As a youth crime movie/novel, Aoyuki-yan is adapted from the novel novel of the same name by Yusuke Takashi, taking juvenile delinquency as the starting point, telling the protagonist Shuichi Kurimori who kills his adoptive father for the happiness of the family, and finally a series of events that unfold because of it. The film is different from the novel, the novel through The personal perspective of Xiuyi, the depth of the development, with its unique adolescent perspective to look at family ethics and interpersonal relations, very novel, the adolescent's blunt, rebellious nature and concern for the family, eager to use their own strength to maintain the psychological depiction of the family. In this regard, I think that Yusuke Takashi has a very good grasp of the psychology of young people, and the psychological description is also extremely delicate and fits the identity of the character, and the peeping leopard in the tube can see the superb level of his writing.
Xiuyi's biological father died early, he was raised by his mother alone since childhood, and there is a young and innocent sister Haruka, it is conceivable that the lack of fatherly love and the motherly color of the original family and special life background let him grow into a sensitive and delicate heart, calm and introverted personality, while extremely maintaining and caring for the family of the young man, which also laid the groundwork for the tragic fate of his characters.
Xiuyi's adoptive father is hypocritical and bad, covering himself with stability and honesty in the process of interacting with Xiuyi's mother, and once he is combined with Xiuyi's mother, he reveals his true face, he is lazy and irritable, often domestic violence and alcoholism, and is not willing to work, squeezing Xiuyi's mother. Shuichi's mother couldn't stand it and spent a lot of money to get out of her clutches. When the Xiuyi family had a few years of stable life, he once again broke into the Xiuyi family in a barbaric and rogue way, and never left, and the story also began. But such a failed father and husband also has a touch of sadness.
After unsuccessfully resorting to legal means, Xiuyi came up with a clever way to kill people through the knowledge he learned in chemistry and physics classes, successfully killed his adoptive father, forged evidence of his sudden death, and created an alibi through a rigorous plan, the Xiuyi family went through a normal life, and the police also believed in the results of sudden death. The result of everyone's great joy is complicated by the mixing of one of Shuichi's friends, and forced by the friend's threat, he once again steps to kill people, which arouses the suspicion of the police and the public, and eventually embarks on the road of suicide.
Qingzhiyan is a tragedy, but because of the integration of the warmth of the family and the youthful love of the campus, the film mixed with murderous violence will not be gray and pessimistic, and there is more of a spirit of young people fighting against fate, even if the protagonist Xiuyi kills two people, it will not make people disgusted, but full of pity and expectation, perhaps this is also the cleverness of the author's character portrayal. The tragedy in the text is very obvious, increasing the conflict and drama of the novel/movie, and promoting the development of the story, which is embodied in Xiuyi's risk of killing people for the sake of the family, but finally exposed, for the sake of the consummation and happiness of the family, and finally chooses suicide, Xiuyi and his girlfriend Noriko are very in love, and Shuichi, after anticipating his own fate of suicide, in order not to make Kiko sad, deceives Kiko with white lies, and embarks on the death journey alone, which is also a tragedy. Haruka and her mother lost their brother and son, Xiuyi's friends could not get the understanding of their families, and the adoptive father was actually seriously ill but could not get the understanding of her own daughter Haruka until he died, and these tragedies converged so that everyone had their own helplessness and sorrow, and could not be reconciled.
At the end of the film, when Xiuyi finally closes the garage door where he lives, says goodbye to his girlfriend with unknown family members, and crashes into a truck on a bicycle, his heart is no longer wandering and struggling, but more relief and relaxation. In his opinion, the situation would be better without his family, but the pain of losing his relatives will not be the next tragedy, but at least the teenager's thoughtfulness and responsibility make us feel a sense of youthful heroism, more generosity and tragic beauty, and dilute the tragic color. Just like the beginning of the film, a teenager walks out of the garage and quietly drives the car into the distance, not taking away a trace of remembrance and clouds, not dragging and cumbersome. The teenager was like the wind, running into the distance.