Alain Delon on the cover of bravo magazine in Germany in 1961
At the beginning of the 21st century, a Japanese media outlet named the world's "three greatest actors" of the 20th century: Montgomery Clift (1920-1966) in the United States, Alain Delon in France, and Zhang Guorong (1956-2003) in China.
The media believes that their three stars represent the peak of the male actor's appearance in the film industry, and the handsomeness of Montgomery Creft and Alain Deron is in line with the aesthetic tastes of both The East and the West, but the acting skills of Alain Delon are the worst in this, and he is really the kind of male star who "acts with a bully".
Born on November 8, 1935, Alain Deron said: "No one can write down my life." The movie star tried to stop the writer Bernard Violet from writing The Mystery of Alain Delon, but the writer didn't give up on his efforts.
His book, which allows people to see the real Alain Delon behind the screen, sees the troubled and restless life of a selfish intersex man, and caused a huge sensation among readers around the world.
Title: The Secret of Alain Delon Author: Bernard Violet Publisher: Chinese Literature Published: 2006-1
As a rightist, Alain Deron once said in the early 21st century that everyone would look at him differently: "Comrades are anti-natural, and men are alive to love women, not to pursue a man or to make a man pursue." ”
It is estimated that even he himself has forgotten how to let men raise him when he was young, and in order to become famous, he "committed" himself to the gay director, just to become popular quickly.
For many women, they would rather Alain Delon be a truly committed heterosexual than believe he was a member of the gay camp! Like the French writer André André Gide (1869-1951) and the Japanese writer Yukio Mishima (1925-1970), they are well-known celebrities among comrades, few people classify them as bisexual, but they have all been married and had children, and their relationship with women is not a fake phoenix.
Perhaps only people as frank as the English poet Oscar Wilde (1854-1900) and the French playwright Jean Genet (1910-1986) dare to say that they are the backbone of the comradeship.
The Rolling Stones lead singer Mick Jagger and his wife, Mick Jagger, were pioneers of complete "sexual openness", and although they usually or unintentionally threatened bisexuality, they generally classified Mick Jagger as heterosexual.
Alain Delon on the cover of the French magazine CINEMA TEASER in 1959
Comrades who have recognized or confessed include the Italian writer-director Pierre Paolo Pasolini (1922-1975), the German avant-garde director Rainer Werner Fassbinder (1945-1982), the American "underground film" director Kenneth Anger, and the British avant-garde director Derek Jarman ( 1942-1994) and others, Queen Queen's lead singer Freddie Mercury (1946-1991) has never been straight, and british singer David Bowie (1947-2016) is the most daring to claim to be absolutely bisexual.
Alain Delon's image in the film Angry Sea Sinking Corpse/Sun-Drenched Plein Soleil (1960).
And the domestic actor surnameD C was also because he was raised by the male gold lord, only from the "Nortel" came out to star in his first movie, when his brother's child became his son, it was hyped by some media as a so-called "fan" to this day; and his classmate H surname is also an absolute intersex person, and has also been raised by the gold lord.
In the television circle, he was also a "traffic student", a male actor surnamed L who graduated from "playing", when he went to Beijing to find a director who asked to star in a TV series, the director directly proposed that he serve as a starring actor, and as a result, the L male actor became a hit in the director's TV series.
Alain Delon in the film Rocco e i suoi fratelli (1960).
In fact, when the domestic old is saying what "unspoken rules" are dark, in fact, everyone is in the "sour grapes" mentality, even if they say it, there will be no change!!!
It should be known that any industry has its own "unspoken rules", which will not disappear because of someone's so-called brave "exposé", but the entertainment industry is more exposed because it will cause everyone to scramble to "wait and see".
Sometimes you just want to be "submerged" by others, and you have to have a certain amount of money. Everyone's fame is not something that can be obtained for no reason, and the bitterness behind it is a humiliation that famous people do not want to see.
Alain Delon (right) Natalie Delon (center) and bodyguard Stefan Malkovich (left) attend the fashion show in 1965
Speaking of french actor Alain Deron, he has openly admitted that he had a period of same-sex physical pleasure with his bodyguard Stefan Malkovich (1937-1968), but everyone thinks that he is only based on a momentary curiosity, and on other occasions he is a qualified heterosexual.
But what remains unclear is that he also committed himself to the French director René Clément (1913-1996) and the Italian director Luchino Visconti (1906-1976) in order to "ascend to power".
On location in the filmIng The Dead In the Angry Sea/Sun-Drenched Plein Soleil (1960), René Clément (left) and Alain Delon, the director always yelled at Alain Delon on the spot that his expression was not in place, and he was never given a good look
In 1988, when the writer Bernard Violet had not yet written a biography of Alain Delon, he wanted to prevent the publication of the book. He took the writer Bernard Violet to court, but lost the case and spent 10,000 francs in vain. His approach infuriated Bernard Violet, prompting him to work harder to investigate the big star's behind-the-scenes experiences, finally giving people a glimpse of the truth about Alain Delon's life today. Alain Deron once said, "My life is so incredible that no literati can write it down." It seems he was wrong.
