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16 Film Editing & Transition Methods for You to Cut Better Movies 1, Action Sequence 2, Cut 3, Cross Cut 4, Jump Cut 5, Match Clip 6, Fade In and Fade Out 7, Overlap 8, Jump Edit 9, Circle Stroke 10, Invisible Transition 11, Sound Lag 12, Match Clip + Sound Advance 13, Cut + Jump Cut 14, Cross Cut + Match Clip 15, Match Clip + Cross Clip 16, Add Rapid Aging

The most basic part of editing work is to find the right contact, that is, from one shot to the next, and excellent editing can change the perspective and advance the story.

The following video helps you understand the editing techniques through some classic film demonstration clips. Most of these editing techniques are common, but they are not easy to detect during viewing.

▲Editing and transitions in the movie

montage

<h1 class="pgc-h-arrow-right" >1, the action is sequential</h1>

Switch from one lens to another. It is common to clip while the actor is in motion, but the editing point does not have to be between fights.

16 Film Editing &amp; Transition Methods for You to Cut Better Movies 1, Action Sequence 2, Cut 3, Cross Cut 4, Jump Cut 5, Match Clip 6, Fade In and Fade Out 7, Overlap 8, Jump Edit 9, Circle Stroke 10, Invisible Transition 11, Sound Lag 12, Match Clip + Sound Advance 13, Cut + Jump Cut 14, Cross Cut + Match Clip 15, Match Clip + Cross Clip 16, Add Rapid Aging

Mission Impossible 4 (2011)

It could be a simple turnaround.

16 Film Editing &amp; Transition Methods for You to Cut Better Movies 1, Action Sequence 2, Cut 3, Cross Cut 4, Jump Cut 5, Match Clip 6, Fade In and Fade Out 7, Overlap 8, Jump Edit 9, Circle Stroke 10, Invisible Transition 11, Sound Lag 12, Match Clip + Sound Advance 13, Cut + Jump Cut 14, Cross Cut + Match Clip 15, Match Clip + Cross Clip 16, Add Rapid Aging

The Matrix (1999)

It could also be a throwaway.

16 Film Editing &amp; Transition Methods for You to Cut Better Movies 1, Action Sequence 2, Cut 3, Cross Cut 4, Jump Cut 5, Match Clip 6, Fade In and Fade Out 7, Overlap 8, Jump Edit 9, Circle Stroke 10, Invisible Transition 11, Sound Lag 12, Match Clip + Sound Advance 13, Cut + Jump Cut 14, Cross Cut + Match Clip 15, Match Clip + Cross Clip 16, Add Rapid Aging

Jaws (1975)

<h1 class="pgc-h-arrow-right" >2, diastiflation</h1>

The frame cuts to the insertion lens and then back.

16 Film Editing &amp; Transition Methods for You to Cut Better Movies 1, Action Sequence 2, Cut 3, Cross Cut 4, Jump Cut 5, Match Clip 6, Fade In and Fade Out 7, Overlap 8, Jump Edit 9, Circle Stroke 10, Invisible Transition 11, Sound Lag 12, Match Clip + Sound Advance 13, Cut + Jump Cut 14, Cross Cut + Match Clip 15, Match Clip + Cross Clip 16, Add Rapid Aging

How Beautiful Is Life (1946)

Shots of the same space as the actor can be inserted.

16 Film Editing &amp; Transition Methods for You to Cut Better Movies 1, Action Sequence 2, Cut 3, Cross Cut 4, Jump Cut 5, Match Clip 6, Fade In and Fade Out 7, Overlap 8, Jump Edit 9, Circle Stroke 10, Invisible Transition 11, Sound Lag 12, Match Clip + Sound Advance 13, Cut + Jump Cut 14, Cross Cut + Match Clip 15, Match Clip + Cross Clip 16, Add Rapid Aging

American Werewolf in London (1981)

You can also create a character's inner world.

