Song Tuoben's "Great View"
Wang Zheng titled the Great View Ofe poem
The ten volumes of the Daguan Ti are the official inscriptions of the Northern Song Dynasty, and the stone was on the first moon of the third year (1109) of the Third Year of Emperor Huizong's Daguan, so it was called the "Daguan Ti". After carving, it is placed under the Taiqing Building, also known as the "Taiqing Lou Ti". At the end of each volume, it is signed "On the first day of the first month of the third year of the Third Year of the Great Temple (1109) by the Holy Will", the two lines of the letter, together with the title at the beginning of the volume and the titles of each scholar in the volume, are all written by Cai Jing. The engraving is much more delicate and accurate than the "Ge Ti", the strokes are calm and plump, and the vertical and horizontal can reflect the magic of using the pen, so it has received high evaluation, and it is considered to be the finest product in the Song Dynasty carving, and even the first fine product of the ancient carving. The Song dynasty Liu Kezhuang said that "Chunhua is the ancestor, and the Daguan is particularly wonderful", and the Ming dynasty Dong Qichang has the saying that "the work of the golden stone is better than that of the Chunhua Ge ti". Takumoto was only used to give to his subjects, and it was rarely circulated outside. The "Great View" was engraved less than twenty years ago, that is, it was changed by Jing Kang. The Jin people occupied Kaifeng, the post version fell, and the north and south did not communicate with each other. After the signing of the "Shaoxing Peace Agreement" (1141), the north and south placed "yuchang" (the exchange tax market for goods crossing the river from north to south) to carry out border trade. The Southern Song Dynasty people were eager for the "Grand View Thesis", and the merchants began to "submerge" a small amount of Tuoben to sell on the field. As a result, the Southern Song Dynasty (Jintuo) shipped goods here, so it was called "Yuchang Ben". Because the original stone of the "Grand View" has long existed, the Yuan and Ming have been re-carved and re-carved. Chen Yibu's engraved Tuoben during the Wanli Period has been passed down to the world.
The existing Song Dynasty rough stone extension is less than a complete set, which is a rare treasure. The Forbidden City has three volumes of the old collection of Wang Shizhen (Yizhou Shanren) in the Ming Dynasty, which were returned to Linchuan Li Zonghan by Huaxia, Dong Qichang, Liang Qingbiao and others in the Qing Dynasty, known as "Linchuan Li Shiben". There are also three fragments, which were originally the old objects of Yang Xieqing of Liaocheng. A fragment of the sixth volume of the old collection of Weng Fanggang of Nanjing University. The Museum of Chinese History has a seventh volume of Gushi Zhang Jianyi. The remaining first, third, and ninth volumes are now extinct.
In the old Tuoben circulated in the Qing Dynasty, the literary scholar Wang Zheng once obtained a fragment of the Southern Song Dynasty's "Daguan Ti" of the "Yuchang Ben". There are three volumes, the eighth and ninth volumes have missing pages, and the tenth volume is complete. He borrowed the Song Tuoben collected by Qi Liaozao many times, proofread it back and forth, and later participated in the three collection appreciation meetings convened by Qi Liaozao. Among the various books, the Qi Liaozao Tibetan Book "is exquisite in paper and ink, or it is suspected that it is the Taiqing Lou Chu Tuo Tuo Zhu Chen Ben, not the Yuchang Ben. Wang Zheng's collection is the same as qi ben, but "the ink is relatively crude, but at first sight he knows Song Tuo, not all of it later."
The Palace Museum's collection of "Daguan Ti" Song Tuoben is the old collection of Yang Xieqing of Haiyuan Pavilion in Liaocheng in the Qing Dynasty, known as "Yang Shi Ben", which is now included in the Complete Collection of Chinese Fa Ti. Three huge volumes of mounted books, brocade inlaid with sandalwood edges, with the inscription of the Qi Liao algae line book. More than 300 inscriptions of Shangzhao Zhao Mengfu, Xian Yushu, Fan Dache, Shen Fengju, Yang Xieqing, Wu Naichen and others, and the inscriptions of Chong'en, Wang Zheng, Yang Shaohe, Sun Yuwen and others. The title of the volume chong'en reads: "Song Tuo Tai Qing Lou Ti fragment of the original manuscript, Dong Jun's Chang family collection of Xi Shi ink treasure." "The second, fourth, sixth, eighth, and tenth volumes, counting five volumes, one hundred and forty-seven pieces of paper, and five hundred and thirty-six lines, are in three volumes." Vivid and moist, it is no different from handwriting. "The white linen paper, cut square, thick ink rubbing, ink black, even moist, the mouth of the word is solid and thick, and the strokes are sharp.
Since the Song Dynasty, this treasure has been appreciated by famous masters. In the second year of Tongzhi (1863), there was another celebrity gathering activity. The collector Yang Xieqing came to Beijing and brought five volumes of the remnants of the Tianyi Pavilion's old collection "Daguan" that his family had obtained from the Tang clan of Dongchang. Wang Zheng saw it, put it on the desk for a few days, and found that his collection and this post could be corroborated with each other. For the sake of prudence, he also asked the calligraphy master Qi Liaozao and Yang Xieqing to meet, and on April 28, "each carrying a collection of books, walking to the opposite view" at the Residence of Qi Liaozao of the Silent Monastery outside the Xihua Gate. This appraisal found that after Weng Fanggang examined the sixteen families of the past, "now in addition to the examination of the three true books, a moment of view, Xun is an ink edge adventure." Wang Zheng was also invited by Yang Xieqing to meet on a whim. The quotation reads: "On the 2nd of April of the second year of the reign of Shi Tongzhi, there were eight days when King Jiachen Maping wang Zheng Dingfu was buried outside the Xuanwu Gate of the Beijing Division. After his return, Wang Zheng inscribed a long poem after his own collection, and there was a sentence: "Twenty years of Beijing eunuchs are not there, and the city of books is frequently searched." When the ancient ink is obtained, the dream is often pregnant with Yu Ge. ”
In June of the fourth year of Tongzhi (1865), Wang Zheng told the old man to return to his hometown and carry his treasured things with him as an entertainment for the old man. Late autumn to Suzhou, through the flat look at the boat covered with water. He wrote in "After Arriving in Hangzhou to Pick Up the Boat" that said: "Walk out of taihu Lake, and look forward to the defeat of the boat." In his later years, Wang Zheng recalled that "the ugly WuJiang broke the boat, and although the things in the boat were defeated, they were not abandoned, and they were only placed in two volumes, and they were filled with sandalwood boxes." I don't know why I lost it when it was yellow." A ship of luggage was only lost by the treasure post, and it was inevitable that until his old age, he still remembered: "Although the things in the boat were defeated and not abandoned, they were only packed in two volumes and held in a sandalwood box." I don't know why I lost it when I was yellow. "And five last words, thinking of this thing, which is emotional. The title of the poem says: "In previous years, when the boat was lost, the "Great View Remnants" stored in it was abandoned here, exposing the time of the book, checking the old things in the fast, and remembering it too much." (Liu Hanzhong)