<h2 class= "pgc-h-arrow-right" > entangled in gold and jade, the name of the dudian Qunfang</h2>
<h2 class = "pgc-h-arrow-right" > I have a magic disease, every time I go to a place, no matter how many times I have been, I will inevitably think of the events and people that have occurred in the history of this place, a few days ago I went to the blog of BoyouHua in the bush, saw a Saipan travelogue she wrote, commented on what others saw was beautiful, and I always saw the japanese woman who climbed up the cliff and jumped up the cliff during the Battle of the Island and a floating corpse in the sea. So my comments naturally exchanged for a bout of reassurance. </h2>
<h2 class = "pgc-h-arrow-right" > in Shenzhen with granddaughter, every year by summer vacation can return to Chengdu to live for a few days, home in Shuangqing Road, every time at the intersection, always think of a word, "Double Qing Class", and then must think of a big celebrity in this team, he is the first to open the Chinese male Dan, the honorary Kyoto giant, his name is Wei Changsheng. </h2>
< h2 class="pgc-h-arrow-right" > this name may be a little strange to everyone, which is normal, because it is not mixed in the theater industry, if it is a person in this industry, it is impossible not to know Wei Changsheng, just like Chinese, you should know Mei Lanfang. </h2>
<h2 class="pgc-h-arrow-right" > Wei Changsheng, zi wanqing, a native of Jintang County, Sichuan. Because of the third rank, he was called Wei San, a famous Qin Cavity Danjiao actor during the Qianlong Dynasty. </h2>
<h2 class="pgc-h-arrow-right" > poor family when he was young, came to Xi'an at the age of 13 to study opera, and performed in Beijing several times, especially during the Qianlong period, he performed a drama in Beijing, causing a sensation. "For a moment, the six classes are not paid attention to, or they are dispersed." Later, he went to Suzhou and Yangzhou to perform, and died backstage when he returned to Beijing to perform in 1802. He was 58 years old. </h2>
<h2 class = "pgc-h-arrow-right" > I like drama, especially like Kunqu opera, opera fans can't talk about it, although often self-deprecating is "Kun chaos is not blocked", in fact, it is a grocery store, the level is also very low, it belongs to the level of which genre can be roughly heard, what singing voice. In addition, this golden hall now belongs to Chengdu, naturally this Wei Changsheng can also be regarded as my hometown, so I have specially studied a plate. After all, I am not a professional, please do not shoot bricks ha. </h2>
<h2 class = "pgc-h-arrow-right" > early Qing Dynasty, the Beijing stage is the Kunqu opera thriving, I think this is probably the same as the Manchu Qing nobles to follow the tradition of the Donglin Party at that time to love the hometown opera, which immediately won the world warriors, but also to listen to Kunqu opera as elegant, for a while attached to the many. </h2>
<h2 class = "pgc-h-arrow-right" > and later the "four major emblem classes" entered Beijing, kunqu opera declined, and during the Qianlong period of the Qing Dynasty, social stability and economic prosperity, local operas in various provinces entered Beijing to perform in the name of wishing the emperor or empress dowager. "Tune from the south to the north, prepare for the joy of the four sides". Because there are many types of dramas, in order to "correct the name", opera began to be divided into two parts: "Huaya". "Yabu" refers specifically to Kunlu, and "Huabu" refers specifically to various local opera genres other than Kunlu, including Beijing. At that time, the Kun cavity gradually declined, and the "flower department" in the Beijing Pear Garden was the most popular in the Beijing cavity, and the royal opera class all played the Beijing cavity and also played the Kun cavity, and then this foreign "Beijing cavity" gradually evolved into Beijing opera and became a thriving in the capital. </h2>
<h2 class="pgc-h-arrow-right" > the above description seems simple, but the water inside is very deep. Wei Changsheng is a native of Sichuan, and his initial contact must be Sichuan opera, which has a considerable influence in the country, why is he a Qin actor? We can know the general direction from his experience, but the inheritance in the performance, even experts can not say clearly, I read a lot of reference materials, but in the end it is still confused. </h2>
< h2 class= "pgc-h-arrow-right" > it is said that Wei Changsheng's Qin cavity is the Western Qin cavity, not the Qin sound we hear today. </h2>
<h2 class= "pgc-h-arrow-right" > he has a lot of Sichuan opera elements in it. At the age of 13, he wandered to Tongzhou, Shaanxi Province, and entered the 'ZiZi Chaos Class' to learn art. Separated by a river in Puzhou, Tongzhou zizi and Puzhou zizi have the same origin, which is also known as the Mountain Shaanxi Zizi by the Jingshi people. In any case, at that time, Wei Changsheng was with this chaotic singing voice, he brought a breath of fresh air to the drama scene of that year, won the applause of the capital, and became popular all over the country, he opened the era of the prevalence of Huadan opera in China, and the technology suppressed the crowd. </h2>