16 Film Editing &amp; Transition Methods for You to Cut Better Movies 1, Action Sequence 2, Cut 3, Cross Cut 4, Jump Cut 5, Match Clip 6, Fade In and Fade Out 7, Overlap 8, Jump Edit 9, Circle Stroke 10, Invisible Transition 11, Sound Lag 12, Match Clip + Sound Advance 13, Cut + Jump Cut 14, Cross Cut + Match Clip 15, Match Clip + Cross Clip 16, Add Rapid Aging

The Seven Deadly Sins (1995)

<h1 class="pgc-h-arrow-right" >3</h1>

Clip different scene shots, switching back and forth frequently to establish an interactive relationship. For example, most phone calls are usually cross-cut.

16 Film Editing &amp; Transition Methods for You to Cut Better Movies 1, Action Sequence 2, Cut 3, Cross Cut 4, Jump Cut 5, Match Clip 6, Fade In and Fade Out 7, Overlap 8, Jump Edit 9, Circle Stroke 10, Invisible Transition 11, Sound Lag 12, Match Clip + Sound Advance 13, Cut + Jump Cut 14, Cross Cut + Match Clip 15, Match Clip + Cross Clip 16, Add Rapid Aging

Infernal Walker (2006)

The sense of rhythm brought about by proper cross-shots is bound to increase the tension and create suspense.

16 Film Editing &amp; Transition Methods for You to Cut Better Movies 1, Action Sequence 2, Cut 3, Cross Cut 4, Jump Cut 5, Match Clip 6, Fade In and Fade Out 7, Overlap 8, Jump Edit 9, Circle Stroke 10, Invisible Transition 11, Sound Lag 12, Match Clip + Sound Advance 13, Cut + Jump Cut 14, Cross Cut + Match Clip 15, Match Clip + Cross Clip 16, Add Rapid Aging

Ten Days of Danger (1990)

This technique can also be used to express the actor's inner emotions.

16 Film Editing &amp; Transition Methods for You to Cut Better Movies 1, Action Sequence 2, Cut 3, Cross Cut 4, Jump Cut 5, Match Clip 6, Fade In and Fade Out 7, Overlap 8, Jump Edit 9, Circle Stroke 10, Invisible Transition 11, Sound Lag 12, Match Clip + Sound Advance 13, Cut + Jump Cut 14, Cross Cut + Match Clip 15, Match Clip + Cross Clip 16, Add Rapid Aging

The First Blood (1982)

<h1 class= "pgc-h-arrow-right" >4, jump cut</h1>

Editing a frame shot in the same frame is called a jump cut, which is usually used to deliberately represent the passage of time.

This technique is often used in montages.

16 Film Editing &amp; Transition Methods for You to Cut Better Movies 1, Action Sequence 2, Cut 3, Cross Cut 4, Jump Cut 5, Match Clip 6, Fade In and Fade Out 7, Overlap 8, Jump Edit 9, Circle Stroke 10, Invisible Transition 11, Sound Lag 12, Match Clip + Sound Advance 13, Cut + Jump Cut 14, Cross Cut + Match Clip 15, Match Clip + Cross Clip 16, Add Rapid Aging

Mr. Green Devil (1986)

Can be used to increase the sense of urgency.

16 Film Editing &amp; Transition Methods for You to Cut Better Movies 1, Action Sequence 2, Cut 3, Cross Cut 4, Jump Cut 5, Match Clip 6, Fade In and Fade Out 7, Overlap 8, Jump Edit 9, Circle Stroke 10, Invisible Transition 11, Sound Lag 12, Match Clip + Sound Advance 13, Cut + Jump Cut 14, Cross Cut + Match Clip 15, Match Clip + Cross Clip 16, Add Rapid Aging

Or use it to shoot and play baseball.

