Yuan Zhengyang's "What Year Is This Evening". What day it is, open the phone and check it out. But those who ask what year this evening is are not worried about the people in the heavenly palace, but have their own hearts. This beautiful woman wrapped her hands around her legs, pursed her lips, and her eyes seemed to be looking ahead, but she was slightly downcast, and she was really thinking about her heart, which was difficult to express in the picture.
Liu Kongxi's "Youth Chronicle No. 17: The Wind Comes from Hometown". The wind blew in through the window, and my hometown was outside the window. Nostalgia is an emotion that Chinese can never give up, and it is also embedded in the deep psychological structure of the intellectual youth who go up to the mountains and go to the countryside. The lines of the picture show the wind very well, but the eyes of the beautiful woman do not look out the window, because the miss of the hometown is not mainly "to see", but to "think", this kind of "thinking", the photo is difficult to shoot, because it is difficult for the people in the painting to cooperate, even if the cooperation is in place, it is difficult for the photographer to shoot it properly.
Xu Qingfeng's "Heart Language". The book held by the beautiful woman in her hand is bright, but the beauty's eyes seem to be looking at it. The so-called heart language is to want to be quiet and not let the environment speak, this, the camera can not do.
Yang Feiyun's "Daughter Bed". The title says tatami, you see beautiful women. The tatami is not only the tatami, it is also the objective environment of the psychological activities of the beautiful woman, which is composed of the furnishings and light of the tatami, etc., and on the whole, it is relatively concise. In such an environment, can the beauty in the boudoir have some simple and beautiful youth dreams? I am afraid that such mental activities will not be able to show it in photographs.
Li Guijun's "Incredible". The relationship between man and the mirror, adults know, feel incredible, that is you are still young. If you are young, even if you know the relationship between man and the mirror, you will still feel incredible for the various effects that continue to appear in it. This is youth, youth that the camera can't capture.
Xu Mangyao's Ode to the Window. Look at the hands and look at the face and you will see piety, purity and open heart. The beam of light that opens from top right to bottom left is closely related to the subject, but the camera is difficult to capture.
Guo Runwen's "Sarah's Key". The key, you can see very little; the cross, you can see very clearly. The key was used to open, and honesty was required before the cross. The movements and postures of the beauties fully reveal the connection between them, which the painter knows, but the camera does not.
Ai Xuan's "The Man Who Walked Far". This is a little beauty, and the simple heart will also have thoughts. The little beauty has hair covering her eyes, but she can still see and even feel more radiance. If it is a photograph, it is difficult to guarantee that the environment will not come to make trouble.
Yuan Zhengyang's "Dark Incense". All incense is not dark, but when you are thinking about your dreams, the incense goes to the dark, which makes the camera anxious.