Chinese painting has a long history and a long history. Over the course of thousands of years of development, many great painters have created countless famous paintings. These famous paintings have greatly enriched the artistic treasure house of the motherland and are a precious legacy left to the people of the world.
The following 100 famous paintings represent the highest achievements of Chinese painting.
Come and go, it looks...
It is said that the top ten of ancient paintings are:
Eastern Jin Dynasty Gu Kaizhi's "Roselle Futu"
Tang Dynasty Yan Liben's "Step Map"
Tang Dynasty Zhang Xuan, Zhou Fang, "Tang Palace Lady Picture"
Tang Dynasty Han Di "Five Bull Diagram"
Five Generations of Gu Hongzhong, "Han Xizai's Night Feast"
Northern Song Dynasty Wang Ximeng's "Map of a Thousand Miles of Rivers and Mountains"
Northern Song Dynasty Zhang Zeduan "Qingming River Map"
Yuan Dynasty Huang Gongwang "Fuchun Mountain Residence Map"
Ming Dynasty Qiu Ying", "Spring Dawn of the Han Palace"
Qing Dynasty Lang Shining", "Hundred Jun
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Let's enjoy it together!
01. "Character Dragon and Phoenix Painting" / Warring States Painting
"Character Dragon and Phoenix Painting", also known as "Dragon and Phoenix Lady Figure", is a fine painting of the middle and late Warring States of the Eastern Zhou Dynasty, excavated in 1949 in the Chu Tomb in the southeast suburb of Changsha City, Hunan Province, is one of the earliest surviving Chinese paintings, and is also one of the 64 cultural relics prohibited from going abroad (border) for exhibition announced by the People's Republic of China in 2002. It is now in the hunan provincial museum.
02. "Changsha Mawangdui No. 1 Han Tomb Painting" / Western Han Painting
In 1972, a "non-clothing" painting was found in the Mawangdui No. 1 Han Tomb in Changsha, Hunan Province. The picture is complete, the image is clear, it is in the shape of a T, and the content of the picture is also divided into three parts: heaven, earth and earth with T-shaped banners and vertical banners. The banner section depicts the Celestial Realm. The middle section of the painting depicts the human world. Under the canopy and the winged bird is the silhouette of an old noble lady dressed in brocade, under the kneeling service of the little maid maid, carrying a cane forward.
03. "Female History Zhentu" Partial / Gu Kaizhi
The original work has been lost, there are Tang Dynasty facsimiles, the original 12 paragraphs, because of the age, the extant "Female History Zhentu" only 9 paragraphs, for silk, color, length 24.8 cm, width 348.2 cm. This figure is based on the Western Jin Dynasty Zhang Hua's "Female Shi Zhen" article, the original text of twelve verses, the painting is also twelve paragraphs, there are 9 existing from "Feng Yuan Blocking Bear" to "Female Shi Si Zhen Dare to Sue Shu Ji". The work pays attention to the expression of the character's demeanor, with a fine and vigorous connection with the pen, and the colors are beautiful and beautiful. The Palace Museum also has a facsimile of the Song Dynasty, which is slightly inferior, and there are more than 2 paragraphs of Fan Ji and Wei Nu, which also have research value.
04. "Roselle Futu" Partial / Gu Kaizhi
"Luoshen Futu" Gu Kaizhi is a famous Eastern Jin Dynasty painter Gu Kaizhi based on the content of Cao Zhi's "LuoshenFu", the most touching depiction of Cao Zhi and Luoshen meeting, but Luoshen had no choice but to leave. It is known as one of the "Top Ten Famous Paintings in China".
05. "Gong Tu" Partial /Xiao Xuan
The Gong tu is a painting by Xiao Xuan of the Liang Dynasty of the Southern Dynasty, and is now in the National Museum of China in a facsimile of the Song Dynasty. Also known as "Fanke Into the Dynasty" or "Wang HuiTu", it shows the flourishing scene of friendly exchanges between countries during the Southern and Northern Dynasties. The surviving figure is a fragment depicting the image of twelve emissaries during their tribute, in order of the emissaries of the Kingdom of Shui, Persia, Baekje, Guizi, Uighur, Wolf's Tooth Xiu, Deng Zhi, Zhou Guke, Oh Battan, Hu Midan, Bai Ti, and emissaries of the Last Kingdom. The lines of the characters in the painting are concise and vigorous, mainly based on the ancient gossamer drawing, and the Shi Lan leaf drawing technique. The figures inherit the richly decorated and rigorous style since the Wei and Jin dynasties, but they are slightly less vivid.
06. "Seven Sages of the Bamboo Forest and The Brick Painting of the Rongqi Period" / Portrait Brick
The stenciled brick paintings of the Seven Sages of the Bamboo Forest and rongqi period are composed of more than 200 ancient tomb bricks, divided into two paintings, one of which is occupied by Ji Kang, Ruan Yuan, Shantao and Wang Rong, and one by 4 people from Xiang Xiu, Liu Ling, Ruan Xian and Rong Qiqi. The characters are separated by ginkgo biloba, pine locust, and weeping willow. 8 people sat on the floor, but each showed a posture that best reflected individuality, and the ideal personality of the scholar intellectuals was fully expressed on this portrait brick.
07. "Deer King Bunsen Map" / Mogao Cave Mural
"Deer King Bunsheng Tu" is a mural of the Northern Wei dynasty in Cave 257 of Dunhuang Mogao Grottoes. The Bunsen story refers to the many deeds experienced by the founder of Buddhism, Shakyamuni Shakyamuni, during his lifetime. Shakyamuni was originally the son of King Jingdi of the Kapilava Kingdom, a small country in northern India in ancient times, and legend has it that because he saw that people were suffering from birth, old age, illness, and death, he became a monk to seek liberation, and later became a "Buddha". "Deer King Bunsheng" tells the story of Shakyamuni's previous life as a nine-colored deer king, who saved a person who fell into the water and was about to drown and was betrayed by this person.
08. "The Pure Land of the West" / Mogao Cave Mural
"The Pure Land of the West" is a wall in the Dunhuang murals of the Tang Dynasty. This magnificent and colorful scene of the Buddha's kingdom is the "Western Pure Land Change" conceived by religious art for the believers based on the contents of the "Infinite Life Sutra", which is often referred to as the Western Paradise World.
09. "Vimalaya Sutra Transformation" / Mogao Cave Mural
The Vimalaya Sutra is one of the more important sutras in the Mogao Caves, and more than 30 walls have been preserved, all of which were painted according to the Vimalaya Sutra. There are 14 articles in the Vimalaya Sutra, of which 9 articles, such as "Disciple", "Asking Questions", "Buddha Kingdom", "Convenience", and "Unthinking", have disguised appearances.
10. "Map of Zhang Yichao's Unified Army Travel" / Mogao Caves Mural
"Zhang Yichao's Travel Map of the Unified Army" is a very famous "travel" work in the history of Chinese art, which not only has high artistic value, but also has a very high historical value, and is a precious historical picture. The "Map of Zhang Yichao's Unified Army Travel" depicts the vast scene of Zhang Yichao, the supreme ruler of the Dunhuang region of the Tang Dynasty, accepting the edict of the Tang Court as the envoy of Hexi Jiedu to make the later unified army travel. This drawing is painted on the south wall of Dunhuang Cave 156 and the east wall of the part that meets the south wall, and is a map of the offering.
11. "You Chun Tu" / Zhan Zi Qian
Zhan Ziqian was a great painter between Northern Qi and Sui (about 550 to 600 years), he was good at painting landscape figures, this "You Chun Tu" volume inscribed by Emperor Huizong of Song for Zhan Ziqian is the only surviving work of the painter and the oldest surviving scroll in China.
12. Part of "Map of The Emperors of the Past Dynasties" / Yan Liben
The "Emperor Map of the Past Dynasties" that we can see today is a facsimile of the posterity, also known as the "Liedi Tu", "Thirteen Emperor Tu", and "Gu Liedi Tu Scroll". The painting depicts the images of 13 emperors who had different behaviors between Han and Sui in history, and these 13 emperors are in historical order: Former Han Zhao Emperor Liu Fuling, Han Guangwu Emperor Liu Xiu, Wei Wen Emperor Cao Pi, Wu Lord Sun Quan, Shu Lord Liu Bei, Jin Wu Emperor Sima Yan, Chen Waste Emperor Chen Bozong, Chen Xuan Emperor Chen Huan, Chen Hou Lord Chen Shubao, Northern Zhou Wu Emperor Yuwen Yong, Sui Wen Emperor Yang Jian, Sui Emperor Yang Guang.
