry. In particular, many private film and television production teams can find the scale category from the works broadcast by CCTV, what can be written, what can be filmed, what cannot be written, and what cannot be filmed. After several years of tempering, the margins of this scale have gradually become clear.
The content of the three customs obviously cannot appear as a gimmick in the drama involved in the case. Many of the contents that cause a wrong impact on minors also try not to let the camera be aligned and do not appear on the screen. An action star once said that when he was young, when he was young, he always let the camera focus on the person who was beaten, so that the audience could see the fist to the flesh, and now, he wants the camera to show the martial artist himself and the benevolent heart of the martial artist. These few words are also appropriate to use in the drama involved in the case. This is actually the creative ethics of the drama involved in the case that everyone has explored over the years.
One of the most fundamental creative ethics is not to photograph the specific process of crime. Like last year's "Do you see if I still have a chance" bridge section, which pushed the old man off the cliff, we generally don't create this way, try not to show such a criminal process. Avoid the picture of the criminal process, and the heavy sky net restores the investigation without leakage, especially to find the truth in the cocoon. The drama involved in the case no longer wins by large scale, but by suspenseful reasoning. One of the dramas involved in the case, "The Truth", which I recently praised in the drama review, was directed and filmed by the Supreme People's Procuratorate. In this drama, the emphasis is on the procuratorate's detection technology display.
I often hear some cross-talk actors say on stage, a cross-talk will bring you bad? A TV series will bring you bad? Then, I made excuses for my own nonsense. In fact, with the development of Chinese film and television dramas, more and more screenwriters and directors have gradually established their own creative ethics of genre dramas. In terms of the drama involved in the case, everyone has reached a basic consensus, do not take the criminal process as a gimmick, do not take the criminals as a gimmick, do not let the criminals go unpunished, and so on. The drama involved in the case focuses on the reasoning display, on the detection process, on the emotional pursuit that justice is destined to defeat evil, and so on. A lot of three vulgar things, some viewers do like, but within our industry, we have our own creative bottom line, not because some audiences like it, but do not want their own bottom line.
In the past two years, the content of our case-related dramas, under the guidance of this basic creative ethics, has made a very good improvement, and it can even be described as the second creative climax of the case-related dramas. Teacher Li Chengru said in "The Life of Confucianism" that the drama involved in the case does not show the excessively ugly content, which is actually the consensus reached by the creators. In the climax of the creation of the drama involved in the case this time, the dramas that emerged basically had no content of the three customs. This is very obvious progress. (Text/Ma Qingyun)