On May 14th, Huayi International (Beijing) 2021 Spring Auction Exhibition was unveiled in Beijing Huayi Space, a touring exhibition from Shanghai to Beijing that brought together the best of six major sections: Chinese calligraphy and painting, modern and contemporary art, porcelain, jade and handicrafts, ancient books and rare books, jewelry and clock products, famous wine, chen tea and health care, presenting a high-quality and high-standard art feast.
Collectors and art lovers can appreciate the extraordinary artistic charm of Chang Yu's "Chevaux", a museum-level masterpiece in different regions, at different times and on different themes; or witness Zhang Daqian's ink color and vigorous pen strength in Meiyuntang's "Huangshan Qisong Tongjing", and recreate the past of the early Qing Dynasty literary circles with rare inks such as Lü Liuliang in the "Album of Planting Vegetables and Poetry"; they can also find the royal atmosphere in the Qingqianlong Qinghua "Spring Cultivation Map" Fushou Ruyi Big Moon Bottle; or they can enjoy Qi Baishi, Zhang Daqian, Yu Province, The masterpieces of ancient and modern masters such as Wen Boren and Zheng Banqiao, as well as museum-level masterpieces such as Song Dynasty calligraphy and painting, imperial thangka and so on. You can also taste a variety of court porcelain jade, antique treasures, ancient books, jewelry and jadeite, precious watches, trend art, diluted treasures, excellent wines... This spring auction, a collection of classics, extraordinary, is worth looking forward to!
Huayi International (Beijing) Spring Auction 2021
Beijing Station Boutique Exhibition
Time: May 14-18 10:00-18:00
Venue: Huayi Space
Address: No. 2 Jiuxianqiao Road, Chaoyang District, Beijing, 798 Art District Secondary Two
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Rare inkblots of ancient and modern art masters Are gathered and presented
Ancient calligraphy and paintings bring together the best of the best - in the "Album of Planting Vegetables, Poetry and Singing harmony", wuzhi Lu Liuliang, Huang Zongxi and other rare inkblots are used to reproduce the past of the early Qing Dynasty literary circles; the fine works of ancient masters such as Yu Province, Wen Boren, Zheng Banqiao, and museum-level treasures such as Song Dynasty calligraphy and paintings and imperial thangkas.
Modern and contemporary calligraphy and painting show the master's classic masterpieces- Mei Yuntang's treasured "Huangshan Qisong Tongjing" to witness Zhang Daqian's ink color and strong pen strength; Qi Baishi, Lu Yushao, Fu Baoshi, Guan Shanyue and other masters' masterpieces will also appear.
In particular, it displays the amazingly accomplished masterpieces of more than 40 square feet, such as Huang Yongyu and Fan Zeng, and the fine works of the Chang'an School of Painting - the excellent composition of he Haixia, Shi Lu and other representative figures of the Chang'an School.
Wu Zhizhen, Lü Liuliang, Huang Zongxi, etc. "Growing Vegetables, Singing and Poetry"
Note: This subject consists of the following 14 works
1. Wu Zhizhen, Huang Zongxi, Lü Liuliang and other 29 people", "Growing Vegetables, Singing and Poetry Album"
2. Chen Tingjing, Wang Shichen, Liang Qingbiao and 28 others in the "Book of Gifted Poems"
3. Yu Zhiding Statue of Mr. Orange Zhai
4. Wu Zhizhen Xingshu Linyan Zhenqing's "Battle for seats"
5. Wu Zhizhen Xingshu Fan Chengda's "Sixty Songs of Four Hours pastoral miscellaneous"
6. Wu Zhizhen Xingshu Linwang Xizhi's "Orchid Pavilion Preface and Journey"
7. Wu Zhizhen Xingshu excerpts from "Xuetang Xingshi Collection" and "Great Hui Pujue Zen Master Sect Gate Arsenal" two
8. Wu Zhizhen Xingshu excerpt from Yang Shen's "Poetry of Shenglu"
9. Wu Zhizhen Xingshu "Nancun QuitTing Cultivation Record", "Ji Yun Tian Guo Bo Bu Fu Nanjing See Send Two Absolute", "Scribe Runbi"
10. Wu Zhizhen's Book of Later Chibi Fu
11. Wu Zhizhen's book "Five Songs of Drinking After Drinking"
12. Wu Lancheng's book "Tang and Song Poetry Banknotes"
13. Wu Tao Landscape to screen
14. Wu Changshuo and others made and printed nineteen fangs for the descendants of the Wu clan (of which "Lu Ren" and "Wu Zhifang" and "Zhou Qian Millennium Wu Treasures" three pieces are Tian Huang. ）
Yu Province Fish Algae Diagram
Colored paper hand-rolled
28.5×157.8cm
Description:
1. "Secret Temple Zhulin Shiqu Baodi Co-editor (VII)" P4104, Shanghai Bookstore Publishing House, 1988.