16 Film Editing &amp; Transition Methods for You to Cut Better Movies 1, Action Sequence 2, Cut 3, Cross Cut 4, Jump Cut 5, Match Clip 6, Fade In and Fade Out 7, Overlap 8, Jump Edit 9, Circle Stroke 10, Invisible Transition 11, Sound Lag 12, Match Clip + Sound Advance 13, Cut + Jump Cut 14, Cross Cut + Match Clip 15, Match Clip + Cross Clip 16, Add Rapid Aging

The Bronx Story (1993)

<h1 class="pgc-h-arrow-right" >5, matching clips</h1>

Matching clips are often mistaken for jump cuts, but the two are different. Matching clips are shots cut at the same action points or with similar compositions.

16 Film Editing &amp; Transition Methods for You to Cut Better Movies 1, Action Sequence 2, Cut 3, Cross Cut 4, Jump Cut 5, Match Clip 6, Fade In and Fade Out 7, Overlap 8, Jump Edit 9, Circle Stroke 10, Invisible Transition 11, Sound Lag 12, Match Clip + Sound Advance 13, Cut + Jump Cut 14, Cross Cut + Match Clip 15, Match Clip + Cross Clip 16, Add Rapid Aging

Grease (1978)

Matching clips are also often used as transitions because the image has a jumping motion, jumping from one place to another, which may be the reason for confusing matching clips with jump cuts.

16 Film Editing &amp; Transition Methods for You to Cut Better Movies 1, Action Sequence 2, Cut 3, Cross Cut 4, Jump Cut 5, Match Clip 6, Fade In and Fade Out 7, Overlap 8, Jump Edit 9, Circle Stroke 10, Invisible Transition 11, Sound Lag 12, Match Clip + Sound Advance 13, Cut + Jump Cut 14, Cross Cut + Match Clip 15, Match Clip + Cross Clip 16, Add Rapid Aging

West End Story (1961)

But matching clips is not necessarily visual, and there is a technique of relying on narration sounds to match contacts.

Transition

<h1 class= "pgc-h-arrow-right" >6, fade in and fade out</h1>

A common transition effect in the film is to fade in and out, dissolve into or from the black picture.

16 Film Editing &amp; Transition Methods for You to Cut Better Movies 1, Action Sequence 2, Cut 3, Cross Cut 4, Jump Cut 5, Match Clip 6, Fade In and Fade Out 7, Overlap 8, Jump Edit 9, Circle Stroke 10, Invisible Transition 11, Sound Lag 12, Match Clip + Sound Advance 13, Cut + Jump Cut 14, Cross Cut + Match Clip 15, Match Clip + Cross Clip 16, Add Rapid Aging

Horrors (1960)

<h1 class="pgc-h-arrow-right" >7, superimposed</h1>

Superimpose one lens onto another.

This technique is very montage imagery and can represent the passage of time. The effect looks like this:

16 Film Editing &amp; Transition Methods for You to Cut Better Movies 1, Action Sequence 2, Cut 3, Cross Cut 4, Jump Cut 5, Match Clip 6, Fade In and Fade Out 7, Overlap 8, Jump Edit 9, Circle Stroke 10, Invisible Transition 11, Sound Lag 12, Match Clip + Sound Advance 13, Cut + Jump Cut 14, Cross Cut + Match Clip 15, Match Clip + Cross Clip 16, Add Rapid Aging

The Godfather (1972)

The same lens can also be superimposed.

16 Film Editing &amp; Transition Methods for You to Cut Better Movies 1, Action Sequence 2, Cut 3, Cross Cut 4, Jump Cut 5, Match Clip 6, Fade In and Fade Out 7, Overlap 8, Jump Edit 9, Circle Stroke 10, Invisible Transition 11, Sound Lag 12, Match Clip + Sound Advance 13, Cut + Jump Cut 14, Cross Cut + Match Clip 15, Match Clip + Cross Clip 16, Add Rapid Aging

Two Fools vs. Frankenstein (1948)

<h1 class= "pgc-h-arrow-right" >8, jump splicing</h1>

Jumping editing is a shot that suddenly breaks the emotions of the frontcourt, the most obvious example of which is waking up from a nightmare.