13. "Step Map" / Yan Liben
"Step Map" is one of the famous works of the Tang Dynasty painter Yan Liben. It is one of the top ten famous paintings in China in the Palace Museum. The works are elegant and brilliant in color, smooth and rounded in lines, and rich in composition, which are representative works of Tang Dynasty painting. It has precious historical and artistic value. In 640 (the fourteenth year of Zhenguan), the Tubo king Songzan Gampo admired the civilization of the Tang Dynasty and sent an emissary Lu Dongzan to Chang'an to recruit him. The "Step Map" depicts a scene when Lu Dongzan met Tang Taizong. The extant paintings are believed to be facsimiles of the Song Dynasty. It is stored in the Palace Museum in Beijing. Silk, colored, length 38.5 cm, width 129.6 cm. The contents of the "Step Map" reflect the fact that King Songzan Gampo of Tubo (present-day Tibet) married Princess Wencheng into Tibet. It is a historical witness to the friendship between the Han and Tibetan brothers and nationalities.
14. "Lady Yu Chuntu" / Zhang Xuan
Zhang Xuan, date of birth and death unknown, a native of Jingzhao (present-day Xi'an, Shaanxi), was a well-known and outstanding painter of the Tang Dynasty's Kaiyuan Tianbaojian. The figure of Lady You Chun of the State of Yu depicts the typical environment of "the road is (the road is shameful) in 752 AD (the eleventh year of Tianbao), recreating the second sister of Tang Xuanzong's favored concubine Yang Yuhuan, Lady Yuguo, and her dependents traveling in full costume. Lady Yu Chun Tu, silk, color, length 51.8 cm, width 148 cm. The eight riders in the painting include a girl and a total of nine people, who are full of comfort, leisure and vitality in the marching procession, from beginning to end. The picture depicts a marching line, with dense crowds and horses, with less winning more. There are nine people riding horses in the whole painting, the first three horses and the last three riding are attendants, maids and nannies, and the first is Lady Yuguo. Judging by the horse's mane, there were only two that had been carefully trimmed, one was the frontest dressed in men's clothes, and the other was a maid with a small child. "Lady Yu Chun Tu", for the Song facsimile, the original work has been lost, the facsimile still exists in the style of the Tang Dynasty. Collection of Liaoning Provincial Museum.
15. "Trick Drawing" / Zhang Xuan
"Trick Painting" is a famous painting of the Tang Dynasty, written by the Tang Dynasty painter Zhang Xuan, and the painting originally belonged to the collection of the Yuanmingyuan. In 1860, after the "burning of the Yuanmingyuan", it was lost overseas and is now in the Boston Museum in the United States. The volume "Trick Painting" is a repainted color painting showing the work scene of aristocratic women practicing sewing clothes. A total of twelve figures are depicted in this long scroll, which are divided into three groups according to the labor process: pounding, weaving, and ironing. The first group depicts four people practicing with a wooden pestle; the second group depicts two people, one sitting on the carpet to straighten the thread, one sitting on a stool to sew, forming a weaving scene; the third group is a scene of several people ironing, and a young girl, mischievously sneaking around from under the cloth.
16. "Lady of the Hairpin Flower" / Zhou Fang
Painted by the Tang Dynasty painter Zhou Fang, colored on silk (hand-rolled), heavy color, 46 cm in length and 180 cm in width. With a simple pen and a quaint charm, it is now in the Liaoning Provincial Museum. "Lady of the Hairpin Flower" is the only recognized Tang Dynasty female painting in the world. In addition to uniqueness, the artistic value of his works is also very high, and they are typical of the Tang Dynasty female painting specimen works, which can represent the realist style of the Tang Dynasty.
The painting depicts the daily life of aristocratic women at that time in the Tang Dynasty, indicating that the social politics of the Tang Dynasty were more enlightened, so that works reflecting real life can be handed down. This period was also the beginning of the expressive style of Chinese realist figure painting, while the previous paintings were mostly historical and religious figures.
17. "Gao Yitu" / Sun Wei
Gao Yi's scroll is a calligraphy and painting work of Sun Wei of the Tang Dynasty, and his only surviving work. It is also one of the few Tang Dynasty works at present. It is now in the collection of the Shanghai Museum. The painting depicts the famous "Seven Sages of the Bamboo Forest" during the Wei and Jin dynasties. At present, there are only four people left in the picture, and it has been verified that they are Shantao, Wang Rong, Liu Ling and Ruan Yuan. In terms of technique, Sun Wei inherited Gu Kaizhi's style of "tight and continuous like a spit silk", but it was more mature. The changes in the lines are richer, and the character modeling is more realistic and detailed. The Gao Yitu is recorded in Emperor Huizong's Xuanhe Pictorial Notation, with the stamp "Xuanhe Seven Seals" printed on it. The Seven Seals on the Gao Yi Tu are complete, and the mounting of the works retains the form of the Northern Song Dynasty.
18. "Jiang Fan Pavilion Diagram" / Li Sixun
Li Sixun was a Calligrapher and Painter of the Tang Dynasty. The axis of "Jiangfan Pavilion Drawing" collected by the National Palace Museum in Taipei depicts tourists moving along the river, outlining the outline of mountains and stones with fine brushes, giving heavy turquoise and decorative. Although this painting is now recognized as a Song ren's handwriting, it can reflect his painting style. Paint Zhongshan stone with ink lines to outline the outline, stone green rendering. Painted trees and pines have been used to take the position, the overall posture is lush, rich in decorative taste, and there are unmarked mountain stones, undulating water patterns, exquisite and worklike houses, pattern-shaped leaves, very commensurate.
19. "Ming Emperor Xing Shu Tu" / Li Zhaodao
The painting is colored in green and green, and a team of horsemen from the mountains on the right side of the mountain march towards the remote mountain radius, and a southern rider in red (Emperor Tang Ming) is waiting to cross the bridge on a three-flower black horse, and the concubine is wearing a beard and a hat, showing the customs of the time. The mountain in the painting is abrupt, the white clouds are haunting, the mountain stones have a sketch without a wrinkle method, and the color is all green. This picture may be a facsimile of the Song Dynasty, but it is closer to the painting style of Li Sixun and Li Zhaodao's father and son, and it is an important heirloom work reflecting the appearance of landscape painting in the Tang Dynasty. Su Shi of the Song Dynasty once described the artistic technique of this figure, and from the characteristics of the horse, it was recognized from the characteristics of the horse that it was Li Longji, the Emperor of the Tang Dynasty.
20. "Map of The River" / Wang Wei
Wang Wei was a poet and painter of the Tang Dynasty. This picture was made by the painter in his later years when he was living in seclusion in The River. The picture is surrounded by mountains, trees, pavilions, and pavilions, quaint and dignified. Outside the villa, the clouds and water flow wildly, and occasionally the boat passes by, showing a leisurely and super-dusty artistic conception. In Wang Wei's landscape paintings, especially the indifferent and super-dust artistic conception created by this "Yuanchuan Tu", it gives people spiritual cultivation and physical and mental aesthetic pleasure. In his book "Book of Paintings", the Yuan Dynasty said: "His painting "The Map of The Chuan River" is the most important in the world." This volume is a Facsimile of the Tang Dynasty, and the composition and coloring still have the Tang flavor.
21. "White Picture of the Night" / Han Hui
"Zhao Ye Bai" is the mount of Li Longji of Tang Xuanzong, and in the picture, "Zhao Ye Bai" is tied to a wooden stake, with his head held high and his hooves soaring, as if he wanted to break free of the reins. This figure is concise with a pen, the lines are woven with fine and strong, the horse's body is slightly rendered, and the male jun's demeanor has been expressed. The upper left of the picture is inscribed with the six characters of "Han Gan Painting Illumination Night White", which is the inscription of Li Yu, the lord of the Southern Tang Dynasty. In the upper left, there is the word "Yanyuan", which seems to be the inscription of Zhang Yanyuan, a famous art historian of the Tang Dynasty; in the lower left, there is the inscription of Song Mifu and stamped with zhu Wenyin of "Natural True Appreciation"; it is an orderly famous relic, which is now stored in the Metropolitan Museum of Art in the United States.
22. "Five Bulls" / Han Di
Han Di is one of the few authentic paper silk paintings handed down from the Tang Dynasty, and it is also the oldest surviving Chinese painting on paper, which can be called the "treasure of zhenguo" and is now in the Palace Museum in Beijing. "Five Bull Diagram" hemp paper, 20.8 cm in length, 139.8 cm in width, without authorial prints, there are fourteen inscriptions such as Zhao Zhao, Zhao Mengfu, Sun Hong, Xiang Yuanbian, Hongli, and Jinnong. Han Di, Tang Zhenyuan in the early years of the Jin Dynasty, a liberal arts and talents, a calligrapher, good at drums and pianos, and a famous painter, good at painting figures and rural landscapes, cattle and donkeys, painting cattle especially "to the fullest".
