The History of Modern Go in Korea - Are the Techniques and Techniques of Go Contradictory?
What is Go? Cho Kwan-hyun, who had studied in Japan, temporarily returned to China and looked out over Nam-so-nam with Cho Nam-chul Hachidan (at the time) ascent of Namsan in Seoul. At that time, Cho Nam-cheol had ceded the position of "Korea's first man" to Kim Yin, and I wondered if Cho Nam-cheol realized that Cho Hyun Hyun would rule the chess world?
1. As a game of Go, there is positive energy
What is Go? Too many people have asked this question in ancient and modern times. Since there are questions, there are natural answers, affirmations and denials, but no one is struggling to correct and correct mistakes. Those celebrities throughout the ages, casually talking in their leisure time, have not done in-depth research, but only general analogies, not out of the scope of common sense understanding. The so-called ancient and modern, in general, this is the meaning.
But now it's different, there's a different interpretation of Go than it used to be, not because there's something going on in the game itself, but because "we," or the world is different from the past. According to a 2008 Gallup survey, the reason why people thought Go was superior to other games was that it was beneficial for self-cultivation and mind development, which was almost unimaginable in the sixties 50 years ago. At that time, Mr. Zhao Nanzhe was regarded as the leader of the crowd gambling.
How did the change in cognition come about? If you only talk about Go, first of all, people's view of the game has changed. The second is that the pioneers of Go persist in establishing a correct view of Go. First of all, the view of games, the view of the "uselessness" of games has been widely accepted in the past fifty years. For example, when we play Go, we don't do anything else, just play for the sake of going down. Spending time and energy, not productive activities, Go is a game of wisdom that "isolates reality". And the focus is on this, the value of the game isolated from reality, which is also the value of Go.
If Go were a realistic game, no one would throw themselves into it. i.e. stale, with or without pleasure. Because we can temporarily detach ourselves from reality through Go, we feel happy and willing to participate. This is also the reason why Go can be passed down to this day.
The horizon of life needs to be constantly broadened and given new annotations. If life is judged by only one value criterion, then life is over before it unfolds, because the answer is given in advance. There are many similar examples in history, such as in a society with a strong ideology, where if the state sets only one value, then all people will be subordinate to it.
But the game denies this subordination. The attributes of all games are freedom and imagination. The game makes people feel the surreal order of disconnecting themselves from their own lives, and in the game world, contradictions and conflicts can also be harmoniously integrated. Luck, strength, and talent can also bring inequalities in the game, but people are willing to accept this inequality in the game and actively affirm it. It is precisely because it is positive that we feel happy and calm, freed from repression and bondage, and released our vitality. That is, positive energy arises from within us.
A scene of Korean Go boom. Just wait for the referee to announce the start of the game, and then knock the chess piece like a hailstorm pouring down.
2. What is Go? A world of art and art
In the end, Go is played by oneself, even if there is a person sitting opposite, everything is his own. Time has passed and you are still stuck in it. The prologue of Go emphasizes the level of "art". Think of Xiuya or Wu Qingyuan's prologue, or your prologue. Layout start, what specific moves do you have in mind? Or is it a blur of chaos immersed in inexplicable thoughts? This sense of chaos in the face of emptiness, even for a moment, is the core of the Go game. The ambiguity of the prologue, which we can only understand and cannot say, is a realm of forgetting words.
Figure 1 (Prologue from the heart)
White Kobayashi Kyūdan Kuro Takemiya Masaki Kudan (1989 36th NHK Cup Final in Japan)
Kobayashi Kyūkudan broadens the board as much as possible, from white 1 to white 5, which is a technique that professional chess players will not easily walk. Or rather, this move is too upright. However, the nature of Go can only be revealed when combined with human personality. This game of chess Kobayashi Kyūkudan may take a deep breath and embrace Go as widely as possible.
Face the chaotic sensation of the empty orange for a moment, and then wait for a sensual thing to burst out of it with figuration. In this way, we portray ourselves in the prologue, such as the creation of an artist. This is where the art of Go lies. Moreover, our body language is incorporated into the chess game.
Figure 2 (Expressing a chess game with body language)
At the end of the 19th century, a scene appeared in the chess game of Japanese Go celebrities, and Black 1 made a big mistake. This kind of mistake can be detected immediately after it falls, but it is too late to regret it, and the black party will inevitably regret it and turn its head. Because of the next change of the map, it feels like the body has been hit. First look at the top of the chess game, the white 2 o'clock into the emergency, the black ▲ is like the knee joint hit kneeling posture? This feeling of being beaten can be felt physically, and body language reveals the truest emotions of human beings.
Change chart
Following the actual battle white 2, the change chart to white 10 black chess has collapsed.
If you pull the "second sub-head" or the "second sub-head" is pulled, the first thing that will be generated is the somatosensory. The Go motto of "two sons must pull the head" is actually a depiction of body language, depicting pain. Even where it needs to be explained theoretically, we try to express it in the most intuitive body language.
If skill and art reach their perfection, the spiritual history of East Asia will be interpreted as the perfection of personality. Zhuangzi's "Ku Ding Chapter" defines the craft that the butcher has cultivated over the years as the perfection of the spiritual realm. That is to say, life can only be perfected through cultivation, and life can be picked up through practice to a higher level and realm. This is not only the wisdom of East Asia, but also the philosophy of the West.
(Original text RongZhi Lan Lie compiled)