Later this year, a new biopic, Blonde, will be released on Netflix, featuring Ana de Armas as Marilyn Monroe. Adapted from Joyce Carol Oates' novel of the same name, Blonde tells the story of two lives of a woman named Norma Jane Mortenson, who will forever be known as Marilyn.
In short, Norma Jane is California's sweetheart, wearing a sweater and slacks, smiling happily on the beach, with soft curly hair draped over her face. Marilyn, by contrast, was a sexy woman, a slut who wore nothing but Chanel No. 5, sewn into a flesh-colored Jean Louis dress studded with shiny Rhinestone, serenading for Kennedy (JFK).
Although Monroe's costume has become the most respected fashion item in history, the fact is that the actor is not a person who loves to wear clothes. Her image may have been crafted and shaped by herself and her director's studio, but the costumes were just a vehicle for Marilyn.
While she wears the work of American designers James Galanos and Ceil Chapman and holds many of Lanvin's favorite looks, Monroe has never had a strong relationship with fashion designers like Audrey Hepburn and Hubert de Givenchy, which may indicate her average attitude toward style. It's something that can be used as a tool rather than a warm welcome.
In 1950, Hollywood agent Johnny Hyde was located at his home in Beverly Hills.
1951 on a cliff overlooking the Pacific Ocean.
In 1948, when I was in acting class in Hollywood
In 1950, in Griffith Park in Los Angeles, he wore a shirt embroidered with the word "MM."
In 1949, he practiced his steps in a dance class.
In 1956, he and her husband, Arthur Miller, flew in a Thunderbird convertible.
In 1955 in Manhattan and other subways.
Ambassador Hotel in New York in 1955.
Cycling in England in 1956.
At a party at her home in California in 1956.