"Five Bulls" is a representative work with the theme of the Life of the Tian family. It was included in the inner provinces of the Northern Song and Southern Song Dynasties. The picture set is simple, only a small tree is painted, focusing on the appearance of the cow: five cows, each with its own posture, or grazing, or head-to-head galloping, or hoofing and chirping, or looking back and licking the tongue, or walking slowly and toeing, vivid, accurately outlining the body structure of the cow; the coloring is natural, the style is simple, and it is similar to folk painting. With his simple painting style and exquisite artistic skills, Han Di expressed the highest level achieved by the Tang Dynasty painting cattle, and was known as one of the "Top Ten Famous Paintings in China".
23. "The Heavenly King Sends a Son" Part / Wu Daozi
Wu Daozi's "Diagram of sending the Son of heavenly kings" is a hand-scrolled paper, 35.5 cm in length and 338.1 cm in width, and is transmitted as a facsimile of the Song dynasty. Also known as the "Diagram of the Birth of Shakya", it is a painting by Wu Daozi based on the Buddhist scripture Ruiying Benqi Sutra. Wu Daozi, the history of painting honorifics "Wu Sheng". A famous painter of the Tang Dynasty, he was known as the "Hundred Generations Painting Sage".
24. "Heavy Screen Chess Diagram" / Zhou Wenji
This figure depicts Li Jing, the lord of the Southern Tang Dynasty, and his brothers Jing Sui, Jing Da, and Jing Guo. Wearing a top hat and holding a disk box, the middle spectator is Li Jing, the middle player, and the opponent is Qi Wang Jingda and Jiang Wang Jingguo, and the characters are realistic and have different personalities. The stripes are delicate and tortuous, with a slight glimmer of trembling. The screen behind the four people paints Bai Juyi's "occasional sleep" poetry, and there is a small screen of landscape in between. Therefore, the name of the painting day "heavy screen". Zhou Wenjue, a painter of the Southern Tang Dynasty of the Fifth Dynasty. It was about to be active during the Southern Tang Dynasty during the reign of Li Jing and Later Lord Li Yu (943-975), when the Later Lord was in charge of Hanlin. Zhou Wengong painted Buddhist paths, figures, carriages and horses, houses, and landscapes, especially for ladies. From the subject matter to the form of expression, his female paintings inherit the tradition of Zhou Fang in the Tang Dynasty.
25. "Han Xizai's Night Feast" / Gu Hongzhong
The works of Gu Hongzhong, a painter of the Southern Tang Dynasty of the Five Dynasties and Ten Kingdoms, are found in the Song Xuanhe Pictorial Notation, which is now in the Palace Museum in Beijing. "Han Xizai's Night Feast" is a famous work in the history of Chinese painting and one of the top ten famous paintings in China. It depicts the scene of the Southern Tang Dynasty eunuch Han Xizai's family feasting and enjoying in the form of a series of long scrolls. It is divided into five sections: listening to the pipa, drumming and watching the dance, enjoying the six dances of Wang Wushan, changing clothes for a while, blowing ensemble, and finally dispersing the song. In order to avoid the suspicion of Li Yu, the lord of the Southern Tang Dynasty, Han Xizai took the sound and color as the place of obscurity, and every night he feasted and feasted with the guests. This picture depicts the whole process of a Hanfu night feast. The long lines of this long scroll are accurate and smooth, delicate and flexible, and full of expression. The color workmanship is elegant and rich in layering, and the charm is unique.
26. One of the Sixteen Arhats/ Guan Xiu
The Sixteen Arhats is 92.2 centimeters in length and 45.2 centimeters in width, and was painted by Guan Xiu during the Five Dynasties of the Late Tang Dynasty. Although the extant facsimile is from a base, the materials and techniques are varied, including silk, paper, stone carvings, coloring, and ink. At present, most of them are circulating overseas, and this "Sixteen Arhats" of the Inner Hall of the Japanese Imperial Palace, according to Japanese scholars, is a facsimile of the early Song Dynasty, and is the closest work to the original work of Guanxiu.
27. "Rare Bird Diagram" / Huang Xiao
During the Five Dynasties period, the Western Shu court painter Huang Xiao's "Rare Bird Diagram" depicted more than 20 kinds of animals such as turtles, cicadas, sparrows, and doves. Judging from the picture "Fu Zi Ju Bao Xi", it is obviously a sketch of a class apprentice. Great emphasis is placed on authenticity, and attention is paid to the expression of similarity and texture, so that the depicted object is full of vitality. This "Sketching Rare Bird Picture" is a sketch of Huang Xiao's model for his son, although it is only for the needs of the lesson drawing, hand-drawn, large and small, animals or have a connection or no connection, but as an independent creative work, it is still staggered and unique.
28. Kuang Lu Tu / Jing Hao
The five generations of Jing Hao's "Kuang Lu Tu" is now in the National Palace Museum in Taipei. "Kuang Lu" is Lu Mountain, also known as Kuang Mountain. Legend has it that during the Yin Zhou Dynasty, Kuang Yu Jielu lived here in seclusion, and the king should not be summoned, and the king sent emissaries to visit it, leaving only an empty room.
29. "Guan Shan Travel Map" / Guan Tong
Guan Tong, five generations later Liangshan painter. This "Guanshan Travel Map" is Guan Tong's representative work, lightly colored on silk, 144.4 cm in length and 56.8 cm in width. The painting is a majestic mountain with peaks and mountains, hidden ancient temples in the deep valley cloud forest, and a Banqiao hut nearby, and the merchants and merchants jia Ruyun, plus chickens and dogs, a good picture of a harmonious life. This canvas scene is both "high and far" and "flat", the trees have branches and no stems, the pen is simple and old, there are thick and thin intermittent points, the pen is to the heart, and the situation is blended.
30. "Xia Shan Tu" / Dong Yuan
This collection is a collection of calligraphy and paintings from the Five Dynasties period. Length 49.4 cm, width 313.2 cm. It is now in the collection of the Shanghai Museum. "Xiashan Tu" is a variation of Dong Yuan's later period, the picture is magnificent, with a thick and light brush, showing the summer scenery of Jiangnan peaks and mountains, clouds and mist, and lush forests, and depicts many hard-working mountain people and domestic animals in the painting, full of strong natural atmosphere and life interest.
31. "Akiyama Asks Question" / Juran
JuRan, five generations of early Song dynasty painters. "Qiu Shan Qing Dao Tu" is an autumn landscape painting. The main peak is centered on the painting, which is a typical composition of the five dynasties and the early Song Dynasty. The mountain peaks have less stone and more soil, and the momentum appears gentle and thick. It is completely different from the hard and imposing painting style of the northern painting school. There is no paragraph in this figure.
32. "Mountain Partridge Spiny Finch Diagram" / Huang Juyu
Huang Juyu, a famous painter in the early Song Dynasty and the son of Huang Xiao, a famous painter of flowers and birds. The works of their father and son are highly respected in the academy, so that they have become the standard for the evaluation of paintings in the academy. The birds and magpies and bamboo stones in this painting are full of pictures, and there is very little blank space. The color is pure and thick, the depiction is steady, slightly childish, with the decorative meaning of early flower and bird paintings, and the simple charm, the composition is compact and varied, dense, quiet and quiet are very exquisite; the pen is calm and workmanlike, the color is fine and rich, and its painting method is closer to Huang Xiao's "Sketching Rare Birds" volume.
33. "Double Happiness Map" / Cui Bai
Cui Bai was a painter of the Northern Song Dynasty. Cui Bai especially likes to paint large paintings, "Double Happiness Diagram" high 193. 7cm,000,000.5". 4 centimeters, you can imagine the boldness of this painting, which is consistent with the "sparseness" of Cui Bai's temperament recorded in the history of painting. Cui Bai is also particularly good at grasping the overall atmosphere of the picture, whether it is "Double Happiness Map" or his other masterpiece "Han Que Tu", which also contains countless rich and delicate changes in a unified and harmonious picture atmosphere, so that people can play in the picture for a long time, and still have new things to discover and feel endlessly interesting.
34. "Reading the Stele Stone Diagram" / Li Cheng
"Reading the Stele Stone Diagram" is a collaboration between Li Cheng and Wang Xiao during the Five Dynasties period. There should be two lines of small characters on the stele in the picture, a book "Li Cheng painted tree stones", and a book "Wang Xiao supplemented the characters", but there is no such two lines of small characters in this picture, so it is a facsimile. But it does not prevent the experience of Li Cheng's artistic conception in the painting. "Reading the Stele Stone Map" is a large landscape painting painted on double-piece silk, ink color. On a winter field, an old man riding a mule is stopping in front of an ancient monument to read the inscription, and a cold tree with leaves growing on the nearby Pito. It is now in the Osaka Municipal Museum of Art, Japan.
