Yu He, Zi Zhong, Zizhi, Tongjiang (Tonglu, Zhejiang) people. He was born in the eleventh year of Yuan Dade (1307) and died in the fifteenth year of Ming Hongwu (1382), at the age of seventy-six. "Hangzhou Zhi": "Hexi Shuhan, in his early years, saw Zhao Wenmin's method of moving pens, linjin and Tang Dynasty, the practice of grass is realistic And Wenmin, and the good deeds get his books, and every time he uses Zhao To know, he cannot distinguish between pawns." Sang Yueyun: "The book written by Zizhi is deeply rooted in songxue's penmanship, and the guijiao is slightly exposed, which is more than the pine snow, just as it is dedicated to Xi zhiye." Wang Shizhenyun: "Among the sons, he was quite famous as the Duke of Zhao Wei, and used the chapter cursive law book "Anxious to Seal", and felt that the ancient color was misty. According to the rules and regulations, after The Emperor Xiang and Suo Jing, only the father and son of the Right Army, Leopard Nu and Sun Quan Er ti, until the end of Tang Dynasty, Huang Changrui began to zhenzhi, but often did not catch his intentions. Zi Zhong's unique ability to find the relic was in the broken ink remnant, so he was driven along with Zhongwen. ”
Yu He's "Dingwu Zen Thesis" book after the book of Zhang Cao self-inscription poems
Yu He's "Seal Li Two-Body Thousand Texts"
Collection of the National Palace Museum in Taipei
Yu He's title is from the back of the Book of Dingwu Zen Thesis: "I am a Zizhi sorcerer in the West Lake, not only leisurely put a cup of wine." Pingsheng Ya is so good that the words are marrow, and the penmanship falls on my hand. Linhe yi order returned to Yujing, and later carved into a strange ugly. Hard work to learn the book, can meet a few people laughing. It is difficult to know the ancient paintings, but he laughs and laughs at the chicken and sings the urn. Nangong Songxue two masters, the name of the intergenerational immortal. The plagiarists will write a few lines to see the end of the study. Calling on the Master Fa to no longer meet, the air rushed to the city. Ming window a few who are friends, sighing at the pool now white head. "On November 3 of the fourteenth year of Zhizheng (1354), it was the volume of the Tianjue Book "Seal Li Ershuo Qianwen", which was hidden in the National Palace Museum in Taipei. Yu He shu and the magic of the multitude, and the circulation of seal lizhang cursive calligraphy seems to be more than zhao shi, following Zhao Mengfu calligraphy multi-body, when Yu He is the first.
Jin Chun's "To the People' Hope"
American Cheng Ke'an Clan Collection
Jin Chun's "Birthday Sticker"
Jin Chun (金琮), also spelled Yuanyu (元玉), is a self-proclaimed Chisong Shannong and a native of Jinling (Nanjing). He was born in the fourteenth year of the Ming Dynasty (1449) and died in the fourteenth year of Hongzhi (1501), at the age of fifty-three. "Collected Poems of the Lie dynasty": "Chun Shan Shu, the first Law Zhao Ziang, in his later years to learn Zhang Boyu, Seiko is cute." Wen Zhengming was extremely happy, and the pieces of paper were decorated into rolls, with the inscription 'Ji Yu'. Wang Shizhenyun: "Yuan Yu pen imitates Wu Xing, old-fashioned, refreshing and cute." Unfortunately, the pen is small and not vulgar. Seeing its title Zhao Mengfu in the "Orchid Pavilion Preface" Cirrus Cloud: "This volume of Song Xueweng in his later years, the pen strength is clear and flowing. The early years of the proposed are like second-hand. The ancients are cloudy, the pen is old, and Si Yanye is also deceiving me. Chenghua sixteen years gengzi june fever, even look at this volume, sweat book. The imitation pine snow book for thirty years, unable to enter the room, chagrin and chagrin. Calligraphy will see more and go in, and the eyes will enter the heart, but it should be in the hands. The three seals of "Suzu" Akamatsu Sannong, "Yuanyu", and "Kim's Yuanyu" were not signed. The Twelve Ancient Poems (Du Yan Supplement) was written a year before his death, which embodies the style of integrating Zhao Mengshun and Zhang Yu's brushwork.
Lu Shen's "Book of Poetry of Qianqi"
Collection of the Palace Museum in Beijing
Lu Shen's "Xingshu Gift Zhizhai Poetry Volume"
Collection of Tianjin Museum
Lu Shen, Zi Yuan, Xiang Shan, Huating (Songjiang, Shanghai) people. He was born in the thirteenth year of Chenghua (1477) and died in the twenty-third year of Jiajing (1544), at the age of sixty-eight. "Biography of Ming Shi Wenyuan": "Gongshu, imitating Li Yong and Zhao Mengfu." Mo is Long Yun: "Lu Wenyu (Shen) said to himself, I and Wu Xing are in the same division of beihai, and the people in the sea take me as the law of Zhao, but they are uneasy about Zhao Ye." In the end, its wind power is really above Wu Xing." "Ziyuan imitates the North Sea, the ruler is especially good, and the people limit it to Wu Xingzhi, and the non-Du theory is also." "Yunjian Zhiluo": "The deep truth of the cursive book is like an iron painting silver hook, and there is a law of vigor, the jaw is in the North Sea, and Bo Zhongzi Ang, a generation of famous pens." Judging from the brush used in Lu Shen's calligraphy works, he is thin and straight, and the twist and turn are more than the round turns, which is close to Li Yong (Beihai) and slightly different from Zhao Mengfu.
