Fuzhou News Network, July 23 (Fuzhou Daily reporter Yan Lanping) blessed state, non-heritage brilliant, recently, in the "shake in Fuzhou meet the world heritage" 2021 shake inCity City Good Life Festival series of activities, the organizer specially invited a number of Fuzhou intangible heritage craftsmen, incarnated as the inheritors of the world online to help, to show the image of Fuzhou, tell the culture of Mindu, highlight the charm of Fuzhou, and witness the adherence of "a hundred years of intangible cultural heritage skills, Fuzhou craftsmen inheritance". The event was sponsored by the Propaganda Department of the Municipal Party Committee and the Cyberspace Office of the Municipal Party Committee, and hosted by Fuzhou Gucuo Protection and Development Group Co., Ltd., the Propaganda Department of the Taijiang District Committee of the Communist Party of China, and the Fujian Local Direct Operation Center of the Huge Engine.
Zhang Wenchun: Every goldfish is the embodiment of Chinese culture
The world goldfish looks at China, and the Chinese goldfish looks at Fuzhou. In November 2020, Fuzhou's ornamental goldfish cultivation technology was listed in the list of the sixth batch of intangible cultural heritage protection projects in Fuzhou.
According to Zhang Wenchun, vice president of the Goldfish Branch of the China Fisheries Association and former winner of the title of "Chinese Goldfish Craftsman", Fuzhou has a long history of goldfish farming, and the Ming Dynasty Wanli "Fuzhou Fuzhi" records that "golden crucian carp, can change, can be stored in the basin, commonly known as pot fish." Guo Baicang, a Qing dynasty man, wrote in the Records of Min Production: "'Pot fish' is a goldfish, and there are dozens of people in Yinxiangpu (now Guangda Road, Taijiang District) in Fuzhou. ”
"Every goldfish is the embodiment of Chinese culture." Zhang Wenchun said that goldfish breeding is not only a simple aquaculture process, but also reflects the farmers' understanding of goldfish culture, showing the connotation of Chinese culture through goldfish, reflecting the hard work and wisdom of working people.
On the occasion of the World Heritage Conference held in Fuzhou, Zhang Wenchun hopes that international friends can enhance their understanding of Fuzhou goldfish culture and let Fuzhou goldfish go out of China and swim to the world.
Weng Wenfeng: The jasmine tea making technique reflects the wisdom of the ancestors of Fuzhou
There is a famous proverb in Fuzhou: jasmine on both sides of the Minjiang River, autumn water egret standing on the sandbar, depicting the scene of jasmine wafting on both sides of the Minjiang River in Fuzhou at that time. Jasmine is the flower of Fuzhou City, Fuzhou jasmine tea has become an important agricultural cultural heritage in the world, and the jasmine tea making technology has also been selected as an excellent case of protection practice of national intangible cultural heritage representative projects.
In the view of Weng Wenfeng, the seventh generation of the national intangible cultural heritage list project "Fuzhou Jasmine Tea Making Technique" Nanxian "Ten Drunken Nine Stars Flower Array Method", jasmine tea making technology is the wisdom of the ancestors of Fuzhou and the contribution of the Chinese nation to the world. Jasmine is from the West, and the tea originates from China. Jasmine tea, which is made of flowers and tea, is like a beautiful song that has spread all over the world, and the people of the world love jasmine tea, which is the gospel of the flower tea lovers and the dedication of the blessed state. Jasmine tea in the inheritance of the need to be tea people reverence for nature, quiet heartland, pure respect for the excellent quality, which is also the Chinese tea culture and the world tea culture exchange and promotion.
"The 44th World Heritage Conference was held in Fuzhou, which is the country's love for Fuzhou, and we should pass on the intangible cultural heritage skills well, make better jasmine tea for the world to taste, and let the connotation spirit of jasmine tea pass on to serve mankind." Weng Wenfeng said.