35. "Xishan Travel Map" / Fan Kuan
"Journey to the Mountains" is the work of the Northern Song Dynasty painter Fan Kuan. The first feeling of the work is that it is majestic, the giant peaks stand on the wall, almost occupying the picture, the mountain is densely covered with trees, the waterfall flows down from the mountainside, the boulders at the foot of the mountain are vertical and horizontal, so that the whole work is intricate, a caravan team appears on the mountain road, a bay of streams flowing on the side of the road, it is the waterfall flowing down the mountain, so that the viewer can smell the sound of water, human voices, mules and horses, and also point out the theme of the creek and mountain travel. The work is in the collection of the National Palace Museum in Taipei. Mr. Li Lincan, former vice president of the National Palace Museum in Taipei, discovered the "Fan Kuan" character on the painting in 1958 and confirmed that the painting was Fan Kuan's original handiwork.
36. "Early Spring Map" / Guo Xi
Guo Xi, a painter of the Northern Song Dynasty, is good at painting landscapes and cold forests, with a fresh style. The main scene of this painting is concentrated on the central axis, with a panoramic composition of high, flat and far-reaching, showing the majesty of the northern mountains and ravines in early spring; painted in the 5th year of Song Shenzong Xining (1072), the left side is signed "Early Spring, Nonzi Year Guo Xi Painting", and has a rectangular Zhu seal of "Guo Xi Pen", which is now in the Collection of the National Palace Museum in Taipei.
37. "View of Xishan Lou" / Yan Wengui
Yan Wengui was a painter of the Northern Song Dynasty. "Xishan Lou Guantu" is a landscape painting depicting the scenery of the river and mountains, with an open momentum and a long distance. The mountain is magnificent, with towering peaks and dense forests. At the foot of the mountain and on the mountainside, there are pavilions and temples, which appear from time to time. The hills along the river are undulating, the sand moraine flat beach is scattered with rubble, the miscellaneous trees are facing the wind, and the river is vast. The Loutai Water Pavilion looms in the clouds of water vapor and smoke. A few people traveled, crossed the bridge to the mountain, and saw the deep mountain valley. There are two paintings in the Osaka Municipal Museum of Art, Japan, and the National Palace Museum in Taipei.
38. "Five Horse Diagrams" / Li Gonglin
Li Gonglin was a famous painter of the Northern Song Dynasty. The picture depicts five horses from the Western Regions paying tribute to the Northern Song Court in a white depiction, each led by a Xi official, without a name. After each horse, there is an inscription of Song Huang Tingjian, which refers to the age of the horse, the time of tribute, the name of the horse, the stables received, etc., and is called the work of Li Boshi (Gonglin). The five horses have their own beautiful names, which are reverie, in order: crested, brocade, good head, night white, and manchuanhua, while the first three Xi officials are dressed in the Western Regions, and the last two are Han.
39. "Autumn Court Drama Baby Picture" / Su Hanchen
Su Hanchen, a painter during the turn of the Southern and Northern Song Dynasties, served as a waiter at the Xuanhe Painting Academy. "Autumn Garden Play Baby" depicts two children in brocade playing a game of pushing dates in the courtyard with delicate brushwork. Brothers and sisters from the hair, eyebrows, clothing, are carefully portrayed, silk dyeing, and the change is extremely rich, with long and rounded lines, draw the pattern of the clothes, and then carefully dye the pattern on the clothes, not only draw the soft and delicate material, but also give the clothes a gorgeous texture, these subtle treatments, so that the child's rich, soft, meticulous appearance, jumping on the paper, people love pity, the degree of realism, almost can be described as lifelike, you can understand why with "fresh coloring, body size like life" To describe Su Hanchen's painting style.
40. "Map of the Upper River of the Qing Dynasty", Partial/Zhang Zeduan
Qingming Upper River Map, one of the top ten famous paintings in China. It is a northern song dynasty custom painting, the only surviving fine work seen by the Northern Song dynasty painter Zhang Zeduan, which is a national treasure-level cultural relic, and is now stored in the Palace Museum in Beijing.
The Qingming Upper River map is 25.2 cm wide and 528.7 cm long, and the silk is colored. In the form of long scrolls and using scattered perspective composition, the work vividly records the urban appearance of the Northern Song Dynasty and the living conditions of people from all walks of life at that time. It is a testimony to the prosperity of Beijing in that year, and it is also a portrayal of the economic situation of the northern Song Dynasty.
This is unique in the history of Chinese and even world painting. In the five-meter-long scroll, a total of 814 characters of various colors are depicted, including 73 livestock such as cattle, mules and donkeys, more than 20 cars and cars, and 29 large and small ships. Houses, bridges, city towers, etc. have their own characteristics, reflecting the characteristics of Song Dynasty architecture. It has high historical and artistic value.
41. "Ink Bamboo Diagram" / Wen Tong
Wen Tong was an important literati painter during the Northern Song Dynasty, and this painting is now in the collection of the National Palace Museum in Taipei. In a sense, ink bamboo is a specimen, scale, and basic skill of Chinese literati painting. From Wen Tong and Su Shi to the Yuan Sijia, the wind of ink and bamboo flourished and became a separate painting department, which was integrated with philosophical meaning from the connotation, and from the external form and calligraphy table. Bamboo was often used by the literati to express the taste of purity and elegance; integrity, humble quality and pure thoughts and feelings. Therefore, the ink bamboo has become a synthesis of books, paintings, and Taoism (philosophy), and has become a direct portrayal of personality and character, with the meaning of increasing prosperity and prosperity, and has become an unending painting in the history of Chinese painting.
42. "Four Plum Blossoms" / Yang Wu Blame
Yang Wuchao, a painter of the Song Dynasty. The whole volume is pure ink, does not apply any color, but pays attention to the changes of thick, light, dry, wet and scorched, and the picture gives people a sense of color. This ancient painting was originally collected by the National Palace Museum and is now in the National Palace Museum in Taipei.
43. "Dead Wood Strange Stone Diagram" / Su Shi
Su Shi was too punctual in Xuzhou to personally go to the Shengquan Temple in Xiao County, and composed the "Dead Wood Strange Stone Map", also known as the "Wooden Stone Map", no money, according to the paintings of Liu Liangzuo, Mi Fu inscription poems, and the Song people recorded Su Shi's painting style, it was considered to be Su Shi's work. The "History of Painting" said: "Zi Zhan is a dead wood, the branches are bent for no reason, and the stones are hard."
It is also strange and strange for no reason, such as the depression in his chest. Huang Tingjian said in the "Title of Zhan Dead Wood": "Folding the Confucian ink array, the bookman Yan Yanghong walked." The chest has its own hills and valleys, pretending to be old wood and frost. In the "Title Dongpo Bamboo Stone", it is also said: "Wind branches and rain leaves thin bamboo, dragons crouching tigers in the moss stone, the old man of the eastern slope Hanlin Gong, when drunk spit out the ink in his chest." The accounts of these poems are consistent with the realm scene of this "Dead Wood Strange Stone Map".
44. "Furong Jinji Tu" / Zhao Yao
"Hibiscus Golden Rooster", colored on silk, 81.5 cm in length and 53.6 cm in width. It is now in the collection of the Palace Museum in Beijing. The whole picture is brightly colored, painting hibiscus and chrysanthemums, the hibiscus branches are slightly drooping, a multicolored golden chicken stands on the branch, twisting its head to look at the double butterflies on the flowers, which vividly describes the dynamics of the golden chicken. This form of expression is very popular in the Song Dynasty flower and bird paintings. Although the colorful pheasant, hibiscus and butterflies are all gorgeous themes, the composition is different from the general decoration and is full of fun. With a double hook, the tone is elegant, the lines are fine and calm, and the rendering is thin and delicate, delicate and delicate. Golden pheasants, flowers and birds, and flying butterflies are all exquisite and not stagnant, and have reached the realm of both form and god and rich charm that is difficult to reach in the brush strokes. On the painting there is a poem inscribed by Zhao Tuo's thin golden book, and there is a falling paragraph.
45. "Cargo Lang Tu" / Li Song
Li Song was a painter of the Southern Song Dynasty. This is a picture of the customs of the characters, the picture of the cargo man shouldering the burden of groceries, overwhelmed and bent over, cheering children running to tell each other, joy overflowing with words. The loads are plentiful and varied, from pots and pans to children's toys to melons and pastries. In the Southern Song Dynasty, when the circulation of goods was not yet developed enough, the freight men walked the streets and alleys, a pair of goods was a small department store, the freight men not only brought the goods needed for the remote countryside, but also brought a variety of novel insights, the arrival of the goods lang was often as lively as a festival, Li Song depicted such a scene in the picture. With the help of the theme of cargo lang, the painter expressed a side of the life of the Southern Song Dynasty, and those dazzling objects, although many of them are no longer known for their purpose today, truly record the way of life of the people of the Southern Song Dynasty, which is a rare and precious historical material for folklorists.
