Liberty Sagittarius Zhong Jiang Film Review
Filmography:
Zuhe, who witnessed his father's domestic violence since childhood, his mother ran away from home, grew up alone, and lived a depressed life, met his mother for many years, gradually eliminated the mustard, from the initial resentment to the acceptance of his mother with his heart, and the younger brother with a second-degree autism piano genius who had never met before, found his family affection in the original lonely life...
"That's My World" is the directorial debut of Choi Sung-hyun, who wrote the film "Reverse Scales", starring Lee Byung-hyun, Park Jeong-min, Yoon Yoo-jeong, Han Ji-min, Kim Sung-ling and others, CJ invested and released, filming began in 2017, and was released in South Korea on January 17, 2018. The movie is a movie about mother-son love and brotherhood performed by Li Bingxian, the story is very warm, but it makes people cry!
This film should be regarded as South Korea's opening year tear gas drama, the long-lost brotherhood + mother cancer This theme is forced to stir up emotions, and Lee Byung-hyun's performance is also shocking, many fans think that disability, cancer, decadent youth, is a Korean routine, but I don't think so, the film rhythm is very good, gradual advancement, slightly moved, unconsciously, moved by this movie, brotherhood and mother-son love portrayed so deeply, but the director did not retain the mother-child relationship at the end, just chose brotherhood, instantly detonated tears.
The film contains the basic elements of Korean sensationalism: childhood of domestic violence, broken family, disabled brother, terminally ill parents, and stewed out the standard family warmth story. The story is bland and bland, and even in the first half it will make you feel lengthy and loose, but it is this bland truth, warm and warm, and the restrained sensationalism that perfectly interprets family affection and understanding, trade-offs and dreams. And when everything is laid, 90 minutes later is a breakthrough for all emotions to erupt, and it is out of control. Whether it is the last perfect performance of his brother Zhentai, Zu he ran to the prison to threaten his father not to get out of prison, not to hurt his mother again, even if this mother has actually abandoned for many years, and when his mother died, his brother took his brother's hand and crossed the road together... It may be really hard for you not to cry. The three protagonists are their respective life roles, mother, brother, mentally handicapped brother, in real life, we can understand how such a family will survive the status quo and predictable future, but the artistry of the film sublimates the suffering of such a miserable family.
There are two handshakes at the end of the film. Once on the bus to the concert, Zuhe's hand held his mother's hand tightly, she was weak like a child, and Zuhe's eyes were resolute, and he was a responsible son. The second time was when he was crossing the street, Zhentai wanted to rush to take a step, but his brother stopped him and took his brother's hand.
For the first time, he forgave his mother, for forsgiving her for abandoning herself and letting him live with that violent father, eating alone, crying alone, enduring beatings, enduring loneliness.
The second time, he accepted his brother, and would take care of him instead of his mother, protect him, care for him, live well with him, and let his musical path become wider and wider.
Although I know that such a movie plot is a routine, I am still moved. Because our world needs genius and bloom, family affection and warmth, forgiveness and forgiveness, responsibility and responsibility.
Yoon Yoo-jeong and Lee Byung-hyun bring their own "drama essence" halo bonus is a major attraction of this play, Park Jeong-min and Han Ji-min are certainly not generalists; and how the Korean choreographers have played the elements (routines) that have been very cheesy for so many years are once again fascinating and tear-inducing, which is really worthy of the so-called "cultural self-confidence" generation to reflect and learn.
Even if we know that the story of the film will develop in the direction we have in mind, even if we know what may happen in each plot, we still can't help but want to look down, and when the ending arrives as we expected, we will still be moved by the movie and cry. If you haven't cried in a movie in a long time, it's worth a look.
There will always be a lot of people criticizing the so-called Tragic Routines of Korean Dramas, feeling the same, but if you know these routines, how can our filmmakers not make a few such works; and there are a few so-called small fresh meats that can be like Park Jeong-min for the role of 6 months of hard training piano, playing an autistic person in a wonderful way, we will just play the score, cut the picture and the yin and yang contract!
To borrow a quote from another film critic: "A lot of people's comments are: plot routines. I think it depends on the dedication and dedication of several leading actors, and the others can be ignored. Needless to say, the younger brother practiced the piano, just the few forms of Li Bingxian who handed out leaflets on the street, vividly appeared to be a street boy who said in his mouth, brother understand, the leaflet has been stuffed in your hand.
Guo Degang said it well, cross-talk is such a number of roads, which are routines handed down from generation to generation. Why do you laugh when I say it, but you don't laugh when I say it at the Spring Festival Gala? The routine is this routine, the script is like this, but I can make you see that I am particularly comfortable with this action, this line is pronounced out very naturally, this expression is particularly in place, this is called having a gadget, having ability.
A good Korean film, most of the actors can do things, have ability, run the dragon set will not let you play. Domestic movies with the same rating usually only starred in online acting most of the time, but occasionally it still feels awkward. Of course, this is still a gap in all aspects, and it cannot only rely on the actors. ”
After watching this movie, I suddenly feel that the tears are so worthless, because after the tears are wiped dry, no trace will be left, and this world that belongs to us is still impossible to escape, we must bear all the responsibilities for the world we face, and we can only face it without choice.
The impossibility is not a fact, just an opinion ------ Muhammad Ali
For more fascinating movie reviews and latest movie recommendations, please pay attention to WeChat: zhongjiangyingping. Original articles, without the consent of the author, it is strictly forbidden to reprint! (Editor: Liberty Sagittarius).