preface:
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The Song Dynasty was the peak of China's cultural development, and the Song Ci we are familiar with is the highest achievement of Song Dynasty literature and has a far-reaching impact. The reason for the brilliant achievements of literature and art in the Song Dynasty was that the economic development and prosperity of the Song Dynasty promoted the development of literature and art in the Song Dynasty; The impact of the imperial examination system; The influence of the flourishing culture of the Tang Dynasty; Ruler support, relative freedom of thought, etc. Calligraphy also played a rapid development in the Song Dynasty, although the calligraphy of the Song Dynasty was not as influential as Ouyang Qing, Liu Gongquan, Yan Zhenqing, and Zhao Mengfu, but there were four most famous calligraphers in the Song Dynasty, namely: Su Shi, Huang Tingjian, Mi Fu, Cai Xiang, referred to as Su Huang Mi Cai. Looking back at the transformation of calligraphy styles throughout the ages, Shang Zhou Shangxiang, Qin and Han Shangshi, Jin Dynasty Shangyun, Southern and Northern Dynasties Shangshen, Tang Dynasty Shangfa, Song Dynasty Shangyi, Yuan Dynasty Shangshi, Qing Dynasty Shangqing. Each generation of calligraphy styles has its own historical reasons, and in the Song Dynasty, the change from "Shangfa" to "Shangyi" has both its profound internal reasons and external factors that cannot be ignored. The Song Dynasty calligraphy Shangyi style is the result of the development of The Gestalt of Chinese characters to a certain extent, and Chinese characters have been closely related to everything in the world since their inception.
<h1 class="pgc-h-arrow-right" > Song Dynasty calligraphy master Xue Shaopeng Xingkai authentic manuscript "Miscellaneous Scrolls" Appreciation:</h1>
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<h1 class="pgc-h-arrow-right" > booker introduction:</h1>
Xue Shaopeng (薛 Shaopeng), also known as Daozu (道祖), was a native of Chang'an (present-day Xi'an, Shaanxi Province) and a famous calligrapher of the Song Dynasty. It is on a par with Mi Xue, known as "Mi Xue". Northern Song Dynasty calligrapher. Song Shenzong was a man of the time. Character Daozu, number Cui Wei resident. Respectfully the son of Gong Xue Xiang, he is famous for Han Mo. He is a descendant of Hedong Sanfeng (薛元敬, 薛收, 薛德音). The children of the family are very rich. In the first year of Yuan You (1086), he was appointed as Chengren Lang, supervising the Taiping Palace of the Qing Dynasty, and the official to the secretary cabinet was repaired, and he was created as Zi Tong Cao. When he was famous for his ink, he was good at judging and appreciating. Friends with Mi Fu, each appraisal is still good, and the gain and loss are compared. The "Book Genealogy" of Sun Guoting was passed down, and later generations pushed it into a fine book. "Xue Shaopeng and Yu are the same as those who have a good love of calligraphy and painting, and when they taste and ask, Yu Xi replies with a poem: "In the world, Mi Xue or Xue Mi is like a brother or a brother." Gongzheng, Xing, cursive, the pen is clear and beautiful, with jin and Tang dynasty laws, and has always been highly evaluated by scribes. It is on a par with Mi Xue, known as "Mi Xue".