2. The Second Collection of Imperial Poetry, vol. 38P25, see Complete Collection of Imperial Poetry, Vol. 3, P101, Chinese University Press, 1993.
3. "Catalogue of Paintings of the National Dynasty", Volume II, see P400, Vol. 1, Catalogue of Calligraphy and Paintings of past Dynasties, Beijing Library Press, August 2007.
4. Bibliography of Past Dynasties, P93, edited by Fu Kaisen, Taipei, 1982 (the People's Fine Arts Publishing House also published this book in 1993, and this entry is based on the second printing of the People's Fine Arts Publishing House in 1997).
Zhang Daqian Huangshan Qisong Tongjing
Vertical axis Colored paper
Painted in 1962
207.5×148.5cm×2
Description: Hong Kong Mei Yun Tang Old Collection; Gao Ling Mei Inscription.
publication:
1. Chinese Painting in the Twentieth Century, Plate 54, Municipal Council of Hong Kong, February 1984.
2. "Mei Yun Tang Collection of Zhang Daqian Paintings", plate 114, Museum of Heritage, University of Chinese, Hong Kong, 1993.
3. "Zhang Daqian's Paintings", Plate 111, Songtao Museum of Art, Japan, 1995.
4. "Breaking the Hand of Chaos: Exhibition of the 120th Anniversary of Zhang Daqian's Birth", Poly Art Museum, 2019.
exhibit:
1. "Chinese Painting of the Twentieth Century", Exhibit No. 54, Hong Kong Museum of Art, 15 February - 1 April 1984.
2. "Mei Yun Tang Collection of Zhang Daqian Paintings", Museum of Heritage, university of Chinese, Hong Kong, April 17 to May 23, 1993.
3. "Paintings by Zhang Daqian in the Collection of Mei Yun Tang, Hong Kong", Songtao Museum of Art, Tokyo, Japan, April 5 - May 21, 1995.
4. Singapore Art Museum, Singapore, "Mei Yun Tang Collection of Zhang Daqian Paintings", 28 February - 27 April 1997.
5. "Zhang Daqian Memorial Exhibition", Huayu Resort, Longwan, Hainan, February 2 to February 28, 2013.
6. "Breaking the Hand of Chaos: Exhibition of the 120th Anniversary of Zhang Daqian's Birth", Poly Art Museum, May 20-26, 2019.
Qi Baishi Gong pen flower insect book
Album eight open colored paper
Painted in 1936
34×34 cm×8
Publication: "Four Absolutes- Qi Baishi Poetry Calligraphy and Painting Prints", Figure 56, Poly Art Museum, April 2010.
Exhibition: "Four Absolutes- Qi Baishi Poetry Calligraphy and Painting Fine Print Exhibition", Poly Art Museum, April 2010.
Zhang Daqian, "Wind And Lotus"
Vertical scroll Colored paper, 191×101cm, 1961
Description: Meiyuntang Old Collection; Gaoling Plum Inscription.
exhibit:
1. "Zhang Daqian's Recent Works Exhibition", Art Museum of The City Hall, Hong Kong, April 21 to May 9, 1962.
