The program under the eighth issue of Li Chengru's "Drama Confucian Life" was updated on October 29! In this episode, Li Chengru mentioned the case drama in the theme of police drama, and he said in the program that so many screenwriters and so many good actors can't shoot the case dramas and suspense dramas that our own audiences like? Not only that, Li Chengru also talked about some real case adaptations of case dramas, saying that for some film and television works adapted from real crime cases, he believes that this practice is not very moral (below), and proposed that "some things can be filmed, and some things cannot be filmed." ”
<h1 class="pgc-h-arrow-right" > Li Chengru: We will only transplant other people's films? </h1>
In the program, Li Chengru said that he belonged to a semi-silent state for more than ten years, and he did not care much about the drama involved in the case. Later, after he appeared on the two programs of "Actors Please Take Place" and "I Am an Actor", he found that there was a theme that had several times all been performed. Li Chengru gave an example of "Manslaughter" that he had performed in the show, and he said that he had not seen the movie but at least from the clips that the actors showed on the stage, Li Chengru thought it was a good film, a good story. But later Li Chengru learned that this is another transplant of someone else's film, and he questioned it, we will only transplant other people's films? With so many screenwriters and so many good actors, why can't we make real case-related dramas and suspense dramas that our audiences like?
Indeed, there are many remakes of foreign film and television works on the market at present, in addition to Li Chengru's "Manslaughter" mentioned in the program to remake the 2015 Indian film "Manslaughter and Concealment of Heaven", as well as the film emperor Andy Lau starring in the remake of the 2012 Japanese movie "The Method of Stealing keys", while the domestic film "Sunshine Sister Tao" is a remake of the Korean film of the same name and so on. The emergence of a series of domestic film and television works that remake foreign films shows to a certain extent that there is a phenomenon of creative exhaustion in the creation of domestic films, so the innovation of film and television works is about a big problem facing screenwriters and producers at present.
<h1 class="pgc-h-arrow-right" data-track="5" > Li Chengru called it immoral to adapt real cases</h1>
In the program, Li Chengru said that there are also other problems at present, such as how to truthfully reproduce real cases. Because some real cases are really bloody, like some major cases that have occurred in recent years, Li Chengru said that it is immoral for someone to want to spend money to invest in these things. They did not think of some of the feelings of the family of the deceased, under the bright and clean, the evil hand can bury a person alive under the eyes of the public.
"Some things can be filmed, and some things can't be filmed." Li Chengru said on the show that he did not approve of digging out the true story to shoot. Because criminals are too ugly, too ugly things you can expose, these ugliness will also affect some of the emotions of good people.
True event adaptation does appear more often in the creation of film and television works in recent years, although literary and artistic creation originates from life and is higher than life, but the adaptation of true events will inevitably face problems such as infringement of the right to reputation and privacy. In artistic creation, we should still grasp the scale, and we should fully respect the wishes of the archetypes of real events and the normal lives of their close relatives. Communicate fully with the characters involved in the real case, and adapt and create on the basis of taking care of their feelings.
Just like Li Chengru mentioned in the program that we should pay attention to the adaptation of real cases, we should grasp the scale and boundaries when creating a second time, do not harm the image of the real character archetype, and cannot disturb their normal life.