laitimes

Talent base, music shake orchid. (Zhang Guanxiong)

Talent base, music shake orchid.

First, review the glorious history of the former Nanjing Military District Frontline Cultural and Labor Corps of the People's Liberation Army.

Zhang Guanxiong

About the Author:

He is a member of the Chinese Music and Literature Society, the Chinese Excalibur Literary artists Association, the Chinese Music Culture Promotion Association, the First Chinese Literati Award, and the Chinese Contemporary Literati Model. Honorary President of China Literati Research Institute.

In the memory of the old Nanjing people, the front-line cultural and industrial corps of the Chinese People's Liberation Army located in Weigang is a mysterious unit that makes people jealous and hateful. The predecessor of the Chinese People's Liberation Army Frontline Cultural and Industrial Corps was formed by the New Fourth Army Field Cultural and Industrial Corps and the East China Field Army Cultural and Industrial Corps. After the founding of New China, he went to Beijing several times to participate in the national army-wide literary and artistic performances and won awards. Among them, the most proud of us in Jiangsu is the former song leader He Fang, the leader of the old Chinese song troupe, and the famous Chinese songwriter Ling Hongju, who was ordered to go to Beijing to participate in the planning, choreography and performance of the large-scale noontime epic "Dongfang Hong". "Dongfang Hong" is china's most grand and grandest national cultural event with milestones and landmarks to celebrate the 15th anniversary of the founding of the People's Republic of China. In the song and noon program that was finally selected after layers of strict review, two Red Army songs composed by the former song Ren Hongju, "The Soldier Misses Mao Zedong" and "Two Pairs of Straw Shoes to the Red Army" were sung as excellent songs in "Dongfang Hong". This is also the most brilliant golden age of Teacher Ren Hongju's creative career. The great leader Chairman Mao and Premier Zhou and the party and state leaders watched the large-scale noontime epic poem "Dongfang Hong" and cordially received the cast and crew. In the same year, the fourth all-army literary and art show, which was held in Beijing on the largest scale in the history of the whole army, won the award for outstanding songs such as "Harvest Dance" participated in by the Frontline Cultural and Labor Troupe. The opera "Hongxia", which was performed by the frontline opera troupe at that time in Beijing, became popular, and the lead actor Cai Peiying became a household name for a while. It was later produced and published by the People's Liberation Army Bayi Film Studio. It was also in this year that the drama "Sentinel under Neon Lights", created and performed by the then Platters Front Repertory Theatre, aroused the deep concern of the party and state leaders, and Premier Zhou personally gave guidance on the revision and performance of the script. Even those who were born in martial arts at that time

Xu Shiyou, commander of the Nanjing Military District, also showed unusual concern for "Sentinel under Neon Lights.". He has repeatedly discussed with the choreographer and director of the play, the famous writer Shen Simon and others about the drama. Soon, Jin Jing, who performed "The Sentinel under Neon Lights", performed by the former speech, reported the performance to the party and state leaders, cordially received the cast and crew and took a group photo. At that time, the central media had repeatedly reported on the performance of the play. Bayi Film Studio soon put "Sentinel under Neon Lights" on the silver screen and made it into a feature film that continued to be released nationwide. Suddenly, the Good Eighth Company on Nanjing Road in Shanghai became a people's disciple soldier who was greatly respected by the people of the whole country. Tao Yuling, a young actress who played Chun Ni, was also given special attention by Premier Zhou, and after the Cultural Revolution, she was directly transferred from the decentralized Nantong Factory to the Bayi Factory Actors Troupe. It can be said that the year 1964 was a glorious era for the frontline cultural and industrial troupes to be recorded in the history of the history of the people who should be heavily publicized.

Later, according to the requirements of the development and change of the army, the three regiments at that time (the Nanjing Military Region Frontline Song and Noon Troupe, the Opera Troupe and the Drama Troupe) were reorganized into the later Nanjing Military Region Frontline Cultural and Industrial Troupe. Entering the stage of development in the new era, the front-line cultural and industrial regiments were successively replaced by the Cultural and Industrial Regiment of the Eastern Theater and the Cultural and Labor Corps of the Army Political Department of the Eastern Theater of the People's Liberation Army.

Looking back on the glorious history of army building, people can't help but feel infinite emotion.

The Nanjing Military District Frontline Cultural and Labor Corps, as a professional cultural team of the army. In the course of decades of development, talents have emerged and stars have shone. Famous writers and artists who marched from the front line to the whole army have made great contributions to the development of literature and art throughout the country. In the great journey of socialism with Chinese characteristics into a new era, it is all the more necessary for our literary and artistic creators not to forget their original intentions, keep in mind their mission, and dedicate more and better literary and artistic works that are loved by the Chinese people to meet the growing spiritual needs.

In order to let everyone know about the famous writers and artists who went from the front line to the whole country. Separately, they are introduced for reference.

(1) Tao Yuling, a famous film and television actress and former actor of the Nanjing Military Frontline Drama Troupe. Transferred to the "Bayi Film Studio" actor troupe. Representative works include the drama "Sentinel under the Neon Lights" and the movie "The Story of Fort Willow".

Zhang Zhuoya was transferred from the Frontline Cultural and Labor Troupe to the Propaganda Department of the General Political Department, and her father was the daughter of Zhang Yue, a famous erhu player who was a soloist in the former Frontline Cultural and Labor Troupe. Representative works include the songs "Little Grass" (in cooperation with her lover Wang Zujun), "Love Lake", "Farewell" and so on.

Wang Zujun, former director of the creative office of the Frontline Cultural and Labor Troupe, was transferred to the General Political Opera Troupe of the People's Liberation Army and successively served as the head of the troupe and the head of the troupe. Representative works include "Little Grass", opera "Daughter of the Party" and so on.

Cheng Guilan is a soloist in the former Frontline Cultural and Labor Troupe. Transferred to the General Political Affairs Opera Troupe as the head of the fu troupe. Representative works include "Taihu Beauty", "Plucking Roots of Reeds and Firewood Flowers" and so on.

He Dongjiu, formerly the creative studio of the Political Department of the Nanjing Military Region. Transferred to the Propaganda Department of the General Political Department of the People's Liberation Army. Representative works include "China, China, the Bright Red Sun Never Sets" (in collaboration with Ren Hongju) and so on.

Yin Qing, a former creator of the Frontline Cultural and Labor Troupe, was later transferred to the Platon General Political Song and Dance Troupe and successively served as the head of the regiment and the head of the regiment, and his representative works include "Heavenly Road", "Jiangshan", "Wangyue", "Song in the West", "Luhua", "Dedicate Everything to the Party" and so on.

Fan Ming, a former actor in the Frontline Literary and Labor Troupe, was seconded to Beijing and has now changed careers. Representative works include "The Old Man of the Cooking Class", "Ru Lin Wai Biography", "Golden Marriage", etc., which have the reputation of China's first supporting role.

Hou Yong, former actor of the Frontline Literary and Labor Troupe, was later transferred to the General Political Drama Troupe. Representative works include "The Gate of the Great Mansion", "Generals and Soldiers" and so on. It has now changed careers.

Geng Weihua, a soloist in the former Nanjing Military Region Frontline Cultural and Labor Troupe, was transferred to the Second Artillery Cultural and Labor Corps of the People's Liberation Army. Representative works include "Green Military Uniform", "My Mother" and so on.