2. "Zhang Daqian Painting Exhibition", Victoria Memorial Hall, Singapore, 12-17 March 1963.
3. "Zhang Daqian Exhibition", Malaya, Kuala Lumpur, Language Bureau, 24 June - 2 July 1963.
4. "Zhang Daqian Painting Exhibition", Malaya, Ipoh, Gugang State Association, 9-16 November 1963.
5. "Zhang Daqian Exhibition", Penang Museum, Malaya, Penang, 20-29 December 1963.
6. "Zhang Daqian Exhibition", Jieshoutang and KingWhaBank, Bangkok, Thailand, 12-25 September 1964.
7. "Zhang Daqian Painting Exhibition", Hat Yai, Thailand, Hakka Association, February 2-8, 1965.
8. "Mei Yun Tang Collection of Zhang Daqian Paintings", Museum of Heritage, University of Chinese, Hong Kong, Hong Kong, April 17 to May 23, 1993.
9. "Paintings by Zhang Daqian in the Collection of Mei Yun Tang, Hong Kong", Songtao Art Museum, Shibuya-ku, Tokyo, Japan, April 5 - May 21, 1995.
10. "Mei Yun Tang Collection of Zhang Daqian Paintings", Singapore Art Museum, Singapore, 28 February - 27 April 1997.
publication:
1. Exhibition of Zhang Daqian's Recent Works, Exhibit 6, Museum of Fine Arts, Hong Kong City Hall, April 1962.
2. "Zhang Daqian Exhibition", Singapore Exhibits Catalogue No. 17, Hong Kong Oriental Art Company, March 1963.
3. "Zhang Daqian Exhibition", Kuala Lumpur Exhibits Catalogue No. 17, Hong Kong Oriental Art Company, June 1963.
4. "Zhang Daqian Painting Exhibition", Ipoh Exhibits Catalog No. 17, Hong Kong Oriental Art Company, November 1963.
5. "Zhang Daqian Exhibition", Penang Exhibits Catalogue No. 17, Hong Kong Oriental Art Company, December 1963.
6. "Zhang Daqian Exhibition", Bangkok Exhibits Catalogue No. 17, Hong Kong Oriental Art Company, September 1964.
7. "Zhang Daqian Painting Exhibition", Hat Yai Exhibits Catalog No. 17, Hong Kong Oriental Art Company, February 1965.
8. "Mei Yun Tang Collection of Zhang Daqian Paintings", plate 71, edited by Gao Meiqing, Museum of Cultural Heritage, Chinese University, Hong Kong, 1993.
9. "Paintings of Zhang Daqian in the Collection of Meiyuntang, Hong Kong", Plate 70, Songtao Art Museum, Shibuya District, Japan, 1995.
Fu Baoshi", "Early Spring of Xuanwu Lake"
Lenses 42×50cm on colored paper
Publisher: 1. "Its Destiny is Only New: Commemorating the 110th Anniversary of Fu Baoshi's Birth: A Collection of Folk Treasures of Fu Baoshi's Works", Appendix No. 182, Jiangsu Phoenix Fine Arts Publishing House, November 2014.
Exhibition: 1. His Destiny Is Only New: Commemorating the 110th Anniversary of Fu Baoshi's Birth: An Exhibition of Folk Treasures of Fu Baoshi's Works", Jiangsu Art Museum, December 9-14, 2014.
He Haixia, "Flying Snow in Early August in Yanshan Mountain"
Lenses Colored on paper 68×275.5cm, 1988
1. He Haixia, A Collection of Paintings of Modern and Contemporary Chinese Artists, P116-117, People's Fine Arts Publishing House, 2000.
2. "Dreams Come True: A Collection of Works commemorating the 110th Anniversary of He Haixia's Birth", P122-123, China Guardian, 2017.
