Recently, I vaguely remember that when I was a child, I saw a version of the Dream of the Red Chamber, and Wang Xifeng, played by Liu Xiaoqing, went to look for it. Who knows this look, surprising me a lot, the following only says that the film version is better than the drama version of the performance of the part, other than the rest of the details.
First of all, the selection of the first female lead, Tao Huimin is more suitable for playing Lin Daiyu than Chen Xiaoxu, whether it is looks or temperament, although Chen Xiaoxu has more than Tao Huimin, I see the soft beauty of pity, but Tao Huimin is more intelligent and calm than Chen Xiaoxu. Impeccable facial features, graceful posture, even under the umbrella of Fu Yiwei, Chen Hong, He Qing, He Saifei and other top beauties, is still dazzlingly beautiful, worthy of being the first beautiful heroine of the Dream of the Red Chamber.
The role of attacking people, the image played by Yuan Mei in the drama version is relatively thick, it is not easy to associate her with Qingwen's death, when I first watched it, until Qingwen died tragically, I did not see that it was the bad of the attacker; but the film version of the attacker was thin-eyed and thin-lipped, and the eyebrows were permeated with power and strategy, and a face of external and internal adultery. In order to clear the way for his aunt and wife, the inner fox charming Baoyu, the outer beggar Lady Wang, the cultivation of small groups such as the musk moon autumn pattern, and finally successfully expelled his first threat object - Qingwen. Qingwen is not confused, clever and intelligent far beyond the attacker, the small actions of the raider Musk Yue Qiuwen and other people are broken, but they just think that those xiaoxiao people are not worth mentioning, nor do they disdain to fight back, thinking that in addition to overconfidence, she is a free person, and does not tie her fate to Baoyu. Until his death, Fang knew that he was not as strong as he imagined, but it was really better to be like an attacker, first grasp the backer in front of him, and plan for the future.
In the portrayal of the group image, the film version shows the superficial and realistic but difficult family relationship more bluntly, such as Xue Baochao's excuse to look at Baoyu's jade, using beauty to seduce Baoyu, instigating the mouth of the servant to point out the metaphor of jinyu's good fortune, Aunt Xue leaving Baoyu to eat as her daughter's auxiliary road, this series of actions highlights the Xue family's wolf ambition from the beginning, these small moves are recognized by lin Daiyu, who is intelligent in ice and snow, and is mercilessly ridiculed. This paragraph suddenly establishes the contradiction between the emotional entanglement of the three people and the interests of the family. The relationship between this triangle is quite similar to the relationship between the attacker and Qingwen, and it is not unreasonable for the red scholars to say that Qingwen is the shadow of Daiyu.
There is also a passage, that is, when the whole family is reunited to watch the drama in the waxing moon, in the film version, Jia Mu glimpses Lin Daiyu personally feeding Jia Baoyu to drink the wine in his cup in front of the public, and his heart is unhappy, and he criticizes Lin Daiyu's frivolity by ridiculing the author of FengQiuluan. I remember that when I read the book, not a single word in the book mentioned Jia Mu's psychological state, and when Jia Mu criticized the absurdity of the talented lady at length, the author did not describe Daiyu's situation at all. Therefore, when Xiangyun inadvertently said that the drama looked like Daiyu, and Daiyu cried endlessly, I always thought that Lin Daiyu was playing a small sex. After watching the film version, I knew that Jia Mu's criticism was in front, Dai Yu was embarrassed and embarrassed in the back, Shi Xiangyun was as innocent as me, where did I know that here came and went. At this time, I immediately realized the so-called "three hundred and sixty-five days a year, the wind and the sword are strictly forced." "The situation.
In the drama version, Yuan Chun's performance is more decent, and although the film version of Yuan Chun only has two short appearances, it makes me deeply sympathize with this weak girl who is hollowed out by the imperial power and family interests. In the few minutes of the provincial relatives, the scene of the family's happiness and harmony, along with a sentence "Niangniang should return to the palace", Yuan Chun was instantly filled with tears but could only stand up and leave, and did not dare to stay for a moment, really like impermanence. The second appearance was before his death, he could not say a word, only shouted "Grandma, Mommy" and died. If you really got the emperor's favor, how could you be separated from your family from this point?!
The highlight of Bao Dai's love is buried in a paragraph, and the film version is beautifully filmed. Watching the two of them play with each other and the flowers, I couldn't help but sigh. The same scene, if it is Baochao, not to mention that there will be no funeral flowers, I am afraid that when I see Baoyu burial flowers, I can't help but laugh and say: "Boring!" "It's not that I think Baochao is not good or vulgar, as a daughter who has been floating around the business world with her father and brother since she was a child, she was born filial and kind, can appreciate the difficulty of the family business, and understands people's feelings, so it is a very logical concept to be down-to-earth and profit-oriented, but it is not normal. Her pragmatism and the elegance of Baoyu are fundamentally the values and aesthetics of the two worlds. Such two people who are different from each other do not have the emotional basis for living together. And Bao Dai is the same as the child's heart poet feelings, empathetic to people and things, cry and laugh together, even if the two freeze to death and starve to death in the future, it is also you burying the bones of the flowers and I sacrifice the immortals, and the heart is satisfied with the red dust. Just like Shen Fu and his wife in the Six Memories of Fusheng, they lived a poetic and picturesque daily life of poverty, and although Chen Yun died first, his children were separated, and his family was embarrassed, it can be seen in Shen Fu's article remembering his deceased wife that the two have always been deeply in love, and it is enough to snuggle with each other in this life.
Due to the limitation of the above film version, the plot only suddenly focuses on the key plot of the characters, showing the more obscure views expressed in the original book, mixed with the opinions of the red scholars, with a strong subjective stance. In particular, the relevant personnel who caused contradictions and conflicts in the main line of Bao Dai's love were even more heavily expressed. The TV drama version is more relaxed, showing more side characters and details. However, as a red fan, in the face of incomplete and metaphorical foreshadowing of the original work, you can only read the views of the red scholars and the various versions, and this process of careful taste and understanding can only be enjoyed. The above shallow reading, all the red fans saw the smile.