The wording of "Wuhai" starring Huang Xuan's post is very interesting, saying that "I took over this movie on a whim", although the second half of the sentence was followed by the desire to yang first suppress "until I really entered the play, I found that the role of Yang Hua was a weight that I could not bear".
How heavy is it?
In a scene with complicated emotions, Huang Xuan slapped himself more than ten times in a row, without mercy.
In order to be closer to the state of the character, Huang Xuan took the initiative to find a room without windows to live in for a long time.
The perception of "Wuhai" is very complicated, on the one hand, the suffocating feeling of falling down spreads in details such as husband and wife quarrels, which is real and strong;
On the other hand, the main line in the important plot that is constantly falling makes people feel that under the character's daily real coat, the creator's slightly deliberate purpose is slightly emerging.
In other words, the character state and emotional state in the story are very infectious to me, but the story line is faintly made people feel a little bit of implanted rigidity.
<h1 class="pgc-h-arrow-right" Data-track="99" >, the suffocating feeling of ordinary people constantly falling. </h1>
The essence of the story of "Wuhai" is that two young people who are not very adulterous and evil are gradually out of control after being caught in the whirlpool, and the core tragic point may be "ordinary and not ordinary misfortune".
Of course, ordinary people will not be easily involved in high debts, ordinary people will not kill people and set fires, and ordinary people will not drive their wives off a cliff in an attempt to cheat insurance.
Not ordinary events, ordinary emotions.
The wife played by Yang Zishan has an inexplicable affection with her former old classmates.
Yang Hua, played by Huang Xuan, has limited ability, comes from a poor background, has long lived in the support and discrimination of rich parents-in-law, and wants to do a big career and is unfortunately caught in the bottomless pit.
The situation is saccharine, the mood is sensitive, and the state is extreme.
The two most distinctive points of this character are the untimely extravagance of "wanting to be a decent good person", and the other is the roaring burning anger.
First of all, anger, desperate, deceived and forced to be perfunctory and stimulated, more angry than a ring, and the base color suppressed grievances.
Yang Hua owes a huge debt, not because he spends days eating, drinking and gambling, but because of the failure of entrepreneurship and the deception of money.
The man who comes to the door to force him to pay him back will do whatever it takes, and when he becomes a debtor, he is always sent off perfunctorily.
In the same relationship of causal interests, whether he stands on the left or the right, whether he is a debtor or a receiver, he will always be in a substantially weak position.
The old classmate was slippery and perfunctory, exhausted by means, and he bitterly wanted to be in debt and was angry and took extreme measures: a fire burned the desert moon tent that the other party was trying to run.
Obviously, he is a character suspected of killing people and setting fires, but Huang Xuan's version of the "nest of sinners" still has the pity of "bitter and extravagant hope to keep the bottom line".
Deeply in a debt crisis, with nothing to achieve and a body of debt, the debtor forced himself to go downstairs, wrote "Yang Hua repays the money" on the wall with bright red paint, and even went to his parents' house to take away the naïve and ignorant little nephew.
Instead of returning his money, he was arranged to make a living in debt.
Vivi, a young girl who can't afford the money, tries to "meat" at the instigation of her.
Deserted, lonely men and widows, Yang Hua rejected this peach-colored proposal.
He even had some pity for this little girl who couldn't see her head, and for Yang Hua, who couldn't breathe herself, this was pitiful, too bad.
This kindness, for him, is a sky-high luxury that he simply cannot afford.
After that, his wife saw the girl's naked loan message sent by others on his mobile phone, he saw the confusion between his wife and his old classmates, and the contradiction between husband and wife completely broke out and exploded to the end.
The follow-up story continues to fall, from misunderstanding each other to escalating disputes, from feelings to door contradictions to children belonging, a pair of true lovers finally become each other's closest and most hated nightmare.