Exhibition: "Dreams Come True: An Exhibition commemorating the 110th Anniversary of He Haixia's Birth", Beijing Guardian Art Center, April 14-26, 2018.
Chang Yu's masterpiece "Gunma" is very charming
Museum-level masterpieces, Chang Yu's "Chevaux" made a stunning appearance with extraordinary artistic charm; it will jointly present the masterpieces of 20th-century artists such as Fujita Siji, Pan Yuliang, Zao Wou-Ki, Zhu Dequn and other 20th-century artists traveling to France; the contemporary art section selects Wang Guangyi's "Post-Classical Series" classic masterpiece "Michelangelo Covered by Industrial Fast-drying Paint", contemporary lyrical realism representative artist He Duoling's "Falling Leaves", and Chinese abstract representative artist Tan Ping's important work "I Paint" stage "Untitled" And so on in the contemporary solid force of creation, not to be missed.
Nude women, flowers and animals are the three core themes of Chang Yu's creation. If "chrysanthemum" is the favorite of Changyu flowers, "horse" can be said to be the most beloved theme in Changyu's animal works. Among the eighty-four oil paintings on animal themes known to Changyu, there are as many as 34 paintings of horses, most of which are mainly depicting two horses that are dependent on each other, and only 6 works on Gunma. This "Gunma" is one of the most meticulously depicted works and has an extremely unique color. Different from the artist's 1930s "pink period" paintings with pink and white as the main tone, Chang Yu boldly used bright and beautiful orange as the main color in "Gunma", and there were only two works in this hue in his creative career, the other is "Eight-tailed Goldfish", which just created the market record of Changyu animal theme last year, the fish swimming in the water and the horses playing in the wilderness.
Chang Yu "Gunma"
Oil on fibreboard 110×103cm early 1930s
Signature: Jade SANYU (top left)
Exhibition label on the back of the work: 43rd Exhibition, Chang Yu, born in Sichuan (China), Chinese nationality, Marakoff Town, Seine-Marne, 1 Russo Street Jean-Jacques Russo, 3655, Gunma, 110×103 cm, 1932.
1. French collectors purchased at the 43rd Independent Salon Exhibition;
2. Private Collection of Asia.
43rd Independent Salon Exhibition, Paris, 1932, Op. 3655.
VU Magazine, No. 204, Paris, February 10, 1932, p179;
2. The Complete Collection of Changyu Oil Paintings, Guoju Foundation, Great Future Art Publishing House, Taipei, 2001, p56;
3. "Chang Yu", Hebei Education Press, 2007, p57;
4. "Pioneer Decadence", Hebei Education Press, 2009, p155;
5. World Famous Painters: Jotama, Kahoku Educational Publishing Co., Ltd., 2010, p106;
6. "Chang Yu - Sending Black, Hidden White, Drunken Pink", Great Future Lin She Gallery Art Co., Ltd., 2018, P298.
illustrate:
1. Page 291 of the catalogue of the 43rd Indie Salon Exhibition, No. 3655 Chevaux, priced at 4,000 francs. (Source: Bibliothèque Nationale de France)
2. Attached to the original publication of VU magazine, page 179 of the "Gunma" work side marks the artist's autograph "Jade SANYU", the date "3.5.1932" and the seal "Changyu".
3. Jean GALLOTTI, French magazine VU, February 10, 1932, No. 204, p. 179, reported on the painting: "Gunma by Chang Yu, is it the naivety of the painter, or is he exploring a certain style, or an exotic concept?" ”
"Gunma" features seven jubilant horses, and there are no other actual scenes. It is different from the desolate loneliness common in the artist's later works. The empty wilderness depicted in "Gunma" is a free world, the playful horses are more like poetic spirits, and the overall picture creates an infinitely beautiful, beautiful and dreamlike artistic conception, corresponding to Chang Yu's middle-aged still hesitant and optimistic and open-minded mood, revealing the bright spiritual imagery such as birth chance, beauty, and hope.
