Ying's three masters, in the entertainment industry, film and television circles can be said to be a big name that no one knows, Yingda, Yingzhuang, Yingning, each of them is quite famous, and they are talented in the film and television circle.
The Yingda in the Ying family has really reached the realm of "no one in the world knows the king". He directed domestic sitcoms such as "I Love My Home", "Waiting Hall", and "Idle Centaur Sister", which can be defined as "famous". Also "famous" is his marriage to Song Dandan.
Today we will talk about Yingzhuang, who has a great sense of humor, he is an iconic figure on the Chinese comedy stage, and over the past few years, Yingzhuang has directed and starred in many sitcoms such as "Waiting Hall" and "The Story of the Waiting Room".
Yingzhuang, born in Beijing on July 23, 1964, is a Manchu Zhenghongqi person. My father was persecuted in the 1970s, and life at home deteriorated. In order to fill his stomach and take care of his sister, the young Yingzhuang often went to the construction site to steal some copper and iron to sell at the scrap collection station, and then bought buns for himself and his sister to eat.
After graduating in 1986, he was assigned to a research institute in Beijing as an engineer and worked as a manager of a computer company. Later, with the help of his cousin Yingda, he broke into the film and television industry.
In 1993, Yingzhuang served as a screenwriter (with Liang Zuo) in China's first large-scale sitcom "I Love My Home" (the first 40 episodes), which was deeply loved by the audience.
In 1993, Yingzhuang filmed the sitcom "I Love My Home" (the last 80 episodes), in which he not only served as the director of production, but also played the role of "Dr. Yang", which also left an impression on the audience.
In 1995, Yingzhuang filmed the TV comedy "Computer Home" co-produced by Beijing Television and Pulitzer Communications Company in the United States, in which he starred.
In 1996, Yingzhuang starred in the twenty-episode TV series "Urban Scarecrow".
In 1997, Yingzhuang filmed 40 episodes of the TV sitcom "Waiting Hall" as the chief screenwriter, director and star, which created a ratings boom. In the same year, he filmed forty episodes of the TV sitcom "The New Seventy-Two Lodgers", in which he served as executive director and star.
In 1998, Yingzhuang filmed as the chief screenwriter and star in the 20-episode TV series "Psychological Clinic". In the same year, he starred in the Beijing Television New Year film TV series "Home and Everything Is Happy Outside for the New Year".
In 1999, Yingzhuang starred in the TV movie "Years of Peace".
In 2001, after filming the 40 episodes of "Waiting Hall", it was renamed "The Story of the Waiting Room", which was directed by Yingda and written and starred in Yingzhuang Drama, and the main creative staff was basically composed of the original team of people and horses, and gathered in the "Waiting Hall" again.
In 2007, Yingzhuang filmed the sitcom "Underground Traffic Station", in which he played the screenwriter and played the role of Shi Qingshan.
In 2010, Yingzhuang participated in the filming of the movie "L.I. of 11 Degrees of Youth", in which he played a LECC official. In the same year, he filmed the 3D movie "The Legend of the Magic Man" Tang JiKede, in which he played the role of Sima Daochang.
In 2012, Yingzhuang filmed the urban fashion drama "The New Son-in-Law Era", in which he played Hong Kong professor Martin.
Yingzhuang has an innate talent for comedy, and has successively engaged in various professions in the film and television industry such as script writing, drama production, business coordination, performance director, etc., and has a knowledge base laid by professional science, and is an all-round actor with a considerable cultural grade.
However, it is interesting that although Yingzhuang is a very interesting comedy star, his personal life is rarely exposed in front of the media, and to this day, no media has dug up who Yingzhuang's wife is, which is still a mystery.
Of course, in fact, as an audience, we should focus on the actor's work itself, not the actor's private life, right?