The following precious ancient books are summarized from the WeChat public account of Liaoning Library, and one of them is known as the treasure of the town library. See what they are?
The Seventy-Two Sages of Kong Men are not divided into volumes (Qing) Jiao Bingzhen painting picture book
Confucius
There are sixty-nine figures in this album. Seventy-two of Confucius and his disciples. Four of the paintings depict double occupants, and the rest are singles. The first is a statue of Confucius, the lower left is signed with the inscription "Qin Tianjian Five Senses Jiao Bingzhen Gong Painting", and the lower yin and yang lianzhu "Bing" (yin text) and "Zhen" (Yang text) two seals. It is followed by portraits of Yan Hui, Zeng Shan, Kong Ling, Meng Ke and others, which coincides with the number of "Seventy-Two" in the "History of Confucius's Family".
Meng Ke
Bu Shang
Gongye Chief
Lacquer carved open, high wood
This album should be a painting by Jiao Bingzhen. Jiao Bingzhen, ZiErzheng, a native of Jining, Shandong, date of birth and death unknown. Kangxi Zhong, Guanqin Tianjian Wuguan Zheng. Studied by the German missionary John Tong. Workers are well versed in calculations.
Jiao Bingzhen's "Lady Picture"
The album is drawn using the white brush painting technique, the character personality and structure are rich and diverse, and the demeanor and movement are exquisite, showing the painter's superb painting skills, full of charm and breathtaking.
Song Carved Book "Baopuzi Inner Chapter"
Baopuzi Inner Chapter Twenty Volumes (Jin) Written by Ge Hong Song Shaoxing Twenty-two Years (1152) Lin'an Province Rong Liulang Family Engraving
Ge Hong (284–364), courtesy name Zhichuan, called himself Baopuzi, was a native of Jurong County, Danyang (present-day Jurong County, Jiangsu). Ge Hong's master, Zheng Yin, learned of his practice of the Dan Laws. Later, he studied under Bao Xuan of the South China Sea Taishou Shangdang. In his later years, he heard that the address was handed over to Dan, begged for a sentence and missed the order, so he stopped at Luofu Mountain, and died at the age of eighty-one.
The Baopuzi Inner Chapter is an important text in the history of Taoism that inherits the past and the future, comprehensively summarizes the theory of immortals before the Jin Dynasty, systematically sorts out the immortal fangshu, and puts forward the practice concept of combining the Taoist shenxian fangshu with the Confucian gangchangming teaching.
Song Shaoxing's twenty-two years of Rong Liulang's family engraving "Baopuzi Inner Chapter" is an isolated book at home and abroad, and it is the earliest extant engraving, and all the ming and qing dynasties are ancestral and inherited.
At the end of the volume, there is an inscription of five lines and seventy-five characters: "In the old days, the home of Higashiei Rokuro of the Great Xiangguo Temple in Tokyo, see the east of Zhongwanan Street in Lin'an Province, and open a book shop for printing and losing the history of the scriptures." Now that the old edition of the Kyoshi Baopuzi has been corrected and published, there is not a single word of discredit, and I ask the four parties to collect the book and the gentleman is fortunate to give it to zaojian. Shaoxing Nongshen year June Dan day. Qian Qianyi, a bibliophile in the early Qing Dynasty, praised this tablet as a "Tokyo Dream Record".
Rong Liulang's engraving of the "Baopuzi Inner Chapter", which is rarely recorded in the bibliography of various families, Huang Pilie Zengyun: "Yu Jiazi has many good books, but "Baopuzi" has none... Even the World Bank has not heard of a Song carving. Gu Guangxi also said: "(Baopuzi Inner Chapter) "Daozang" is the most victorious, in addition, there is no restoration of the good ben. ”
The treasure of the town hall - the manuscript of "Liaozhai Zhiyi"
Liaozhai Zhiyi (Qing) Pu Songling's manuscript contains 237 articles
"Liaozhai Zhiyi" is a collection of popular literary short stories created by Pu Songling, a literary scholar of the Qing Dynasty in China, which occupies a unique position in the history of Chinese literature and has been deeply loved by people from all walks of life in society for three hundred years.