16 Film Editing &amp; Transition Methods for You to Cut Better Movies 1, Action Sequence 2, Cut 3, Cross Cut 4, Jump Cut 5, Match Clip 6, Fade In and Fade Out 7, Overlap 8, Jump Edit 9, Circle Stroke 10, Invisible Transition 11, Sound Lag 12, Match Clip + Sound Advance 13, Cut + Jump Cut 14, Cross Cut + Match Clip 15, Match Clip + Cross Clip 16, Add Rapid Aging

Murder of the Green Toe (1998)

From an intense scene to silence, or from quiet to intense.

16 Film Editing &amp; Transition Methods for You to Cut Better Movies 1, Action Sequence 2, Cut 3, Cross Cut 4, Jump Cut 5, Match Clip 6, Fade In and Fade Out 7, Overlap 8, Jump Edit 9, Circle Stroke 10, Invisible Transition 11, Sound Lag 12, Match Clip + Sound Advance 13, Cut + Jump Cut 14, Cross Cut + Match Clip 15, Match Clip + Cross Clip 16, Add Rapid Aging

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Shaun the Zombie (2004)

<h1 class="pgc-h-arrow-right">

9. Circular sculpting

</h1>

The circular stroke resembles the camera aperture shape effect to draw the picture in and out.

16 Film Editing &amp; Transition Methods for You to Cut Better Movies 1, Action Sequence 2, Cut 3, Cross Cut 4, Jump Cut 5, Match Clip 6, Fade In and Fade Out 7, Overlap 8, Jump Edit 9, Circle Stroke 10, Invisible Transition 11, Sound Lag 12, Match Clip + Sound Advance 13, Cut + Jump Cut 14, Cross Cut + Match Clip 15, Match Clip + Cross Clip 16, Add Rapid Aging

The Christmas Story (1983)

There are other types of sculpting:

16 Film Editing &amp; Transition Methods for You to Cut Better Movies 1, Action Sequence 2, Cut 3, Cross Cut 4, Jump Cut 5, Match Clip 6, Fade In and Fade Out 7, Overlap 8, Jump Edit 9, Circle Stroke 10, Invisible Transition 11, Sound Lag 12, Match Clip + Sound Advance 13, Cut + Jump Cut 14, Cross Cut + Match Clip 15, Match Clip + Cross Clip 16, Add Rapid Aging

<h1 class= "pgc-h-arrow-right" >10, invisible transition</h1>

Use shadows to hide clips to create the illusion of the same shot.

Like Hitchcock's Soul Reaper:

16 Film Editing &amp; Transition Methods for You to Cut Better Movies 1, Action Sequence 2, Cut 3, Cross Cut 4, Jump Cut 5, Match Clip 6, Fade In and Fade Out 7, Overlap 8, Jump Edit 9, Circle Stroke 10, Invisible Transition 11, Sound Lag 12, Match Clip + Sound Advance 13, Cut + Jump Cut 14, Cross Cut + Match Clip 15, Match Clip + Cross Clip 16, Add Rapid Aging

Soul Reaper (1948)

Or Ghostbusters 2:

16 Film Editing &amp; Transition Methods for You to Cut Better Movies 1, Action Sequence 2, Cut 3, Cross Cut 4, Jump Cut 5, Match Clip 6, Fade In and Fade Out 7, Overlap 8, Jump Edit 9, Circle Stroke 10, Invisible Transition 11, Sound Lag 12, Match Clip + Sound Advance 13, Cut + Jump Cut 14, Cross Cut + Match Clip 15, Match Clip + Cross Clip 16, Add Rapid Aging

Ghostbusters 2 (1987)

And Birdman:

16 Film Editing &amp; Transition Methods for You to Cut Better Movies 1, Action Sequence 2, Cut 3, Cross Cut 4, Jump Cut 5, Match Clip 6, Fade In and Fade Out 7, Overlap 8, Jump Edit 9, Circle Stroke 10, Invisible Transition 11, Sound Lag 12, Match Clip + Sound Advance 13, Cut + Jump Cut 14, Cross Cut + Match Clip 15, Match Clip + Cross Clip 16, Add Rapid Aging

Birdman (2014)

The editing point is hidden in the rapid shaking of the shot, that is, the clip is transferred in the motion of the shot.