Mr. Gu Jiegang, > of <h2 class= "pgc-h-arrow-right", said in "Beijing Drama Ninety Years Ago": "The early days of the Qing Dynasty were the heyday of Suzhou people performing Kun opera; in Qianlong, the power of anhui and Sichuan drama invaded Beijing, and the Anhui faction seized the orthodox position of Suzhou people, and the Sichuan faction won the popularity of the people with Yanye. Later, the Anhui faction introduced the Hubei faction, and the Sichuan faction introduced the Shanshan faction, which became a situation of confrontation between the erquan and the zizi in recent decades. ”</h2>
<h2 class="pgc-h-arrow-right" > so complex and complex, not to mention these ha. Anyway, Wei Changsheng's beautiful appearance, delicate voice cavity, and beautiful figure made the people of Beijing almost crazy. He not only boldly innovated in the repertoire and words, but also made a breakthrough in makeup, and now Danjiao's makeup and water hair are all invented by Wei Changsheng, which shows his great influence on future generations. </h2>
<h2 class= "pgc-h-arrow-right" > I don't know if Mr. Gu's phrase "Sichuan faction wins the people with Yanye" refers specifically to Wei Changsheng or to the entire Sichuan drama, but this Wei Changsheng performed in Beijing, and the proportion of "pink drama" is too much. The so-called "pink drama" is a play with pornographic elements, that is, this point, Wei Changsheng was caught by people, became a "famous cult sinner", and finally expelled from the capital by the officials. </h2>
<h2 class= "pgc-h-arrow-right" > Wei Changsheng's channeling red naturally caused great dissatisfaction among his peers, and his oblivious "pink play" also made the upright gentlemen in the capital look sideways, and the above table pointed out that he relied on the "naked" form to attract attention, which must be offensive and officially not tolerated. </h2>
<h2 class="pgc-h-arrow-right" >But I have never figured out that Wei Changsheng is a male Dan, how is this "naked" scene on stage? I once heard Mr. Zhou Dong, the host of the "Eastern Zhou Society" program, say that Wei Changsheng's "powder play" was borrowed to perform with curtains, tulle and other props. But I still can't imagine, according to my estimation, this Wei Changsheng is dressed less, thinner, dressed as a demon, softer, singing more charming, as for whether the woman who plays for him can be "naked", at least like the so-called Modern Peking Opera models, everything can only be speculated, because after all, there is no video data left. </h2>
<h2 class="pgc-h-arrow-right" > this Wei Changsheng really did not deserve to lose, he forgot the service object of his grassroots singing method, in the capital, where the "literati bachelors" are concentrated, he wants Yangchun white snow, not Xialiba people. His practice, like all local dramas that grew up in the countryside, was born for the general public, not for the literati, so, although he was extremely popular, he was eventually accused of being the "Wild Fox Sect Leader" and could not escape the fate of being expelled. </h2>
<h2 class= "pgc-h-arrow-right" > it is said that Wei Changsheng often performed in the Sichuan Guild Hall in the capital, and he admired the Jialian written by Li Tiaoyuan, a famous scholar from Luojiang, Sichuan, for the Sichuan Guild</h2> Hall:
<h2 class= "pgc-h-arrow-right" > here can stop, cut candles in the west window, even talk about the hometown scenery: Jiange Xiong, Emei Xiu, Bashan Qu, Jinshui Qinglian, unnamed mountains and rivers are all under the eyes;</h2>
<h2 class= "pgc-h-arrow-right" > into Jingsi to offer advice, Yang Whip North Province, unforgettable sage typical: Xiang Rufu, Taibai poetry, Dongpo Wen, Sheng'an Kedi, Xingmi Jia Renzi and Chang'an. </h2>
<h2 class= "pgc-h-arrow-right" > couplet depicts the famous mountains and scenic spots in Shuzhong, the spirit of the earth, and the feelings of nostalgia for the hot land of his hometown, which makes Wei Changsheng, who is floating outside, have a great resonance, and homesickness arises spontaneously. </h2>
<h2 class = "pgc-h-arrow-right" > the birth of Wei Changsheng, which has brought about a new situation of open development of Chinese drama and made new vitality in opera art, he is the key figure in the emergence of these new situations and new phenomena, and Wei Changsheng has made great contributions to the ancient Chinese opera world</h2>
<h2 class= "pgc-h-arrow-right" > in summary, Wei Changsheng has had a decisive influence on the entire opera industry and made indelible contributions to the progress of opera from classical to modern times. His innovative or improved artistic performance methods, such as combing water heads and stepping on stilts, were widely borrowed and inherited by the theater industry, and were active on the opera stage for more than a hundred years. He has opened up a broad path for the development and prosperity of China's opera, which is of great and far-reaching significance. </h2>