Talk about Sai Zhiyi is not divided into volumes
"Liaozhai Zhiyi" was first written in the early Kangxi Dynasty of the Qing Dynasty and took more than 40 years to write. The manuscript is a transcript. After Pu's death, the family hid the manuscript in the Pu Family Ancestral Hall in Zichuan City. During the Xianfeng period of the Qing Dynasty, The Seventh Grandson of the Pu Clan traveled to the northeast with the manuscript of Liaozhai Zhiyi and settled in Shengjing (present-day Shenyang).
During the Guangxu period, the Shengjing general Yi Ketang'a borrowed manuscripts from his subordinate Pu Yinghao, the son of Pu Priceren, and died of illness during the period, and half of the manuscripts have been lost since then.
Someone else copied it
Half of the manuscript, two hundred and thirty-seven extant.
In 1950, the descendants of the Pu clan donated the remaining half of the manuscript of "Liaozhai Zhiyi" to the state.
The Pearl Chronicle of five volumes (Ming) Lu Cai wrote a volume of Wang Wushuang's biography Of the Ming Dynasty
Lu Cai (1497-1537) was a native of Changzhou, Jiangsu. The original name is Zhao, ziyuan, number Tianchi, Yizuo Tianqi, don't sign Qing Zhi Shu. Bold personality, do not think about the career, a lifetime. He loves opera and has five kinds of legends. There are three kinds of "Pearl Record", "Nanxi Xiang Record" (also known as "Lu Tianchi West Chamber Record") and "Huaixiang Record", while "The Record of The Foot of the Foot" has been abandoned, and only the "Book of Peppers" remains.
"The Pearl" is a legendary script created and adapted by Lu Cai based on the Tang Dynasty novel "Peerless Biography", which tells the story of the joys and sorrows of the Wang Xianke family.
The engraver is from the Wuxing Min family of the Ming Dynasty, and is known for its application of overprint printing technology.
It is a book with exquisite engraving, sparse layout, square font, and clear ink color, which is the first engraving and first printing. Breathtaking is the prints and illustrations in the book, with beautiful compositions and exquisite lines. The painter was Wang Wenheng, a native of Qingcheng, Wumen (present-day Suzhou), a famous printmaker of the Ming Dynasty.
It is the book that organically combines Ming Dynasty printmaking and overprinting techniques, achieving a perfect combination of creativity, design and printing, and Min's book has thus become a representative edition of the Pearl Chronicle.
It is the old collection of the book for the Republic of China bibliophile Tao Xiang. Tao Xiang (1870-1939), zi lanquan, no. wading garden, Jiangsu Wujin people. Tao's collection of books is heavy on the Ming dynasty and the early Qing dynasty engravings, and the Ming Dynasty Min carved overprinted books are the most important.
Four Volumes of the Pipa Book (Yuan) Written by Gao Ming Appendix One Volume Ming LingMeng's First Engraved Zhu Mo Overprint
"Pipa" tells the love story of Cai Boxue, a Scholar of the Han Dynasty, and Zhao Wuniang's tragic and joyful love.
The engraver Ling Maochu (1580-1644), the character Xuanfang, the number of the beginning, the other name is the master of the empty view. A native of Wucheng, Huzhou (present-day Huzhou). A famous writer, novelist and publisher of the Ming Dynasty, an outstanding representative of overprint printing technology.
"Pipa Ji" is a representative work of Ling Mao's first engraving and printing book, which is exquisitely engraved, with a sparse layout, a clear ink color, and rich pictures and texts. The book was uncorrected and criticized by Ling Mengchu.
The illustration is painted by Wang Wenheng. Wang Wenheng, a native of Qingcheng, Wumen (present-day Suzhou), was a famous printmaker of the Ming Dynasty. Wang's prints are illustrated with exquisite composition and line drawing, with typical Wuxing printmaking characteristics.
Zheng Shengqing, the illustrator of the engraving, was also a master of engraving at that time, and was able to paint famous artists on pear dates to achieve a high degree of perfect reproduction.