16 Film Editing &amp; Transition Methods for You to Cut Better Movies 1, Action Sequence 2, Cut 3, Cross Cut 4, Jump Cut 5, Match Clip 6, Fade In and Fade Out 7, Overlap 8, Jump Edit 9, Circle Stroke 10, Invisible Transition 11, Sound Lag 12, Match Clip + Sound Advance 13, Cut + Jump Cut 14, Cross Cut + Match Clip 15, Match Clip + Cross Clip 16, Add Rapid Aging

Here are a few examples:

You can also hide editing with objects that pass through the frame:

16 Film Editing &amp; Transition Methods for You to Cut Better Movies 1, Action Sequence 2, Cut 3, Cross Cut 4, Jump Cut 5, Match Clip 6, Fade In and Fade Out 7, Overlap 8, Jump Edit 9, Circle Stroke 10, Invisible Transition 11, Sound Lag 12, Match Clip + Sound Advance 13, Cut + Jump Cut 14, Cross Cut + Match Clip 15, Match Clip + Cross Clip 16, Add Rapid Aging

Unruly Nights (1997)

Or hide the editing with objects that leave the screen:

16 Film Editing &amp; Transition Methods for You to Cut Better Movies 1, Action Sequence 2, Cut 3, Cross Cut 4, Jump Cut 5, Match Clip 6, Fade In and Fade Out 7, Overlap 8, Jump Edit 9, Circle Stroke 10, Invisible Transition 11, Sound Lag 12, Match Clip + Sound Advance 13, Cut + Jump Cut 14, Cross Cut + Match Clip 15, Match Clip + Cross Clip 16, Add Rapid Aging

Magnolia (1999)

The shot below is cleverly designed to look like Paul Newman is shuffling cards, but he doesn't, which is entirely the effect of the transition technique.

16 Film Editing &amp; Transition Methods for You to Cut Better Movies 1, Action Sequence 2, Cut 3, Cross Cut 4, Jump Cut 5, Match Clip 6, Fade In and Fade Out 7, Overlap 8, Jump Edit 9, Circle Stroke 10, Invisible Transition 11, Sound Lag 12, Match Clip + Sound Advance 13, Cut + Jump Cut 14, Cross Cut + Match Clip 15, Match Clip + Cross Clip 16, Add Rapid Aging

Deception within Deception (1973)

<h1 class="pgc-h-arrow-right" >11, sound lag</h1>

Sound lag is a transition based on sound effects editing, which preserves the sound of the previous shot for the next shot.

16 Film Editing &amp; Transition Methods for You to Cut Better Movies 1, Action Sequence 2, Cut 3, Cross Cut 4, Jump Cut 5, Match Clip 6, Fade In and Fade Out 7, Overlap 8, Jump Edit 9, Circle Stroke 10, Invisible Transition 11, Sound Lag 12, Match Clip + Sound Advance 13, Cut + Jump Cut 14, Cross Cut + Match Clip 15, Match Clip + Cross Clip 16, Add Rapid Aging

In fact, it is not only used for scene transformation, but also for simple dialogue between characters.

Correspondingly, the sound preconceived is that the sound effect of the next shot is sounded in advance in the picture. These are very subtle editing techniques that the viewer may not notice while watching. Sound lag and preconceived are intended to ensure the coherence of the film's rhythm. From one scene to another, it creates a perfect transition, guiding the audience through sound effects, and playing a role in carrying on from top to bottom.

Sound preconceived is also great for introducing new elements to a picture.