46. "Tsevi Tu" / Li Tang
This is a painting with historical themes, painted with the story of Yin Mo Boyi and Shu Qi "not eating Zhou Su", in the collection of the Palace Museum in Beijing. Li Tang's painting of "Cewei Tu" focuses on portraying these two ancient characters who would rather die than lose their integrity. The picture depicts Bo Yi and Shu Qi sitting on a slope between the cliffs, Bo Yi holding his hands and knees, his eyes shining, appearing firm and composed; Shu Qi leans forward to show his willingness to follow. Bo Yi and Shu Qi were both clean-faced, physically thin, and physically tortured by living in the wild and filling their hunger with wild vegetables, but mentally they were not trapped and overwhelmed. Li Tang used this historical story to commend those who maintained integrity, condemned the act of surrender and renegade, and when the Southern Song Dynasty confronted the Jin Dynasty at that time, it could be described as "borrowing from the past to satirize the present" and having good intentions.
47. "Xiaoxiang Wonders" / Part / Mi Youren
"Xiaoxiang Wonders" is one of the representative works of Mi Youren landscape painting in the Song Dynasty. Painting the wonderland of clouds and mountains on the river and the changing clouds and fog with dripping ink, the peaks, rivers and trees are not described in detail, and the pursuit is the special charm of the natural world in the vast rain and fog.
48. "Splash Ink Immortal Figure" / Liang Kai
Liang Kai was a painter of the Southern Song Dynasty. This picture depicts an immortal with his chest exposed, wide-clothed and big belly, staggering and embarrassed. Those small eyes were drunk and hazy, as if they saw through everything in the world, and a mysterious smile appeared at the corner of their mouths. The funny appearance, which is both naughty and cute and unpredictable, makes the image of the immortal otherworldly and full of humor and humor come alive. There is almost no rigorous and detailed portrayal of the characters on the screen, and the whole body is lyrically written in splashing ink, and the heavy and beautiful, rough and subtle large pieces of splashed ink can be described as simple and natural, which brilliantly shows the mental state and personality characteristics of the immortals who are both insightful and rarely confused. Collection of the National Palace Museum in Taipei.
49. "Taibai Xing Yin Tu" / Liang Kai
Southern Song Dynasty Liang Kai's "Taibai Xing Yin Tu", Tokyo National Museum collection. The painter does not stick to trivial details, but highlights the personality characteristics of the poet, selects the instantaneous movements that best reflect the poet's mental state and thoughts and emotions, and describes them roughly. Although it is a sloppy brush, it is concise and concise, with one as ten, without any sculpting. The embodiment of the character charm has reached a new height.
50. "Four Landscapes" / Liu Songnian
"Four Landscapes" is divided into four paintings of spring, summer, autumn and winter, depicting the leisurely life of the doctor living in the mountains and lakes. The whole volume is exquisitely styled, the paintings are clear, the seasonal rendering is very decent, and the pen and ink are elegant and vigorous. Liu Songnian, a famous painter of the Southern Song Dynasty, is one of the "Four Great Masters of the Southern Song Dynasty". Gong landscape, figures, boundary paintings, teachers inherit Li Tang, the painting style brush is exquisite, beautiful and rigorous, elegant color, boundary painting is exquisite.
51. "Ta Ge Tu" / Ma Yuan
"Ta Ge Tu" is a representative work of the Southern Song Dynasty painter Ma Yuan, which looks like landscape painting, but it is actually a genre painting. The first half depicts a fairyland-like realm, and the lower half shows the joyful scene of the "stepping song" of the peasant family on the outskirts of Lin'an, the capital of the Southern Song Dynasty. The elegance and custom that are completely out of bounds are harmoniously unified in the same picture. The painter depicts the scenery of the outskirts of Beijing after the rain, and also reflects the joyful scene of farmers singing and walking on the fields in the year of harvest. Emperor Zhao Kuo of Song Ningzong gladly copied a poem by Wang Anshi at the top of the picture: Suyu Qingjidian, Chaoyang Lidi City. In the prosperous years, people are happy to work, and they are on the song line. The poem points out the theme of the painting and is also the Song Emperor's expectation for the Taiping Dynasty.
52. "Qingyuan Map of Xishan Mountain" / Part / Xia Gui
"Xishan Qingyuan Map" is a masterpiece of the Southern Song Dynasty Xia Gui, a long scroll on paper, ink color, 46.5 cm in length and 889.1 cm in width. Depict the beautiful scenery of Qingyuan on both sides of the Jiangnan River and Lake on a sunny day. The picture begins with a fog scene, and the boulders of the nearby cliffs are clearly visible. A lush pine forest comes alive in the sun, and the pavilion courtyard in the depths of the dense forest looms, and there are small bridges and flowing water and pedestrians in front of the courtyard.
This sheet is composed of ten sheets of paper, except for the first paragraph, which is twenty-five centimeters, and the last nine paragraphs are all about ninety-six centimeters. The scenery in the painting changes a lot, sometimes the peaks are protruding, and sometimes the rivers are curved. The painter uses different angles such as upward view, head-up view and top-down view to make the undulating peaks and cascading walls, as well as the meandering rivers, because different viewpoints produce unique spatial structures in each independent paragraph. There are many variations in the brush and ink of painting pine trees; painting mountain stones is a method of splitting with a large axe, and this technique is changed from Li Tang's axe splitting. The painter sketches the outline of the stone wall with dry brush and ink, and then uses the pen and ink mixed with a large amount of water to quickly dissolve, so that the picture produces a blend of ink and water, and the feeling of dripping and cheerful.
53. "A Thousand Miles of Rivers and Mountains" Part / Wang Ximeng
Wang Ximeng, a famous painter of the Song Dynasty, is good at green landscapes. During the Northern Song Dynasty, he entered the Hanlin Academy of Calligraphy and Painting, that is, the Court Painting Academy at that time, and was guided by Emperor Huizong of the Song Dynasty. "A Thousand Miles of Rivers and Mountains" was his work when he was 18 years old, and it is also the only work that has been handed down. "A Thousand Miles of Rivers and Mountains", no paragraph, according to the volume of Cai Jing's inscription is known to be composed by Wang Ximeng. In the painting, the landscape near and far, the momentum is open, the cottage market, the fishing boat, the bridge waterwheel and the forest bird, the pen and ink are exquisite, the location is appropriate; the whole volume of green and green is recolored, showing the beauty of the mountains and rivers. The "Map of a Thousand Miles of Rivers and Mountains" was later collected by the then chancellor Cai Jing, whose promotion above recounted the experience of Emperor Huizong of Song instructing Wang Ximeng and accepting him into the Hanlin Academy of Calligraphy and Painting, who died in his twenties, and there is little historical information about him. After being included in the palace during the Qianlong period of the Qing Dynasty, the "Map of a Thousand Miles of Rivers and Mountains" is now preserved in the Palace Museum in Beijing, and is known as one of the "Top Ten Famous Paintings of China".
54. "Autumn Color Map of Jiangshan" Part / Zhao Boju
One of the most representative works of green and heavy color landscape painting in the late Northern Song Dynasty was painted by Zhao Boju.
55. Sketching Butterfly Diagram / Zhao Chang
Sketching Butterflies, by the Northern Song Dynasty painter Zhao Chang, is in the collection of the Palace Museum in Beijing. This is a sketch depicting the wild scenery in autumn. In the compositional layout, the painter deliberately leaves a large blank space above the picture, and the scene is mostly concentrated in the lower part of the picture. Wild chrysanthemums, frost leaves, thorns, and reeds are arranged in a staggered manner. In the clear sky, three beautiful colorful butterflies are dancing, and a grasshopper is looking upwards. On this picture there is a poem inscribed by the Yuan Dynasty scholar Feng Zizhen: "Grasshopper grasshopper green shipbulke support, grass in the grass is not without news." Ruxiu He Limit Spring Wind Meaning, Roughly Tengwang Butterfly Diagram. ”
56. "Three Friends of the Cold Years" / Zhao Mengjian
On the clean fan surface, the author paints pine, bamboo, and plum folded branches, draws a plum branch full of flowers and buds with ink brushes, and then interlaces and interweaves pine needles like stars and ink shadows like bamboo leaves, placing them obliquely in the center of the picture, with the ash of pine needles and the black of ink bamboo to set off the white of plum blossoms. Pine leaves are like steel needles, bamboo leaves are like swords, and they show the proud bone ice heart of plum blossoms. The whole picture is beautiful, elegant and interesting.
Through the arrangement of the picture, this "Three Friends of the Cold Year" clearly expresses the author's upright and firm integrity. The upper right side of the painting fan is printed with "Zigu" white text. With the pen, the plum blossoms in the painting are dyed with a thin pen with light ink lining, the petals and pine needles hooked by the thick ink are pulled up with the tip of the pen, and the ink bamboo is transported by the center, which is very powerful. Pine, bamboo and plum painting methods are different, full of charm, is a very spiritual Southern Song Dynasty sketch. Zhao Mengjian's works pay attention to the combination of calligraphy and painting methods, which can represent the artistic characteristics of the literati paintings of the late Song Dynasty.