It is the old collection of the book for the Republic of China bibliophile Tao Xiang. Tao Xiang (1870-1939), zi lanquan, no. wading garden, Jiangsu Wujin people. The Ming Dynasty Min Ling carved overprints for its exclusive collection.
"Yangzi Fayan" Song Chunxi eight years (1181) Tang Zhongyou Taizhou engraving
Thirteen volumes of Yangzi Fayan (Han) Yang Xiong (Jin) Li Lu (Tang) Liu Zongyuan (Song) Song Xian Wu Zhi Sima Guang Zhu Yin Yi vol. 1 Song Chunxi Eighth Year (1181) Tang Zhongyou Taizhou Inscription
Yang Xiong (53–18 BC), courtesy name Ziyun, was a native of Chengdu, Shu County (present-day Chengdu, Sichuan). He successively served as Huang Menlang and later became a doctor. He is the author of Dialects.
The Yangzi Fayan is a work written in the form of questions and answers by Yang Xiong in the Han Dynasty in the genre of the Analects, with the main purpose of defending and promoting Confucianism. Where there are thirteen chapters, each in order, the general record is at the end of the volume, Song Jingyouchu, Song Xian cites it as the beginning of the title.
From the Han Dynasty to the middle of the Northern Song Dynasty, there are many commentaries on the Yangtze Fa Yan. The Northern Song Dynasty Sima Guangqiu (póu) combined with the only remaining commentaries of Li Lu, Liu Zongyuan, Song Xian, and Wu Zhi at that time, and since then, there have been five commentaries on the five ministers.
Song Chunxi's eighth year (1181) engraving "Yangzi Fayan" is the earliest surviving inscription of the Five Chenzhu Notes, which is an orphan copy at home and abroad.
In the history of this book, there was also a public case in which Zhu Xi impeached Tang Zhongyou for using public treasury money to carve a book for personal gain, which added to its legendary color.
"Imperial Shengjing Fu" was written by the Qianlong Inner House of the Qing Dynasty
Imperial Shengjing fu thirty-two volumes of Manchu and Han
(Qing) Compiled by Emperor Gaozong, written by Qianlong Neifu of the Qing Dynasty, in twenty-one volumes
"Shengjing Fu" is a fu written by Emperor Gaozong of the Qing Dynasty in the eighth year of Qianlong (1743) to tour Shengjing (present-day Shenyang), with a full text of more than 3,300 words, including three parts: preface, endowment and ode.
In the eleventh year of the Qianlong Dynasty (1746), Emperor Gaozong did not have a Manchu seal body for making seals, and instructed his ministers Fu Heng, Wang Youdun, Aktun, Jiang Pu, etc., to search for documents extensively, collect ancient Chinese character seals from previous dynasties, and create thirty-two manchu and Han seal scripts, and publish and carve books in the thirteenth year of Qianlong (1748).
Thirty-two bodies known as jade seal, qi character seal, big seal, small seal, upper big seal, grave book seal, seal of the book, seal of the book, seal of the book, seal of the willow leaf, seal of zhiying, seal of the turning house, seal of the weeping dew, seal of the weeping cloud, seal of the biluo seal, seal of the dragon's claw, seal of the bird's trace, seal of the carved insect, seal of the kedou seal, seal of the bird book, seal of the crane head, seal of the Book of Lin, seal of the phoenix, seal of the turtle, seal of the dragon book, seal of scissors, seal of the silk, seal of the hanging needle, seal of the flying white seal, seal of the golden wrong seal, seal of the engraved symbol, seal of the bell.
Sheng Jingfu wrote the manuscript for Fu Heng and other ministers to present emperor Gaozong's imperial review, and from the content point of view, it is the original that has not yet been finalized.
▲ Dragon claw seal
This book is presented as a royal manuscript, and only twenty-one pieces of jade seals and dragon claw seals remain today, but it can reflect the change process of Fu Heng and other ministers to sort out the Manchu Seal characters, which is an extremely precious document.