Chen Qian titled Deng Wenyuan's "Urgent Chapter"
Chen Qian's "Miscellaneous Poems"
Chen Qian, Zi Shiqian, No. Ner'an Yiren, Gusu (Suzhou, Jiangsu) people. Birth and death unknown (mid-15th century). Ju Jingshi, able to write books in italics, specializes in Zhao Mengfu, and when dyed ancient paper, he is forged as a book of Zhao, and cannot be discerned. Book buyers follow outdoors. The "Illustrated Treasure Book" says: "Calligraphy and painting are all learned from Zhao Songxue, boasting and considerate. Critics also allowed it to have six or seven points. His work of this section has not been passed down much, and on the second day after the Mid-Autumn Festival of the third year of orthodoxy (1438), He guan Deng Wen's original book "Anxious Zhang" volume, the book Guan Qian, and also the book "Prajnaparamita Sutra" of the Southern Song Dynasty Zhang Jizhi: "Li Liao Weng made this book, and the famous pen of the Song Dynasty is also written." Write more Buddhist scriptures and recommend previous lives. Zhao Wenmin gong to the teacher, this view is the scripture, deeply with the pen of the magic, the viewer should not be hastily looked at. In the spring of Tianshun (1463), Chen Qianshu was written in the Pingyin Wangjia Temple. "Found in the photocopy of the "Collection of Famous Traces of Chinese Law Books". See the three poems of Song Lian, Zeng Tang and Qu You (shanghai museum collection) and xinzha yitong. From the calligraphy observation of the inscription and the letter, its pen is more central, the character posture is tight and calm, which is quite zhao's pointillist brushwork, but the rhyme of the circle is inferior to the Zhao family. Some of the heirlooms resemble the works of Zhao Feizhao, whose handwriting is close to that of Chen, and may include Chen Qian's forgeries.
Zhan Xi imitates the plum blossom Daoist "Ink Bamboo Diagram"
The biography of Zhan Zhonghe has been found in the previous note. Zhan Jingfeng's "Zhan Shi Xiao Discernment" said: "Zhan Zhong and the Bamboo Method Plum Blossom Daoist (Wu Zhen), the fun is higher than Xia (㫤), and the pen power is also not allowed to let Xia. However, Yu Meidao's people lost their talents, and because Zhan wanted to show off, he committed suicide to reveal his edge, so he was not exempt from the fiber. "This is using the pen to take the flank, and naturally it is lost to the sky." If you compare with Xia's, from the perspective of change, it seems to be slightly inferior.
Zhao Mengfu Lu Cambodia's "Literary Endowment"
Fragment of Zhao Mengfu's "Thirteen Treks in the Preface to the Orchid Pavilion"
Collection of the Tokyo National Museum, Japan
Zhao Mengfu's "Anecdotes of Wang Xi"
Collection of the Metropolitan Museum of Art, New York, USA
The five families listed above, Yu He, Jin Chun, Lu Shen, Chen Qian, and Zhan Qian, are some of the outstanding achievements of The Master Zhao Mengfu's calligraphy. The works of Zhao that they wrote and forged, which were once mistaken by previous connoisseurs for the authentic works of Zhao Mengfu, show the high level of their calligraphy art. The inkblots of the first three of the five were mostly altered by later generations and became a counterfeit of the Zhao family. Chen Qian and Zhan Xi directly wrote to the Zhao family. Although they are all counterfeits, they are different in different ways. When it comes to how to identify the authenticity of the Fashu, the Qing Dynasty calligrapher and critic Bao Shichen has this dialogue: "That Shangshu (Yancheng) shows the Huating (Dong Qichang) Golden Book Diamond Sutra, and it is better to give it." Ask the truth and give the falsehood. Shang Shu: Why is it false? Yu Yue: This book is prepared for the Huating Law, but there is no Huating Previous Law, so it is false. However, it has to be said to be good. Shang Shu Yue: This can be commented on ancient and modern pseudo-books. Bao Shichen answered his disciple Mei Zhizhi (Yunsheng) in "Yizhou Shuangyi" to inquire about the method of detecting the authenticity of ancient calligraphy, and the analysis seemed to be more specific: "... Since the Zhao and Song dynasties, there have been ten well-known figures, whether it is the majesty of Dongpo (Su Shi), the proficiency of Man Shi (Mi Fu), the beauty of Si Bai (Dong Qichang), and the teaching method has the end. That is, Wu Xing (Zhao Mengqian) intends to tie the body, all with Wang Shize and Li Baochen monuments as the pillow secret, and the Jin and Tang families, also out of their wrists, as for the counterfeiters, they are exclusively taken from one of the fashionable ones, painting according to the character caress, and strive to look, must not be forced to guide the source, in order to seek to be outside the skeleton. Therefore, those who get the name of the trace, know at a glance what is the family, the characters look at the reason why they use the pen to form the body, or take the Meaning of Jin, or abide by the Tang Law, and the whole meaning is attributed to the family, the true handwriting is also. Looking at the book of why the family, carefully seek those who have not seen the law of the predecessors learned by the family, imitate the book. In this way, there is no loss of one. ”
Zhao Mengfu's "Zongyang Palace Thesis"
Bao Shichen's argument is quite pertinent. This is traced back to the source by the end of the teaching method and the structure of the pen. For example, Zhao's life involved in the knowledge, the ancient teacher, and the integration of the strengths of the people to form their own unique style. Later, most of the teachers of the Zhao shu learned the glyph brushwork of the late period, and there was little change, especially those who forged the Zhao shu, and each of them formed a style, the strokes were roughly the same, and there were fewer changes to speak of, such as the big grass of the Ming people pseudo-Zhu Yunming, and the small kai of the pseudo-Wen Zhengming, which abounded, becoming a kind of counterfeiting law. The author believes that for the predecessor law books, it is necessary to identify the law of authenticity, but also to grasp the characteristics of forgery, and the problem can be gradually solved.