2020.10.20-23, the 28th China (Shenzhen) International Gift Show will be held in Shenzhen World Convention and Exhibition Center (Bao'an New Pavilion), a mobile museum Jinyu Changlong in Hall 9 K11-14 to agree with you!
In this exhibition, cultural and creative IP has become a highlight section, and cultural and creative works are more worthy of attention and expectations. In recent years, the development of cultural and creative culture and creativity has been in full swing, and has entered the 2.0 era of connotative, practical and diversified development.
A mobile museum, Jinyu Changlong, as a service platform for cultural and creative daily necessities of Huaxia Culture and Culture, joins hands with the museum, with huaxia IP cultural relics as the prototype, integrates its own production enterprises and industrial chain resources, and integrates product planning, design and development, production intelligence, and terminal sales.
The company has rich cultural and IP authorization resource reserves, and has reached strategic cooperation with more than 30 national first-class museums, and the core products and related museums have been jointly launched, with authoritative endorsement; the company has systematic original capabilities and complete product realization capabilities, and continues to launch featured original products; source integration, self-owned production enterprises, solid supply chain, direct supply cooperation, and guarantee profit margins.
Make original products with cultural stories
The culture is profound, and behind each product of the company, there is a cultural relic/cultural story. Bronze ware of the Shang and Zhou Dynasties, jade of the Han Dynasty, gold and silverware of the Tang Dynasty to Song and Yuan porcelain, from the collection of thousands of years of cultural relics to the elegant things of today's life, carrying the orthodox Chinese culture.
IP serialization, an IP through different products, the experience is more ritualistic. Fully explore the value of cultural relics, revitalize culture, explore more creative possibilities, and strive to create an excellent and comfortable scene experience, not only the product itself, but also form a lifestyle and belief.
Multi-material Seiko, both appearance and practicality, taste is better. Horseshoe gold, Boshan furnace, bucket cup, high foot bowl and other diversified utensils and ceramic bamboo, gold and silver copper iron, crystal glass and other materials creative combination, high technology master ingenuity control, digital precision intelligent manufacturing, casting life elegant.
The aroma of tea and wine is amazing
-Tea maker-
The prototype of this product is the tea utensils of the Underground Palace of Famen Temple: Tang Dynasty plain noodle pale yellow glass tea cup and tea saucer. Dehua porcelain glaze changes four colors, and the transition is uniform. Four cups of four colors, dark green, yan red, golden yellow, frost white. Layer by layer, full of ancient meaning. Sigh the joy of the rivers and lakes tea cup tea tray, inherit the elegant style of the Tang Dynasty tea ceremony, with the simple shape of the bucket cup, give the idyllic experience of the landscape, watch the changes of the heavens and the earth, follow the magic of the growth of all things, and enjoy the beauty of the flow of time.
The design of this product is inspired by one of the nine treasures of the Henan Museum: the Lotus Crane Square Pot. The contour characteristics of the original national treasure cultural relics have been preserved, and the lotus petals have been extracted as the design language, the tip of the petals has been designed as a water guide and the finger position for removing the brass tea tray has been taken out. The lid of the cup and the tea tray are decorated with a circle of lightning patterns, and the reverence of the ancient ceremonial vessel can still be felt. A pot of four cups, three things in one. Standing as high as the sky, cranes dancing in the sky; flat as the earth, thick load of all things. Above one seat, the aroma of tea overflows. In the midst of heaven and earth, the circle is square.
The prototype of this product is the collection of Luoyang Museum: Wrong Gold and Silver Tuan Hua Liu Ding. The main material of the "SendIng Affection" tea set is pottery, which is simple and pure, with a texture to the touch, and exudes the beauty of the rough art of slash and burn. The gold-rimmed bottom and the four-petaled flower highlight the luxurious qualities that are born with it. Take it out of the special storage bag and stand on three legs, full and generous. Whoever drinks its source cherishes its source, and the place of peace of mind is home. A long journey, with this good companion, is enough.
-Wine utensils-
This product takes the Cao Wei white jade cup as the prototype, takes its simple shape, embraces its simple nature, shapes the beauty of the first hair of the hibiscus, naturally carves the decoration, and ingenuity interprets the Wei and Jin style. See the landscape, see the wisdom of the people, see the heart. Hold this cup of selflessness and truth-seeking, when you can float life white.