Yang Weihua: Ingenuity inherits a century-old famous dish Buddha jumped off the wall
"Buddha jumping wall with a wide range of materials, there are more than 20 kinds of main and auxiliary materials, such as shark fin, dried abalone, Yaozhu, pigeon eggs, flower glue, hoof tendons, thorn ginseng, etc.; various raw materials are of different textures, but also the use of steaming, boiling, frying, sautéing and other different cooking methods..." "Juchun Garden Buddha Jumping Wall Making Technique" The eighth generation of inheritors, Fujian cuisine master Yang Weihua since his career, insisted on sinking his heart, with a small fire slow stew for more than 20 years of Fujian cuisine career, ingenuity to inherit the century-old famous dish Buddha jumping wall.
"This is unique in the world, the crown of Fujian cuisine." Yang Weihua said that Buddha jumping off the wall is not a dish that simply puts together a variety of dishes. A variety of ingredients blend in taste, do not string each other, and mention each other's tastes, which just confirms the spirit of Fuzhou - hai na bai chuan, there is tolerance is big.
"Buddha jumping the wall is famous throughout the country, many places are doing it, the industry norms are actually not unified, it is inevitable that some good and bad are uneven." He said that as a descendant of the Buddha Jumping Wall, Juchun Garden has always followed the traditional craftsmanship and adhered to the inheritance of ingenuity in making the Buddha Jumping Wall.
At present, Juchun Garden and the Business School have jointly opened the Juchun Garden class to train highly educated talents, and also cooperate with the Municipal Tourism Vocational College and other colleges to train technical personnel. At the same time, we have also formulated industry standards that must follow the ancient method of production to ensure the orderly inheritance of the Buddha jumping off the wall. Yang Weihua said that they have made a lot of efforts in the inheritance and hope to make a contribution to the inheritance of the Buddha jumping off the wall.
Zhu Bing: Polishing the golden signboard of Fuzhou lacquerware
"Lacquerware is one of the three treasures of Fuzhou, which is very representative of the region." Zhu Bing, a representative non-hereditary inheritor of Fuzhou's lacquerware decoration technique, said that the texture of the lacquerware is light and strong, the shape is simple and generous, and the decoration is rich and colorful, which is a national geographical indication product of China. The development of the lacquerware process has been precipitated for many years, and many gratifying results have emerged in recent years.
"Non-heritage campus activities have become a common practice, and many schools now have courses to learn the craftsmanship of lacquerware, which is a very good initiative." Zhu Bing said that the lacquerware has not only increased its local recognition, but also been repeatedly praised at arts and crafts exhibitions across the country.
Zhu Bing said that the development of lacquerware needs to be further promoted, "to promote lacquerware, the most important thing is to let everyone understand its process knowledge and increase popularization." He also mentioned that the lacquerware industry standard needs to be more standardized, and the composition and materials of the lacquer need to have relevant regulations in order to better polish the golden signboard of Fuzhou lacquerware.
As a national historical and cultural city with a history of more than 7,000 years of civilization and more than 2,200 years of city building history, Fuzhou has a particularly rich historical and cultural heritage with a long history, a gathering of humanities and a special geographical location. Up to now, the city has a total of 184 municipal intangible cultural heritage representative projects (including 8 additional protection units), 73 provincial intangible cultural heritage representative projects (including 3 additional protection units), and 16 national intangible cultural heritage representative projects.
According to the relevant person in charge of the organizer, intangible cultural heritage is a witness to history and a precious cultural resource. The Fuzhou Intangible Cultural Heritage, which shines at this World Heritage Conference, is actually reflected behind the sweat and dedication of generations of skill inheritors. It is hoped that through the local craftsmen in Fuzhou to tell the culture of Mindu, use the communication method that young people like to hear, and use the carefully filmed and full of dry goods of the Short Video of mindu Culture theme to help the inheritance of intangible cultural heritage, so that intangible cultural heritage can win a better future in the "tide".
【Editor-in-Charge: Ma Chunlin】
Source: Fuzhou News Network Author: Yan Lanping