Pharmacist Pill Hiroko
Editor's note: At noon today, Xiaobian sent a "Yakuza Maru Hiroko: Known as Yamaguchi Momoe No. 2, 13-year-old first movie with Takakura Ken against each other!" Many readers exclaimed, "It's her, I remember her!" More fans commented affectionately that "although I have to admit that 'Junsheng I was not born, I was born Junjun is old', but I finally had the privilege of being in the same era as Yakushi Maru Hiroko, to be able to see her movies, hear her singing, although the years are merciless, but in my heart she will always be the strong and lovely Shizuka in "The Tragedy of W"..." The following Xiaobian will continue to introduce the development process after Yakuza Maru Hiroko filmed "Sailor Suit and Machine Gun" in 1981!
Yakushi Maru Hiroko "Sailor Suit and Machine Gun"
After filming Sailor Suit and Machine Gun, Hiroko Yakuza Maru took a year off for college exams, and the 1983 retrologue "Detective Story" tells the story of a "childish crack in the world". This time, the precocious female college student took the initiative to entangle a middle-aged detective with a complicated past. Yoshitaro Negishi, a director born in the pink film, meticulously depicts the scene of the two going to the love hotel to investigate the case, and constructs the relationship between the two sides in the most adult space. At the end of the film, the scene between Hiroko Maru and Yusaku Matsuda at the airport has caused a huge conversation among fans, so much so that Matsuda Yusaku specifically mentioned this matter during the stage promotion.
Yakuza Maru Hiroko "Detective Story"
Then, in 1984, Hiroko Yakuza Maru collaborated with Yoshimitsu Morita, a period-inspired film called "My Summer Trip" that abandoned the theme of teenage uncle love and turned to distressed young men and women. Of course, this is not a retrogression to pure adolescence, and in the consumerist artificial landscape of Okinawa in the movie, Yakuza Maru Hiroko gets rid of the interference of older men and thinks alone about what an "adult" is. Just as she asks Momoi "what is the hell about sex", Momoi's answer is "it's a blank mind", and the end of the yakuza Maru Hiroko and Nomura Hironobu "blank mind" to the longing hotel.
Hiroko Yakuza Maru "My Summer Trip"
Finally, when it came to the closing work of Hiroko Yakushimaru in "Kadokawa Hideo", "The Tragedy of W", which was ranked among the top 100 Japanese film masterpieces in the Shunbun newspaper, opening with the scene of "Yakushi Maru Hiroko's First Experience", Sawai Shinichiro made the story of this young woman's efforts to become a famous actor into a sense of heaviness that belongs to the movie. The stage play staged in the film is not only a drama nested as a film structure, but also an actual exhibition of Hiroko Yakuzaru from a girl to an adult and from an idol to an actor. As an "anti-idol idol movie", Hiroko Yakuza Maru has achieved the final maturity in this contradictory two sides.
Yakushi Maru Hiroko "The Tragedy of W"
Japanese film researcher Hana Tsuruya wrote in the article "The End of the Studio System and the Age of 'Freedom'" that after breaking away from the heavy employment and contracts of the studio era, Japanese films in the 1980s created a new physical appearance, and this "body of possibility" brightly divided "private and public, play and work, immature and mature, death and survival". The idol movies of the 80s, which are also in the same era, like the series of movies starring Hiroko Yakuza Maru, are also spiraling through the body of the idol, which constantly influences each other in "purity" and "maturity", exuding a heterogeneous charm that attracts later audiences, and understands the applause!