On page 179 of VU magazine, gunma's signature is covered in the upper left, and the artist adds the inscription "Jade SANYU", the date "3.5.1932" and the seal "Changyu" on the side of the artwork. (Publication courtesy of former French collectors)
In Chang Yu's works on the theme of "horses", it is rare to exceed one meter. In a letter written to Hou Xie on May 15, 1930, it was mentioned that "today Mr. Arnold of the Tuileries Salon invited me to paint and asked me to create some huge works..." It can be speculated that Gunma is likely to be Chang Yu's special scale creation for the 43rd Independent Salon Exhibition, which is very rare.
Part of Gunma
Chang Yu began painting in 1929, and his creation matured in the 1930s, and his unique artistic vocabulary was impressive. For example, the French art critic Max Jacob once praised his work as "a precise and pure force, both wisdom and skill." Many of Chang Yu's animal oil paintings have been permanently collected in the National Museum of History in Taiwan. Collectors are very reluctant to sell, in the market circulation is scarce, private collection of Chang yu works, it is difficult to find similar works, "Gunma" has irreplaceable academic and collecting value.
Wang Guangyi's Famous Paintings Covered by Industrial Quick-Drying Paints · Michelangelo
Oil on canvas 87.5×63.5cm, 1989
Signed: Wang Guangyi Wang Guangyi 89 W.G.Y (Back)
1. Sotheby's Lot 21, New York, 2007;
2. Beijing Poly Lot 466 in 2008.
1. Wang Guangyi: Art and people, Chengdu: Sichuan Fine Arts Publishing House, 2006, p93.
2. "The Thing in Itself: Utopia, Pop and Individual Theology", Guangzhou: Lingnan Fine Arts Publishing House, 2012, p219.
3. Wang Guangyi: Works and Thoughts 1985-2012, Publisher: Skira (Italy), 2013, p83.
4.《Wang Guangyi Viaggio in Itialia》Publisher: All rights reserved(意大利),2014,P17。
5. Wang Guangyi's Art and Thought: A Collection of Criticism and Interviews, Beijing: China Youth Press, 2015, p334.
6. "Images and Corrections", Sigapore MOCA, 2016, P90.
Zhu Dequn "On the Horizon"
Oil on canvas 81×100cm, 2005
Signature: Zhu Dequn CHU TEH-CHUN.2005 (bottom right) "AU RAS DE L'HORIZON" CHU TEH-CHUN Zhu Dequn
2005 (Back Sign)
1. Attached zhu dequn foundation and Zhu Dequn's wife, Ms. Dong Jingzhao, to open a certificate of personal signature
2. The works will be included in the Complete Works of Zhu Dequn and jointly compiled by the Zhu Dequn Foundation and Ms. Dong Jingzhao
Fujita Tsuguharu, Sleepy Cat
Oil on canvas 22×26.8cm 1926
Signed: Tsuji Foujita 1926
1. Attached French ARCHIVES ARTISTIQUES PARIS guarantee;
2. This lot has been certified by Sylvie Buisson and will be included in Busson's forthcoming Complete Works of Fujita Shiji – Volume IV, No. D26.275H.
Prince Amaury de Mérode and Marie-Claire de Cröy (presented by the Japanese Ambassador to Paris in 1926 as a new wedding present);
2. Isabelle de Potter d'Indoye (granddaughter of Princess Marie-Clare de Chloe).
Pan Yuliang, "Still Life, Green Bottle Lily"
Oil on canvas 46×55cm, 1944
Signature: Yuliang 44 (bottom left)