57. "Mo Lan Tu" / Zheng Sixiao
Zheng Sixiao was a poet and painter in the late Song and early Yuan dynasties. The volume of "Mo Lan Tu" is the only surviving work left by Zheng Sixiao, and it is also a representative work that reflects his creative ideas and artistic achievements. This is a very lyrical literati freehand ink painting, depicting Lan's wild elegance, not afraid of wind and frost, lonely and proud, and no one to spend his own noble character. The author borrows pen and ink to express the breath in his chest, which is a portrayal of his own ideological character.
58. "Autumn Suburb Drinking Horse Figure" / Zhao Mengfu
Zhao Mengfu was a calligrapher, painter and writer of the Yuan Dynasty. This picture depicts the scene of herders herding horses in the wilderness stream in the early autumn suburbs. The water surface is gentle and waveless, the shore is surrounded by trees, and the oily green grass is lined with autumn trees and red leaves, and the environment is elegant and beautiful. A black-clad red hat official was coming on horseback, and the dozen or so horses in front of him were fat and strong, with different postures and lively. The picture is quaint in color, full in composition, balanced and elegant, and simple and thick in style.
59. "Quehua Autumn Color Map" / Zhao Mengfu
The Quehua Autumn Color Map was painted by Zhao Mengfu when he returned to his hometown of Zhejiang in 1295 for Zhou Mi (Zi Gongjin, 1232-1298). Zhou was originally from Shandong, but grew up in Zhao Mengfu's hometown of Wuxing and had never been to Shandong. Zhao Shi not only described the beauty of Jinan's scenery carefully, but also made this picture as a gift. On the vast swamp of the river, in the distance, on the horizon, there are two mountains, the twin peaks on the right are protruding, the sharp one is "Hua Bu Zhu Mountain", and the left square is the flat top is "Que Mountain". In the Transcendent Building of Daming Lake, the first spring scenic spot in the world, there is a "moving" "Quehua Autumn Color Map".
60 "Yun Heng Xiu Ling Map" / Gao Kegong
Gao Kegong. Yuan Dynasty painter, official to the Punishment Department Shangshu. This book layer of mountains and mountains, streams and bridges, up and down peaks and near-view slope stone trees, with white clouds, longitudinally cover up the feeling of suffocation of the mountains, and increase the depth of the scenery, so that the written vitality is chaotic. The whole book is brightly colored, the pen and ink are exquisite, and the pen is flexible. Mountain stones are mostly made of rice dots, but they are also mixed with new changes, such as pebbles at the water's edge and "Phi Ma Cha" under the rice dots. It shows that Gao Shi is not a stereotypical two-meter smoke and rain forest, but also absorbs the strengths of Dong Yuan and Juran landscape paintings to enrich their own techniques. In the book, Li Ka-shing Yun: "... The upper axis tree is old and ancient, bright and beautiful, and the so-called one who has a pen and ink in the past makes people's hearts deflate, and there is absolutely no sincerity. There are also inscriptions by Deng Wenyuan and Wang Duo, and inscriptions by the Qianlong Emperor.
61. "Fuchun Mountain Residence Map" Partial / Huang Gongwang
Fuchun Mountain Residence Map is the Yuan Dynasty calligrapher Huang Gongwang for Zheng Fan (useless teacher) painted, with Zhejiang Fuchun River as the background, the whole map with ink light and elegant, the arrangement of mountains and water is dense and appropriate, the ink color is thick and wet and dry, very changeable, is Huang Gongwang's representative work, known as one of the "Top Ten Famous Paintings in China". At the end of the Ming Dynasty, it passed to the collector Wu Hongyu, who loved the painting so much that he even ordered it to be burned and buried before his death, and was rescued from the fire by Wu Hongyu's nephew, but at this time the painting had been burned into two pieces. The longer later section is called "Useless Master Scroll", which is now in the National Palace Museum in Taipei; the former paragraph is called "Leftover Mountain Map", which is now in the collection of the Zhejiang Provincial Museum. "Fuchun Mountain Residence Map" was exhibited at the National Palace Museum in Taipei, Taiwan in June 2011.
62. "Fisherman's Father" / Wu Zhen
Wu Zhen, a painter of the Yuan Dynasty, one of the four Families of the Yuan Dynasty. "Fisherman's Father" is one of the representative works of Wuzhen landscape painting, which takes "Fishing Cain" as the theme, in a piece of Jiangnan landscape, painting a "Fisherman Father" sitting on a boat leisurely fishing. This type of work has the most surviving traces in his life, and it is also his favorite and best painting subject.
63. "Shadow Stream HanSong Map" / Ni Zhan
In the Yuan Dynasty, Ni Zhan's "Youjian Hansong Map" is now in the National Palace Museum in Taipei. Ni Zhan's painting, there is not much ink but the artistic conception is deep, "sparse but not simple", "simple and not a lot". His pen and simple shape, focusing on lyrical spirit of the painting style, was called "Yipin" by posterity. In the Ming Dynasty, it was even more "the Jiangnan people's home to have nothing as turbid", and its high standard was always respected as "the high priest among the high priests" in the minds of the literati and doctors of all generations.
64. "Qingbian Hermitage" / Wang Meng
"Qingbian Hermitage" is a representative work of Wang Meng, a famous landscape painter at the end of the Yuan Dynasty. The painting depicts the majestic momentum of Bian Mountain and renders the lonely atmosphere of the deep forest of the mountain. This diagram technique is rich and diverse, which epitomizes Wang Meng's artistic style, and Ming Dong Qichang is revered as "the first Wang Shuming in the world".
65. "Chaoyuan Tu" Partial / Yongle Palace Mural
The "Chaoyuan Tu" mural in the Sanqing Hall of Shanxi, painted by Ma Junxiang and other Yuan Dynasty painters in the third year of Taiding (1325), depicts the story of the gods worshiping Yuan Shi Tianzun, centered on 8 main statues of the empress, surrounded by a total of 286 statues of golden boys, jade girls, stars, and luxes, etc., with an open scene and magnificent momentum. These murals are the best of the ancient murals in our country.
66. "Little Portrait of Yang Zhuxi" / Wang Xuan Ni Zhan
Wang Xuan (王绎), courtesy name Sishan, was a native of Muzhou (present-day Jiande, Zhejiang). He is a famous portrait painter of the Yuan Dynasty. "Little Portrait of Yang Zhuxi" is written by Wang Xuan and painted by Wang Xuan, and Ni Zhan makes up the scene. The painting is of Yang Zhuxi, a Gaoshi of Zhangyan in Jinshan, Songjiang Province (now part of Shanghai) in the Yuan Dynasty.
67. "Four Qing Tu" / Li Yan
Li Yan was a painter of the Yuan Dynasty. The first paragraph of this painting depicts two stones, which are contained in a pen but not exposed, and are clear and round. Several poles of bamboo stand behind the stone, clean and elegant, thick and light, the stone under a blue grass shadow oblique, flowing soft, want to break back, followed by bamboo shadow, bamboo two sycamores, pen and ink dripping, ethereal like smoke, very charming. This painting should be a representative work of Li Yan's ink bamboo painting.
68. "Qing Ming Ge Ink Bamboo Diagram" / Ke Jiusi
The calligrapher of Ke Jiusi in the Yuan Dynasty was consulted by Ouyang And integrated into the rhyme of Wei and Jin, with a strict structure, a quiet and elegant font, and a strong and upright atmosphere. The bamboo in this painting imitates Wen Tong, with thick ink as the face, light ink as the back, and the line pen is calm and steady, just as posterity described his ink bamboo as "large leaf long shoot moving crown". Although the whole picture is only a few strokes, it is vivid and elegant, elegant and beautiful, with a high sense of charm, and has its own strong and vulgar atmosphere.
69. "Memetu" / Wang Tian
The Momeitu axis is a calligraphy and painting work of Wang Guan of the Yuan Dynasty. It is now in the collection of the Shanghai Museum. This "Memetu" is a representative work of flowers. This picture shows the upside-down plum. The branches are dense and staggered back and forth. The branches are dotted with dense plum blossoms, or the buds are ready to bloom, or the petals are blooming, or the remnants are dotted. The side is leaning forward, in all shapes, like a thousand jade beads scattered on the silver branches. The white flowers and the trunk branches of the iron bones reflect each other, and the clear air strikes people, and the plum blossom rhymes deeply.
70. "Wind and Rain Return to the Boat" / Dai Jin
The Ming Dynasty painter Dai Jin successfully used the technique of light color and vigorous ink to sweep out the wind and rain with a horizontal brush, and the oblique wind and rain, the curved branches, and the umbrella against the boat were painted, which most fully showed the sense of movement of the storm. The author's application of the thick and dry and wet changes of ink is free, and the weather of rain and storms rises between the fingers and wrists, which fully shows the painter's profound skill and the valuable spirit of paying attention to observing nature.
