If you want to say that the star with the highest education in black powder now, it must be Zhai Tianlin.
In February 2019, when Zhai Tianlin was asked by the audience during the live broadcast, "I want to ask if his papers can be searched on CNKI", he blurted out a sentence:
What is CNKI?
Just these eight words made public opinion explode in an instant.
You know, writing papers in China absolutely cannot avoid the powerful knowledge network of the paper resource database.
As a postdoctoral fellow in film studies at the Beijing Film Academy, Zhai Tianlin's performance in "not knowing the network" is almost equivalent to directly punching his own academic qualifications.
Woe comes out of the mouth.
And this incident, in addition to almost ruining Zhai Tianlin's entire acting career, also made the future thesis check standards in the college industry tighten a lot.
Since then, 2019 has become what people call the "first year of Heavenly Advent".
Every year after that, in the graduation season, Zhai Tianlin would be pulled out by graduates who stayed up late to change their papers to reduce the repetition rate.
No one will scold Zhai Tianlin every year, but every year someone will scold Zhai Tianlin.
While this incident caused public indignation, it also put people's eyes on the back of Zhai Tianlin's academic misconduct and on the secret under the idealism of the university community.
And the new drama that the shop wants to introduce today is about this -
"About the Crisis Happening Here Now and My Favorability"
《About the crisis and my likeability here and now》
Judging from the title of "Adding the title of the book is like a light novel, and it is a bit excessively long", this is a typical Japanese drama.
The series is produced by Japan's NHK Television and directed by Takeshi Shibata of "Yunoku Tsubasa".
The screenwriter is Madeo Watanabe, who has had well-known word-of-mouth works such as "Carnation" and "Stranger".
Because the theme style of the series follows the black comedy route, the supporting actors of the main actors also have their own sense of comedy.
The male protagonist Matsusaka Momori and the female protagonist Suzuki Apricot.
In addition, several other supporting characters are also old acquaintances of ours.
"Uncle Goro" Matsushige Toyotomi, Ten Thousand Years of Evil Kunimura Hayabusa, Ai Yoshikawa, Yoichi Onmizu, Koji Furukan and so on.
The protagonist of the story, Makoto Kanzaki, is a handsome announcer with high popularity and favorability on Kanto CCTV.
But at the same time, he is also a bad media person.
The news industry tries to convey truth and truth, but he is the opposite.
In order to maintain his favorability in the eyes of the public, Kanzaki's trick as a media person is to never say anything meaningful, so as not to offend people.
In an interview about the typhoon disaster, he had no focus except to introduce himself.
He said it for half a day, but it was completely empty and had no connotation.
He was even once suspected of being AI.
But it is such a person, there is also a Bole appreciation.
Because he has no focus and no words, he is simply the most suitable candidate for media public relations.
So just seven years after graduating from Techido University, Kanzaki was introduced by his former mentor and current principal and returned to his alma mater again.
The announcer was transferred to the university publicity commissioner, and his popularity and salary plummeted.
In any way, this is a bad choice.
But Kanzaki himself couldn't ask for it.
Because even if he doesn't change jobs, it won't be long before his unqualified front wave will be quickly photographed on the beach.
And dido University's current job requirement, which only pursues the favorability of the people, just hit the back of his hand.
Having said that, after all, the workplace circles are different, and the methods of doing things are not the same.
On his first day at the university, Kanzaki saw the inside story of the university workplace.
Because of the low birthrate, the number of university enrollments is decreasing year by year, so the relative state subsidies, corporate investment, etc. are also decreasing year by year.
To put it bluntly, there is no money.
The solution that university leadership has come up with is to increase tuition fees.
However, although this is the case, the propaganda departments cannot publish them according to the facts, and can only pull left and right and make a bunch of excuses.
Of course, some people oppose this nonsense plan.
For example, Professor Murata, who is simple and straightforward, pointed out the mistakes and omissions to the point.
But unfortunately, most of the faculty and staff are looking at the nose, nose, mouth and mouth, and have no intention of participating in either party, just hoping that the boring meeting will be revealed quickly.
Therefore, although Professor Murata spoke passionately and reasonably, he still lost without a fight in a silent atmosphere.
Of course, the University Propaganda Department already had its own set of formal templates for such incidents, and there was no need for Kanzaki to worry about it at all.
What really caused him a headache was the mess that his old mentor had thrown at him.
Professor Kishitani, who is expected to be nominated for the Nobel Prize in the school, falsified the experimental data and was reported by postdoctoral researchers in the laboratory, and fell into a crisis of public opinion.
If it is not properly handled, the credibility, funds, student sources, word of mouth, etc. of the school will be seriously damaged.
A group of directors rattled around the principal, demanding a solution.
But what good way can the principal with a scientific research and academic background have, and in desperation, the whole burden is packed and thrown to Kanzaki Makoto.
The reason is simple, the female postdoc who reported academic fraud is one of Kanzaki's ex-girlfriends.
The headmaster ran away, but Kanzaki was dumbfounded.
Because no matter what the directors say, Kanzaki has only four big words in his mind:
No such person was identified.
But in the face of the directors who can determine his career in one sentence, Kanzaki really can't really answer that he doesn't remember and can't do it.
So he could only harden his scalp and began to perform the "beauty plan".
Unfortunately, Kanzaki's real little nine-nine had already been seen through by the other party.
Not only that, but on the issue of exposing academic fraud, the campus news agency also stepped in and hyped it up.
Things are getting harder and harder to cover up, and when the board sees that the road doesn't work, it begins to try to lure insiders with internal reports with the mistakes of doctoral assistants.
The devil is one foot tall, and the dao is one foot high;
The dao is one foot high, and the devil is one foot high.
The two families chased each other and began to roll to death.
At this point in the story, the shop will not have too many spoilers.
A total of five episodes of the Japanese drama tell a total of three real and false game events that occurred in colleges and universities.
Academic fraud, public opinion, interests and truth decisions.
The first of the three events described above.
Although the episodes and content performances themselves have been treated with sand-carved black comedy, the realistic events in which they are satirized remain acute.
The reputation and authenticity of the school, many administrators deal with it in a way that is whitewashed.
Obviously, the university that should be full of idealism and pluralistic voices is too contaminated with various vices in society.
For example, in the third case, the choice to disclose the public opinion of mosquito infection caused by the leakage of school laboratories or the choice to conceal the guarantee that the exhibition will be carried out on time has to be reminiscent of a series of operations at this year's Japan Olympic Games.
The protagonist Kanzaki Makoto's approach has also been ridiculed by netizens as resembling some politicians.
In the play, Kanzaki finally realizes his mistake with the overly sleek organization and makes a change.
In reality, we still hope that the idealists who "don't know how to be flexible" can be more and more.