1. The picture frame is accompanied by exhibition labels and correspondence for the sale of works;
2. Attached 2003 Daniel Martin's personal collection catalogue, serial no. 118 for 2 works by Pan Yuliang;
3. The work was cleaned and maintained in France in 2016, with a studio cleaning and maintenance report.
1. Albert Flament, purchased by the artist in 1947;
2. Lemaigre Dubreuil;
3. Daniel Martin;
4. Private collection in Asia.
The best of the court and the famous porcelain utensils are dazzling
The porcelain, jade and handicrafts section will launch five major sections of the Ming and Qing Dynasty Imperial Kiln Precious Porcelain, Imperial Jade, Religious Art Statues & Copper Furnaces, Famous Old Collections, and Republic of China Literati Porcelain, among which the leading exhibits are Qingqianlong Qinghua "Spring Ploughing Map" Fushou Ruyi Big Hugging Moon Bottle, Ming Xuande Blue and White Flower Cloud Dragon Pattern Ten Ridge Wash and Qingqianlong Imperial System "Zhenfu Mot" White Jade "Changyi Descendants" Album Page, of which "Spring Ploughing Map" Fushou Ruyi Big Hugging Moon Bottle was auctioned by Christie's in London in 2003, according to current data, Only two such large and exquisite moon-hugging bottles exist in the world, which is extremely rare; and another blockbuster auction, the imperial "Zhenfu Mot" white jade "Changyi Descendants" album, the whole set of lots set Qianlong royal pen, imperial painting, imperial seal, imperial system bi as one, the artistic value is extremely high, this jade bi album page was collected by Italian collectors for more than a hundred years, and now reappeared here more than a hundred years later, it is a witness to history, and its historical value cannot be ignored.
Qingqianlong Qinghua "Spring Ploughing Map" Fushou Ruyi Big Hugging Moon Bottle
"Qianlong Year of the Great Qing Dynasty" six-character three-line seal book
Note: Christie's Spring Auction london 2003
H:59cm
Ming Xuande Blue and white cloud dragon pattern ten edge wash
"Daming Xuande Year System" six-character calligraphy
remark:
1. Beijing Hanhai 1996.6.30, Lot990
2. Cover lot of Beijing Poly 5th Anniversary Autumn Auction, December 5, 2010, lot4553
D:20.7cm
QingQianlong Imperial System "Zhenfu Yu" White Jade "Changyi Descendants" Bi Album Page
The colored paper imperial pen "Zhenfu Dingcai" characters, plutonium "Emperor Taishang" seal
Colored paper imperial pen "Youxianglan Sketch", plutonium "sketching" and "Qiwu" double printing
Imperial white jade carved dragon and phoenix pattern "Changyi descendants" bi, engraved "Qianlong year system" and "yang character 200 number" double models
1. Italian collector de luca old collection, from the 1900s
2. Sotheby's Hong Kong Spring Auction 2011, Lot 2805
L:13.5cm,册页L:15.6cm,W:9.5cm
"Tianlu Linlang Old Tibetan Warring States Policy" will lead the first special exhibition of ancient books
The Ancient Books and Rare Books section selects many fine works such as Tianlu Linlang Collection, Ming and Qing Dynasty Fine Prints, Neifu Inscriptions, Buddhist and Taoist Classics, Golden Stone Tablets, Letters and Writings, etc. The most noteworthy thing is that "Tianlu Linlang Old Tibetan Warring States Policy" is stored in two volumes and two volumes, which have been handed over by Ming Wanbiao, Wang Jimei, Qing Gong, Yu Huai, Kang Sheng, Deng Tuo, etc. Leaving the court, re-decorating, printing the five seals, and earning Tianlu, they have long been freed from their own physical materials and values, forming a representation of wealth and power, and a great beauty of cultural and artistic integration.