16 Film Editing &amp; Transition Methods for You to Cut Better Movies 1, Action Sequence 2, Cut 3, Cross Cut 4, Jump Cut 5, Match Clip 6, Fade In and Fade Out 7, Overlap 8, Jump Edit 9, Circle Stroke 10, Invisible Transition 11, Sound Lag 12, Match Clip + Sound Advance 13, Cut + Jump Cut 14, Cross Cut + Match Clip 15, Match Clip + Cross Clip 16, Add Rapid Aging

<h1 class="pgc-h-arrow-right" >12, matching clip + sound pre-e</h1>

"The Graduate" uses matching clips with sound preconceived.

16 Film Editing &amp; Transition Methods for You to Cut Better Movies 1, Action Sequence 2, Cut 3, Cross Cut 4, Jump Cut 5, Match Clip 6, Fade In and Fade Out 7, Overlap 8, Jump Edit 9, Circle Stroke 10, Invisible Transition 11, Sound Lag 12, Match Clip + Sound Advance 13, Cut + Jump Cut 14, Cross Cut + Match Clip 15, Match Clip + Cross Clip 16, Add Rapid Aging

The Graduate (1967)

<h1 class= "pgc-h-arrow-right" >13, ioning + jump cut</h1>

The segment of Mad Max: Fury Road is a cut-off. From Max cut to his visual illusion, jump back again, and then jump clip until Felossa knocks him down.

16 Film Editing &amp; Transition Methods for You to Cut Better Movies 1, Action Sequence 2, Cut 3, Cross Cut 4, Jump Cut 5, Match Clip 6, Fade In and Fade Out 7, Overlap 8, Jump Edit 9, Circle Stroke 10, Invisible Transition 11, Sound Lag 12, Match Clip + Sound Advance 13, Cut + Jump Cut 14, Cross Cut + Match Clip 15, Match Clip + Cross Clip 16, Add Rapid Aging

Mad Max: Fury Road (2015)

<h1 class="pgc-h-arrow-right" >14, cross-clipping + matching clip</h1>

Gladiator uses cross-matching editing.

16 Film Editing &amp; Transition Methods for You to Cut Better Movies 1, Action Sequence 2, Cut 3, Cross Cut 4, Jump Cut 5, Match Clip 6, Fade In and Fade Out 7, Overlap 8, Jump Edit 9, Circle Stroke 10, Invisible Transition 11, Sound Lag 12, Match Clip + Sound Advance 13, Cut + Jump Cut 14, Cross Cut + Match Clip 15, Match Clip + Cross Clip 16, Add Rapid Aging

Gladiator (2000)

<h1 class="pgc-h-arrow-right" >15, matching clip + cross clip</h1>

"Miracle in the Green" is a matching clip plus cross-editing.

16 Film Editing &amp; Transition Methods for You to Cut Better Movies 1, Action Sequence 2, Cut 3, Cross Cut 4, Jump Cut 5, Match Clip 6, Fade In and Fade Out 7, Overlap 8, Jump Edit 9, Circle Stroke 10, Invisible Transition 11, Sound Lag 12, Match Clip + Sound Advance 13, Cut + Jump Cut 14, Cross Cut + Match Clip 15, Match Clip + Cross Clip 16, Add Rapid Aging

Miracle in the Green (1999)

<h1 class="pgc-h-arrow-right" >16, adding rapid aging</h1>

Saving Private Ryan adds a rapid aging effect.

16 Film Editing &amp; Transition Methods for You to Cut Better Movies 1, Action Sequence 2, Cut 3, Cross Cut 4, Jump Cut 5, Match Clip 6, Fade In and Fade Out 7, Overlap 8, Jump Edit 9, Circle Stroke 10, Invisible Transition 11, Sound Lag 12, Match Clip + Sound Advance 13, Cut + Jump Cut 14, Cross Cut + Match Clip 15, Match Clip + Cross Clip 16, Add Rapid Aging

Saving Private Ryan (1998)