71. "Fishing Music Map" / Wu Wei
Painted by Wu Wei in the Ming Dynasty. Zhejiang painters often painted fishermen, peasants, peddlers, and pawns, and combined fishing, trees, ploughing, and reading paintings, calling them the "Four Pleasures". This "Jiangshan Fishing Music Map" is a typical work in this genre. The picture depicts the high trees and slopes of the lake, the Winding Hills and Bays of The Middle And Far View, the cascading peaks, the clouds are misty, and the water and sky meet. There are many fishing boats parked along the river. Some fishermen are preparing for cooking, and some are chatting. There are also many fishermen in the river who are either in the net or collecting boats. Fishermen are all coarsely dressed and short shirts, full of wind and frost, the image is simple, and there is a strong atmosphere of life.
72. "Lushan Gaotu" / Shen Zhou
"Lushan Gaotu" is a famous Chinese painting by the Ming Dynasty painter Shen Zhou, which is now in the National Palace Museum in Taipei. "Lushan Gao" is a masterpiece of Chinese painting created by Shen Zhou for the 70th birthday of his teacher Chen Kuan (Xing'an) and based on his imagination. Shen Zhou praised his teacher for the loftiness and breadth of Lushan Mountain, so the paintings on the picture were lofty mountains and mountains, layers of high mountains, long pines and giant trees, undulating Xuan Ang, majestic and magnificent.
73. "Autumn Wind Fan Diagram" / Tang Yin
The autumn wind fan painting is a representative work of Tang Yin's ink figure painting in the Ming Dynasty, painting a courtyard with lake stones, a lady holding a fan in her hand, staring sideways, and a slight look of resentment and regret between her eyebrows. Her dress fluttered in the autumn breeze, lined with double-hooked bamboo. This figure uses the white drawing method, the pen and ink flow smoothly, the turn is strong, the lines are undulating, and the flowing water of Li Gonglin and Yan Hui's folding reeds are combined, and the pen is full of rhythm. Although the whole painting is pure ink, it can show rich tones in the change of thickness and thickness. The poem inscribed on the upper left part of the painting reads: "Autumn to the fan collection, what is the beauty of the heavy sentimentality, please look at the world in detail, most of them do not chase the heat and cold." "Borrowing the fate of The Hancheng Emperor's concubine Ban Jieyu to decline and relax, it is like the fate of the fan being abandoned after the autumn wind rises, and attacks the heat and coldness of the world. Obviously, this is related to the unfortunate experience of Tang Yin's personal life. The woman's face in the painting is depressed, which may be a portrayal of Tang Yin himself. It is now in the collection of the Shanghai Museum.
74. "Taoyuan Wonderland Map" / Qiu Ying
Ming Dynasty Qiu Ying's painting of the distant peaks undulating, deep and high, the clouds between the mountains steaming fog, the temple pavilions in the depths of the distant mountains in the clouds and mist from time to time, if the immortals are illusory. In the foreground is a flowing wooden bridge, with strange pines and winding, and the scenery is elegant. In terms of artistic expression, the painter outlines Seiko, like learning from the Song Zhao Boju school. Whether it is a grass or a tree, a branch and a leaf, or the dynamics and expressions of the characters, they are depicted in a meticulous and meticulous manner. The whole canvas is colored green, and the color is beautiful and beautiful. It shows Qiu Ying's profound character and landscape expression ability.
75. "Xiangjun Xiang Lady Figure" / Wen Zhengming
Ming Dynasty painter Wen Zhengming's "Xiangjun Xiang Lady Picture" in the middle of the Xiangjun and Xiang lady one after the other. This drawing method is simple and crisp, with no background background. The character's clothing pattern is depicted in high ancient gossamer, which is delicate and comfortable, which is beneficial to express the dynamics of Xiangjun and Xiang's wife walking in the air, giving people a sense of fluttering.
76. "Grape Map" / Xu Wei
Ink grapes, bunches of fruit hanging upside down branches, fresh and tender, vivid image. The lush leaves are dotted with large chunks of ink. The style is sparse and does not resemble French, representing the style of Xu Wei's large freehand flowers, and is also a masterpiece of high-level freehand flowers in the Ming Dynasty. Self-titled: "Half a life has become a man, independent books and houses whistle the evening wind; the pearl at the bottom of the pen has nowhere to sell, idle and thrown in the wild vine." Tianchi. Zhu Wenfangyinyi of the "Xiangguan Qi" of the Lower Plutonium, there are still Many Sources of Qinzang and Printing, such as Qing Chen Xilian and Li Zuoxian.
77. "Lotus Mandarin Duck Diagram" / Chen Hongshou
Chen Hongshou of the Ming Dynasty has a love interest in this picture pool, the lake stone is straight with a straight brush, the color is rich and bright, and the double butterflies fly in the sky, and there is movement in the stillness. Collection of the Palace Museum in Beijing.
78. "Eight Views of Qiuxing" / Dong Qichang
"Eight Views of Qiuxing" is a masterpiece of Dong Qichang in the Ming Dynasty, a total of eight kai, written as the scenery seen by the author on the way to Wumen and Jingkou. The steep hills, heavy stones, deep valleys, and smoke in the picture are all in their own way. There are not only the characteristics of lush grass and misty Jiangnan hills, but also the water and countryside atmosphere of Satting Reeds and Distant Xiu, as well as the scenery of the River Sky Pavilion and the colorful boats.
79. "Nanshan Jicui Map" / Wang Shimin
"Nanshan JicuiTu" was composed by the Qing Dynasty painter Wang Shimin in his later years, the picture layout is orderly, the layers are orderly, the pen and ink are clear and elegant, calm and elegant, there is no impetuosity, and it has a gentle and broad beauty. The title of this work is "Nongzi Changxia wrote the Nanshan Jicui Map, wishing Rong Weng Tai Tai's seventh birthday and praying for zhengzheng." The younger brother Wang Shimin was eighty years old and had one.". From this inscription, it can be seen that this is the painter's work of celebrating his birthday.
80. "Imitation of the Three Zhao Landscapes" / Wang Jian
"Imitation of the Three Zhao Landscapes" is the work of the Qing Dynasty painter Wang Jian, in this picture depicts the twilight of spring, after the rain of Jiangnan is very beautiful scenery. Half of the map is occupied by high mountains spiraling upwards, and the mountains are continuous, dividing the picture into left and right parts, but there are spring waters on both sides of the mountain that have spread to the foot of the mountain. The willow trees near the pond are full of new branches and leaves, echoing several interlaced trees of the same, showing people the smell of spring. A corner pavilion is located at the water's edge, and it seems to be waiting for the people who have arrived in the spring.
81. "Kangxi Southern Tour Map" Partial / Wang Yi
Kangxi Southern Tour, the main author is wang Yi, one of the six great painters of the early Qing Dynasty, depicting the Kangxi Emperor's second southern tour (1689) from leaving the beijing division to the mountains and rivers along the way, scenic spots, etc., each volume has Kangxi appears. With vivid colors and neat techniques, the works truly and meticulously express the customs and customs of the places they have passed, as well as the prosperity of agriculture and commerce, and have precious historical and artistic value.
82. "Jinshi Autumn Flower Diagram" / Yun Shouping
Yun Shouping, an outstanding painter in the early Qing Dynasty. "Jinshi Autumn Flower Diagram" is cleverly conceived and unique, giving people a feeling of elegance and tranquility. The center of the painting is biased to the right, and because there is a poem in the upper left corner, it is smoothly stretched. Looking at the whole picture, the Qiuhua lake stone is directly dyed with color and ink, the image is accurate and vivid, and the flowers and stones are laid at will, but the layers are rich, the colors are vivid, and they are very coordinated. It shows that in addition to the extremely profound skill of the painter, he also has a very subtle observation of objective objects, which is realistic and conveying. Collection of Nanjing Museum.
83. "Tiandu Peak Chart Axis" / Hongren
Qing Dynasty Hongren paintings, painting the scenery of Tiandu Peak in Huangshan Mountain, close to the babbling of streams, down the river; cliffs and cliffs, ancient pines, dense pine needles, branches like a pan dragon jiao, people stop. In the distance, the main peak points directly to the clouds, the strange pines on the dangerous cliffs are dotted, and there are springs on the mountainside, pouring down. With strict and concise shapes and square folded lines, the work shows the majesty and majesty of Tiandu Peak.
84. "The Green Sky Map" / Crippled
The crippled "Cangcui Lingtian Tu" is a representative work of landscape painting in the Qing Dynasty. Cliff winding paths, gates, and the forest of tile houses loomed, a person sitting in front of the case, as if thinking. Winding paths and ancient houses built on the cliffs, they are vast and ancient, and the atmosphere is deep and quiet. Continuing up, the mountain road leads directly to the summit. Surrounded by strange peaks and mountains, majestic mountains, ancient trees are green and tall, valleys and springs are hanging on the walls, and the mist is misty. Mountain stone trees are dyed with ochre, scorched ink dot moss, thick ink depiction. Indulging with a pen is breathtaking.