The design of this product is inspired by two classic artifacts in ceramics: plum bottles and goblets. It is designed with the most popular goblet of the Yuan Dynasty as the instrument type, and the Hubei Provincial Museum and Town Hall Treasure Yuan Qinghua Si Ai Tu Mei Vase as the design concept. Wang Xizhi's orchid, Tao Yuanming's chrysanthemum, Zhou Dunyi's lotus, Lin Hejing's plum are painted on the cup body with the technique of over-branching flowers, dense and elegant, thick and light, white porcelain blue flowers, blended together. Meilan Lotus Chrysanthemum, each with its own love, each with its own beauty, all have elegance. Four love goblets, the aspirations of Mu Junzi and Yashi, the glitz and glamour of the world, and the taste of tea and wine, the elegance and vulgarity.
The design of this product is inspired by the collection of the Zhengzhou Museum: Ding Ding, the father of the lift. The shape and ornamentation of the lower part of the cup are taken from the father Ding Ding, using crystal to create a round and full cup body, and copper metal as the bottom of the cup to enhance the thick texture. The bottom of the cup is exquisitely carved with the Yellow River carp, which means that the years are full of years and years, and there are more than one year. Yuanji means combined with the "Ding" gua in Zhou Yizhong, taking the meaning of Daji and Hongfu. This wine is quaint in style and rich in culture, hoping that everything will be auspicious and smooth.
-Tableware-
The idea of this product is derived from the golden bowl of Mandarin duck lotus petals left by He Jia Village, which is now in the Shaanxi History Museum. "Ronghua" high-foot tableware, decorated with tuan pattern, is rich and gorgeous, showing the charm of the prosperous Tang Dynasty. The lotus petal pattern is matched with the tall foot type, and the atmosphere and elegance are unforgettable. On the occasion of the tea and wine banquet, a variety of food and beverage tableware will lift the delicious dishes to the height of appreciation, showing their moving brilliance in an all-round way, and the life is fruitful and the glory is self-evident.
The design of this product is inspired by the treasure of He Jia Village: the eight-petal silver cup of gilded female hunting pattern, which is now in the Shaanxi History Museum. The "Lotus Hope" coffee cup and dish retains the elegant and refined shape of the original national treasure cultural relics, the delicate gold depiction and the full curve shape are integrated, and the height and handle have a unique visual tension, elegant and luxurious. Jingshe net few, small windows spring and autumn, fragrance overflowing, step by step lotus.
The source of this product design concept is a national treasure cultural relic of Shaanxi History Museum: gilded parrot pattern silver jar. The shape of the instrument has a degree, the disc line and the handle present a geometric beauty, which together outlines an exquisite and atmospheric shape, and the cup body and the disc moving average depict several parrot patterns, leading the charm of the new national trend with thousands of autumns and Tang rhymes. According to legend, Emperor Tang Ming and Yang Guifei were very fond of parrots and named their favorite white parrots "Snow Lady". Pleasant time, watching birds and flowers, enjoying yourself, between the beards, dreaming back to the Tang Dynasty.
-Incense Ware-
The design prototype of this product is the Tang grape flower and bird pattern silver sachet, which is perfectly reproduced from the inside to the outside, following the ancient method, the ornamentation is natural and elegant, dense and exquisite, the line surface is decent, and the unique style of cultural relics is reproduced. Using the fulcrum suspension method, the sachet can also prevent the built-in sachet from tilting and tipping over when it is in motion. Whether you carry it with you or as a hangover such as room furnishings or car bags, you can add an ancient charm and intoxicating.
This product takes the Chinese top ten thunder gods as the source, creatively designs the character image, highlighting their distinctive characteristics, pure copper incense ware is carefully carved around the ten thunder gods, the simplified shape is more solemn and bold, gathering heaven and earth aura, showing the right way. Inside the vessel is a detachable lotus-shaped saucer made of silver foot. The top cover is hollowed out with a cloud pattern for aroma spillage. Burn incense to breathe, feel the majesty of the atmosphere between the Qiankun, concentrate on the mind, and have a deep discussion with the people in the same way.
This product is an elegant imitation of the national treasure cultural relics gilt silver and bamboo knot copper smoker. The shape of the Boshan furnace, the perfect carving of the base of the dragon, and the heavy copper components of the dragon all reproduce the majesty and charm of the incense vessels of the Western Han Court. With its reverie and stunning design, intricate carving skills and unparalleled taste of the royal court, this incense vessel is a timeless masterpiece of the combination of the three, and as a model of exquisite and ingenious incense ware, no one has yet surpassed, even if it is reproduced, it is also a great glory. A pot of incense, enjoy life.