Tianlu Linlang Old Tibetan Warring States Policy Preservation Two Volumes
Age: Tianlu Linlang Bibliography Song Engraving
Author: (Song) Bao Biao Notes Wu Shi Dao School
Letters: 2 volumes
Paper: Jute paper
Binding: Wire loading
Dimensions: 22.6 × 14.4cm
Seal: Wufu Five Dynasties Tang Treasure, Eight Signs of Immortality Treasure, Taishang Emperor's Treasure, Qianlong Imperial Treasure, Tianlu Linlang, Tianlu Jijian, Ming Zhejiang Capital Command Wanbiao Folk Hope Book, Fengyang Wanshi Zhongjie Family Records
Half page eleven lines, line two crosses, small letters double lines the same, thin black mouth, left and right sides. Song Zhen "Huan, Heng" lack of pen. The "Later Compilation of the Bibliography of the Heavenly Lu Of the King's Ding Tianlu" Volume IV Song Edition History Department, the complete volume of volume 51, the first to twenty-fourth pages of volume 3 are hidden above, and this book is stored from pages 25 to the end. In the book, Zhang Langlang carefully examines the collection of Akihito Wanbiao, Wang Jimei, Qing Gong, Yu Huai, Kang Sheng, and Deng Tuo. During the Cultural Revolution, the Central Committee set up the Central Committee to set up a group of ancient books and cultural relics, and Wu Xixian once looked at this book and wrote it in the "Catalogue of Rare Editions of The Classics of Past Dynasties".
1. "The Later Compilation of the Bibliography of The King's Ding Tianlu Linlang" Volume IV Song Edition History Department
2. "Three Kinds of Calligraphy and Painting Catalogue of the Forbidden City" of "Appreciation of Pujie Calligraphy and Painting Catalogue" (August 6th)
3. "Three Kinds of Calligraphy and Painting Catalogue of the Forbidden City" of "Received Calligraphy and Painting Catalogue" (November 23)
4. The Second National Rare Ancient Books List No. 02834
5. "Rare Edition of the Ancient Classics of the Eye Catalogue" Song and Yuan version P39
Jewelry jadeite classics
Jewelry & Watches Section Selects magnificent jadeite jewelry and fashionable trend art masterpieces for this spring auction, such as top Chinese jewelry artist Chen Shiying Wallace Created in the Summer of 1996 by Hongfu Mantang Maitreya Buddha, Golden Jade Mantang Maitreya Buddha Pair, Natural Full Green Jade Bracelet and Natural Full Green Emerald Bead Chain, Exquisite Patek Philippe Mechanical Watch, KAWS × Dior BFF (Pink, Black) Forever Best Friend (Pink, Black), Goro's extremely exquisite and rare gold shell feathers, all gold prime feathers with gold gold shell silver feather necklace, etc. will appear.
With the theme of "Precious, High Quality, Health Care", the Famous Brew, Aged Tea and Health Care Section brings together the top famous brews from all over the world and collects all kinds of traditional rare and tonic products. Bring you a unique flavor, collection, tasting in one of the "drink", "treatment", "meal" feast.
Natural green emerald bracelet and natural green jade bead chain
Chen Shiying Hongfu Mantang Maitreya Buddha, Jin Yu Man Tang Maitreya Buddha pair
Size of Maitreya Buddha: 27×17×18cm
Size of Maitreya Buddha: 16.5×11× 13.5cm
Materials: Ruby, Obsidian, 22K Gold, Emerald, Obsidian, 22K Gold, Silver
Craftsmanship of the Heart - Sculpture and Jewelry Art Exhibition, Published by the Capital Museum, Exhibition No. 068:
Capital Museum's "Craftsmanship of Heart Words - Art of Carving and Jewelry Exhibition", opened on April 29, 2010
KAWS × Dior BFF (Pink, Black) Forever Best Friend (Pink, Black)
Painted in 2019
Dior limited edition design jeans and suits
Synthetic media Polyester plush
H.45.7cm / 30 × 24 × 55.4 cm (original box)
Limited to 500 editions, this work is the 42nd edition and the 160th edition respectively
1971 Guizhou Moutai wine
1 bottle 500ml approx. 970g 1971.3.17
Hidden Rokuzo, Gluttonous Beast Head, Three Ring Jade Picking, Pure Gold Pot
Bottom paragraph: Hidden six-dwelling
重约:672g H:17cm W:16cm
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