85. "Lotus Stone Waterfowl Diagram" / Zhu Yun
Zhu Yun was a descendant of the Ming dynasty royal family, and after the Ming Dynasty, he became a monk in order to escape political persecution and show hatred for the rulers of the Qing Dynasty. His works have a strong emotional color and complex spiritual connotations, and his special life experience and ideological situation determine the basic tendency of his painting creation. His fish and birds have a grotesque appearance and a strange look, and the unspeakable pain and resentment and depression in his heart are all expressed with the help of pen and ink. The cold and lonely environment treatment and the image of the natural normality in the painting of "Lotus Stone Waterfowl", as well as the informal layout of the rules, create a strange and bitter beauty, which is enough to touch people's heartstrings.
86. "Huaiyang JieQiu Tu" / Shi Tao
Shi Tao of the Qing Dynasty, originally surnamed Zhu, was named Ruoji, a descendant of the former Ming Dynasty. In order to escape the chaos of the world, he cut his hair and became a monk, and his legal name was Yuan Ji (原吉), and his name was Shi Tao( 石涛). This picture is full of sprinkled thick ink moss dots, absorbing and using Dong Yuan's school of soil and stone, with a sharp pen to remove the grass, so that the whole picture is lush and lush, reckless and secluded, reflecting a kind of magnificent beauty of pride and unrestrained.
87. "Sending People Under the Fence" / Jinnong
Jinnong in the Qing Dynasty was the first of the "Eight Monsters of Yangzhou". Representative works include "Sending People Under the Fence", "Moon Hua Tu", "Cai Ling Tu", "Mo Mei Tu" and so on. The composition of "Sending People Under the Fence" is novel, the frame is very small, but two square fences are painted in the main position, and a rectangular door is left in the middle, so that the picture layout is in a stereotyped and rigid situation, but the plum blossoms make the picture change and vitality. Plum shoots and falling flowers make this supposedly restrained picture have the effect of stretching the heavens and the earth and ethereal and penetrating. The plum blossoms in the painting take the magic of "not simple and not complicated", with a simple pen and a clean atmosphere.
88. "Drunken Sleep Diagram" / Huang Shen
Huang Shen, a Qing Dynasty calligrapher and painter, one of the "Eight Monsters of Yangzhou". This painting depicts the drunken sleep of Li, the head of the Eight Immortals. According to legend, Li Xuedao of the Iron Abductor was mistakenly burned by his disciples during his wanderings, and his soul had nothing to rely on, so he attached the corpse of a starving deceased, so he was unkempt, bald, and lame, and looked ugly. Carrying an iron rod, carrying a gourd, traveling the world in the clouds, Ji Shidu people, and having abnormal magical powers.
89. "Lan Zhu Tu" / Zheng Xie
"Bamboo Stone Diagram" is Zheng Xie's masterpiece, the picture of the bamboo standing upright, the length is different, or as left leaning, or as a right leaning, although independent, but look forward to having feelings, with a pen to be healthy and round, very loose and flying. The bamboo boulder stands tall, outlined by a center, the pen is thin and hard, with less rubbing and full of charm. Bamboo with thick pen, stone with light ink, thick and light contrast, interesting. Looking at the overall situation, the momentum is handsome, the wind god is scattered, and there is a proud stand- and indispensable.
90. "Jishu Rock Map" / Zhao Zhiqian
The "Jishu Rock Map" in the Shanghai Museum is a collection of Zhao Zhiqian's landscape paintings. This strip is colored on paper, 69.5 cm in length and 39 cm in width. This picture is based on the scenery of the mountains in Hebei. At the foot of the cliff, the blue waves are rippling, the steep cliffs are steep and roadless, and the green pines between the stone cliffs are winding and green. The mountainside is dotted with caves, and the caves have natural horizontal and strong staggered stone patterns, which look like a library of books stacked in the distance, giving unlimited vitality and interest.
91. "Three Friends Image" / Ren Yi
The background of this painting is simple, concise with a pen, all with line hooks, slightly pasteled, and the spirit is complete. The face pays attention to the use of brush lines, which is different from portrait painting since the Ming and Qing dynasties. Qing Dynasty Ren Yi's figure painting is a typical representative of the combination of Chinese and Western, the character facial depiction borrows from Western sketching methods, and strives to be realistic, while the character costumes are typical of the "line" art of Chinese painting, or folded reeds or dingtou rat tails depict light color light dyeing, fresh and pleasant.
92. "Tao Shi Tu" / Wu Changshuo
The vibrant peonies and daffodils create a festive and peaceful atmosphere, successfully expressing the author's theme of blessing the health and longevity of the elders with this picture, which is one of the representative works of Wu Changshuo's flower paintings. Wu Changshuo was a famous Chinese painter, calligrapher, seal engraver in the late Qing Dynasty and the Republic of China, and a representative figure of the "Houhai School".
93. "Shrimp" / Qi Baishi
Qi Baishi shrimp diagram, reflecting a high degree of pen and ink skills, in addition to expressing the unique performance of ink and rice paper, but also the texture of the shrimp is vividly expressed, is one of the most realistic objects in Baishi's pen. Qi Baishi once said helplessly: "Seventy-eight years old, people say that they can only draw shrimp, wronged!" (78-year-old inscription painting shrimp)", it is true that thinking that Qi Baishi can only paint shrimp is a layman's saying, just like mentioning that Xu Beihong is painting horses and Huang Ji is painting donkeys, but on the other hand, it also reflects that Qi Baishi's shrimp is indeed well painted, and people like to hear it, which is also a fact.
94. "Qiulin Tu" / Huang Binhong
Huang Binhong is a modern painter who has become a late bloomer, and his landscape paintings express his natural and rich visual images and inner feelings about landscapes with thick brush and ink levels, and achieve a situation of containing strength without being rough, elegant and elegant without being delicate, with the personal characteristics of thick Huazi.
95. "Map of displaced persons" part / Jiang Zhaohe
Jiang Zhaohe's "Map of displaced persons" was made in the enemy-occupied areas during the period of the War of Resistance Against Japanese Aggression, when the national disaster was unprecedentedly severe, and the "Map of displaced persons" is Jiang Zhaohe's personal masterpiece and also a representative work of figure painting of the times. The painting, which records the deep disasters brought by the Japanese invaders to the Chinese nation, is full of blood and tears, and is 2 meters high and 12 meters long (30 meters in the original work), which can be called the largest portrait of a figure that truly reflects the national tragedy in the first half of the 20th century.
96. "Five Hundred Soldiers of Tian Heng" / Xu Beihong
Tian Heng 500 Shi, Xu Beihong's 1928 oil painting depicts Tian Heng, the leader of the peasant uprising in the "History of Tian Danlie", who will go to Luoyang to recruit an empress dowager after Liu Bang claims the title of emperor, and his loyal 500 soldiers will send him off.
97. "Eight Juntu" / Xu Beihong
"Eight Juntu" is one of Xu Beihong's most famous works, with the theme of the Eight Juns of King Mu of Zhou, eight horses with different shapes, flowing and flexible, which is a rare treasure.
98. "So Many Delicate Rivers and Mountains" / Fu Baoshi Guan Shanyue
Traditional chinese painting. Fu Baoshi and Guan Shanyue cooperated. A huge landscape painting painted in 1959 for the new Great Hall of the People in Beijing. On the picture, the sun rises in the east, and the country and mountains are magnificent.
99. The Founding Ceremony / Dong Xiwen
The Founding Ceremony is an oil painting by Chinese painter Dong Xiwen, which is in the collection of the National Museum of China. The work depicts the moment on October 1, 1949, when Mao Zedong read out the announcement of the Central People's Government from the tower of Tiananmen Square, proclaiming the founding of the People's Republic of China.
100. "Ten Thousand Miles of the Yangtze River" Part / Zhang Daqian
"Ten Thousand Miles of the Yangtze River" is one of the representative works of Zhang Daqian's Landscape Painting of the Yangtze River created in 1968. It fully expresses his love for the landscape of the Yangtze River. Zhang Daqian was seventy years old and was moving to Brazil at the time of the Chinese mainland at a time when the Cultural Revolution was in full swing. The Yangtze River is the largest river in Asia, the "mother river" of Chinese, and one of the birthplaces of Chinese civilization. The Yangtze River stretches for thousands of miles and runs through the land of China. Zhang Daqian is a native of Sichuan, and in his long scroll, he starts with Sichuan Province, the opening volume is the chain bridge of Dujiangyan, and then the Yangtze River rushes down, crossing the Three Gorges, crossing The Jiangling, Nabaichuan, and finally throwing itself into the embrace of the sea.