<h1 class="pgc-h-arrow-right" data-track="46" > two, the dual source of discomfort. </h1>
In "Wuhai", Yang Hua meets a girl Wei Wei who "died because of five thousand mobile phones".
At first, the girl only borrowed five thousand yuan, on the grounds that she wanted to buy a mobile phone, vanity, and if she didn't buy it, she would be looked down upon by the people in the dormitory.
Five thousand dollars she could not afford, so she borrowed more and more, and after repeated cycles, it became an astronomical number that she could not repay at all.
The girl tries to "pay for meat", is rejected by the male protagonist, but is suspected of being taken advantage of by another person who wants to be in debt;
After such humiliation, the private photos of the girl who could not repay the money were still exposed on the Internet, and in anger and despair, the girl and Yang Hua argued and cut their wrists on the street.
Yang Hua sent the girl to the hospital door, turned his head and reasoned to his beast teammates: How can you do such a thing?
The news was that the girl had died on the road opposite the hospital.
This paragraph is very uncomfortable.
The first layer of discomfort is the strong out-of-control texture of Wei Wei's character, and yang Hua's fierceness of "wanting to maintain basic moral basic decency and wanting to have at least a bottom line but can't".
This discomfort, in a sense, is a sign of the film's success, accurately conveying complex and immersive emotions.
The second layer of discomfort is that the story seems to be somewhat "hot implanted".
This layer of "discomfort" may be the embodiment of the technique that is not 100% round.
It is not a kind of "transplantation" that implants advertising-style implants, but the kind of "transplantation" that implants hot topics and pain topics into the plot.
Of course, the texture of "Wuhai" is much more natural than the drama of forcing cue various hot topics and then talking at length, but there is still a vague sense of disobedience.
Necessity, sufficiency, and a sense of naturalness all seem to be slightly lacking.
The details of the decoration, tableware, food and other details of different income families in the film are very real; in this extremely real and non-suspended background, the internal "organicity" of some characters and plots may not be 100% suitable.
Are you saying the girl character is "unreal"? It can't be said that there are indeed such cases in reality; Yang Hua's situation may indeed be arranged for such a hot business, and the girl after the collapse may indeed not be able to think.
It seems that every step is right, but it somehow feels "not original enough" when assembled.
In contrast, "Wuhai" seems to have stronger conflicts and more concentrated contradictions than Zhou Ziyang's "Old Beast", but on the contrary, individuals may be more accustomed to the rhythm of Tu's teachers in that play.
<h1 class="pgc-h-arrow-right" data-track="100" > three, several points of expression. </h1>
Let's talk about some of the most impressive expressions in the film.
After Yang Hua was humiliated and deceived, stimulated by the tragic death of the girl, and suppressed his anger to the extreme, he knew that there was no hope for money, and turned to the crazy revenge road of "big deal and end".
A fire burned the tent of the desert moon.
A group of people hurried to fight the fire, and the performance team in front of the tent still did not move to blow and play.
The scene is interesting, witty and mocking, figurative and abstract.
Put sadness and despair, hatred and hurt in the hilarity.
Above the dunes, Huang Xuan's face gradually became crazy and out of control, and the more he was happy, the more desperate and out of control he became.
Drive to a deserted "dinosaur park" where half of the dinosaur's teeth are destroyed.
He picked up a round object that looked like a tattered object, which turned out to be the eyes of a dinosaur.
Yang Hua tried to reset the dinosaur eye, but no matter how it was stuffed, it fell down like a rag.
In my eyes, this worn-out picture of "the eye of the dinosaur is broken" has a impact comparable to the famous scene of "the dinosaur swallowed Huang Xuan".
He was lost, drowned in his dinosaur dreams, and eventually devoured, leaving one or two desolate props in vain.
"Wuhai" may be like a large cup of bitter wine, the raw material brewing process may not be perfect, but the impact is strongly spicy and bitter, straight to the heart.
Unlike all kinds of plastic saccharin plastic arsenic cream, this is important.