Original title: An Yiru: Nalan Rongruo is not happy
An Yiru (right) talks to Han Zhanning.
At 7:00 p.m. on February 17th, the "China on the Mountains" Series of Lectures on Chinese Literature was officially opened at the Yantian District Library, and the first guest, the famous writer An Yiru, told the talent and sorrow of Nalan Rongruo with the title of "I am a sad guest in the world - the legendary life of the lyricist Nalan Rongruo". Yao Yinze, deputy director of the Propaganda Department and director of the Civilization Office of the Yantian District Party Committee of Shenzhen, and Yin Litang, director of the Yantian District Library, attended the event, and the famous designer Han Zhanning presided.
An Yiru does not shy away from the fact that his legs are slightly disabled, and laughs at himself that "as long as his face looks good." Outside of the text, she is cheerful, happy, jumping thinking, very fond of expression, often talking about it and finding off-topic, and then "pulling herself back". As a result, a lecture lasted for more than 2 hours, and the atmosphere was warm, and many readers even stood and heard from the beginning to the end.
Naran Rongruo's sorrow is "the sorrow of the troubles of young Werther"
An Yiru said that Naran Rongruo is like a negative side of her personality - his life background is sad, no matter how beautiful things he has, he will feel sad, a bit like Lin Daiyu, happy to scatter and not happy to gather. It is reasonable to say that the "buddy" (referring to Nalan Rongruo) is very handsome and talented. Although his father, Nalan Mingzhu, was an important courtier of the imperial court, Rong Was not an "old man" who entered the official field entirely by his own ability, and was already in the official residence at the age of 24. As for the emotional life, the wife, the confidant with red face, the concubine, all the narans that the man of the world desires, but he is still unhappy.
An Yiru talks about the pain of Naran Rongruo's loss of his wife and many of his mourning poems. But she said that she has not been able to hurt Nalan Rongruo, because there are more miserable people than him, such as Du Fu, such as Tao Yuanming, Tao Yuanming's sorrow is real sorrow, and the biggest loneliness in life is that you have walked alone to the forefront of the times. Naran Rongruo's sorrow is more like the "sorrow of the troubles of young Werther", a little juvenile dazedness, and does not rise to the height of life realization. He was too talented, but his experience was too shallow, and his poetry sometimes hurt his fabrication. But Nalan Rongruo's audience is obviously larger than Tao Yuanming's, because chicken soup is still a little better than good medicine.
I like Naran Rongruo's true nature and pure heart
In the lecture, An Yiru made many comparative comments on Nalan Rongruo, such as "Wang Wei's poetry is the realm of no self, and Nalan is a typical realm of having me"; for example, she believes that su Shi's words are inseparable from each word, such as "ten years of life and death are two vast, do not think, unforgettable." Thousands of miles of lonely graves, nowhere to say desolate. "The qi pulse is consistent. And Nalan Rongruo's "If life is only like the first sight, what autumn wind and sorrow painting fan." Waiting for idle changes but the old people's hearts, but the old people's hearts are changeable. Lishan language strikes midnight, tears rain zero bells finally do not complain. How to be bo lucky Jinyi Lang, than the wings and branches of the day wish. Only the first sentence is Nalan Rongruo's exclamation, followed by allusions he quotes, which is a typical Naran style of writing. In Nalan Rongruo's words, it is difficult to find the consistent qi pulse, basically they first have a sentence, and then make it together to make up a very beautiful thing. After reading Li Hou's words, there is no such feeling.
Although she made various comparisons, An Yiru still said that she liked Naran Rongruo, liked his pure heart, and liked his true temperament. If we were in his place, it would be very difficult to do what he did—without the arrogance of a talented man, without the arrogance of a powerful man, but with an innate sense of equality. She made this comparison to show that the beauty of Chinese poetry is not entirely concentrated on a single poet.
The transgressions of adolescence can become a good education
In the free communication session, An Yiru exchanged her own writing process with the reader. Before 2000, she always felt that being a writer was a very hard thing, and she never expected to dedicate her life to literature. After graduating from college, she had been writing on a forum, when a publisher happened to be looking for someone to write a book about Zhang Ailing, someone recommended her, she wrote for half a year, published her first book: "Look at Zhang Ailing Paintings". "I didn't have any gains or losses since I was a child, and my face was relatively thick. After that half a year of training, I found that I could write happily, and later I had "If Life Is Only like the First Sight". ”
In response to the question of "plagiarism", An Yi responded generously: "I think that all things do not need much explanation in the eyes of those who understand you; in the eyes of those who do not understand you, further explanation is also sophistry." I admit that I was a little careless when I first wrote, such as citing some material clearly, when I was a hairy head and had no formal publishing experience. When you are young, you may only pay attention to absorption, not digestion, or perhaps the digestive system is not strong enough at that time. But I think that if you don't have your own creative passion and talent, you can't create at all except 'other people's things'. The good thing about this thing for me is that it pours a basin of cold water on you under the prestige. The carelessness and negligence of youth can turn into a good experience and education. ”
For the classical poetry boom triggered by the current hotly discussed Chinese poetry conference, An Yiru said that it is not the Chinese poetry conference that makes classical poetry re-ignite, but Chinese love for poetry has always been precipitated in life. I believe that every Chinese parent will buy an ancient poetry selection for their children, and everyone will think of ancient poetry when they see peach blossoms and willows. Poetry is Chinese instinctive love.
Press background
"China on the Mountains" lecture series
In 2017, the "China on the Mountains" series of Chinese literature lectures will be held in the Yantian District Library and Reading Sea Book Bar, after which Ding Xueliang, Wang Luxiang, Zheng Jiaming, Xie Yong, Yin Changlong, Huang Shizhong, Dai Qi, Zhang Qing, Yan Lingjun, Tan Huajie, Wang Shaopei and other well-known scholars and writers will be invited to sort out the traditional literary classics with geographical history as the clue, and tell a classical and beautiful "China on the Mountains and Rivers" in a unique and interesting and easy-to-understand way. Share the profound influence of Chinese literature and traditional culture on the evolution of Chinese history. (Reporter Li Fuying)
(Editor-in-charge: Xia Fan, Wang Xing)