Stills from the movie The Wrath of the Dead/Sunshine Shines on Plein Soleil (1960), Alain Delon
The first important woman in Alain Deron's life was his mother, Eddette, a seat usher in a cinema on the southern outskirts of Paris. She always dreamed of becoming an actress, and later broke up with Fabian Deron, Alain Deron's father and manager of the theater.
Little Alain Deron was different from the other children. "He was always different," the mother recalled, "and the young Alain Deron signed a training contract with the French Meat Food Federation and got his diploma." But he had no interest in sausages, so his father suggested that he join the army. ”
In June 1962, Alain Delon appeared on the cover of The Friends of Cinema magazine in Japan
The Navy was fighting in Indochina that year. But he stole radio equipment, a gun and a jeep, and was locked up. The army expelled him. On May 1, 1956, the former corporal of the Navy returned to civilian life. Alain Deron lived on the help of some prostitutes.
According to a police report, there was also a man named Carlos , who was also cared for by locally recognized comrades who had also taken care of Alain Delon. At this time, Alain Deron deliberately avoided his mother, but the mother has been trying to get him again, even despite his objections, and adopted ali, the child he gave birth to with the German singer Nico.
Alain Delon on the cover of Films and Filming magazine in 1960
Alain Delon met Nico in January 1960 when he filmed René Clement's film The Dead Body of the Angry Sea/Sun-Drenched Plein Soleil (1960), and later reunited with her in New York.
On August 11, 1962, Nico gave birth to Ali. She was sure that Alain Delon would recognize the child and decided to marry him. But Alain Deron refused to recognize Ali as his child all his life, and when he learned that his mother had adopted the child, he asked his mother to choose between Ali and him.
For this reason his stepfather said to his wife, "You tell him that he has food for himself, but Ali cannot raise himself." ”
In the film To Catch a Thief (1955), Brigitte Aubert (left) and Gary Grant
When Eddit died on June 30, 1995, Ali and Alain met in the church where the funeral was held. "We didn't speak," Ali recalled, "and he heard what I said when I gave a eulogy in the church." ”
When actress Brigitte Aubert Aubert (1928-04-27), who was 8 years older than Alain Deron, introduced Alain Deron to the french director René Clement in June 1959, she never imagined that this would be the last thing she would do for Alain Delon.
During that time, Brigitte Aubert paid for Alain Deron to hire a teacher, teach him how to perform, and raise him, thinking that he would have a hard time in the future and stay with Alain Deron for life.
Alain Delon and Romey Schneider pose for a group photo near the pool
At that time, although Alain Deron had already starred with Romy Schneider (1938-1982) in Christine (1958), when he did not attract much attention, after all, his acting skills could not be on the stage, even if someone taught him how to perform, but except for high looks and a green smile, there was really nothing worth talking about.
If Alain Deron is already a skill in using women, how to use his own handsomeness to make the men in the circle pay for him is also a problem for him.
After all, Alain Deron has never been trained in film acting, and at the beginning he plays almost all energetic young people, and often morally degenerate young people.
Because of his handsome appearance, he later got a lot of roles as gentle lovers and mercurial heroes. Alain Deron's first outstanding achievement as an actor was achieved in René Clement's The Wretched Sea.
The appearance of René Clement allowed Alain Deron to see the dawn ahead. If you want to mix in this industry, you still have to rely on the work to speak. When René Clement extended an invitation to him to appear in The Dead In the Angry Sea, he also offered to "enjoy" his body, saying to give him a day to consider.
Location of the film The Wrecked Body of the Angry Sea/Sun-Drenched Plein Soleil (1960), rené Clément (left) and Alain Deron Alain Delon
Alain Delon went to ask Romet Schneider on this day, and Rommy Schneider told Alain Delon that as long as he could appear in René Clement's film, he would definitely get better resources. She also said she had seen René Clement's The Forbidden Game of Jeux Interdits (1952) and The Life of the Hotel/Laundry Woman Gervaise (1956), both of which had won awards at the Venice Film Festival.
The next day, Alain Deron called to tell René Clement that he had no problem with the director's "demands" and only wanted the director to "mention" him more and give him more guidance.
Set on location in the film Rocco e i suoi fratelli (1960), directed by Lukino Visconti (right) and Alain Delon, if René Clement was in the original state of René Clément to Alain Delon, lukino Visconti was on the set of Alain Delon, and everyone around could see the two flirting
Obviously, this time Alain Deron is a real bettor. René Clement not only showed the "evil charm" beauty of Alain Deron in "The Wretched Corpse", but also made his figure look more seductive in the sun.
René Clement gives full play to his delicate and rigorous creative style in this "Dead Body in the Angry Sea", and the meticulous narrative advancement also makes the viewer feel refreshed.
Then Italian director Lucino Visconti (1906-1976) rocco e i suoi fratelli (1960) also starred Alain Delon, and it was René Clemente who recommended Alan Deron to Lukino Visconti.
Set on location for the film Rocco e i suoi fratelli (1960), directed by Lukino Visconti (right) and Alain Delon
Romi Schneider once had a big fight with Lukino Visconti for "exclusive" Alain Delon, and the final result was that Alain Deron "compromised" with Romi Schneider.
What is even more surprising is that when Alain Deron has completely severed contact with Lukino Visconti, Romi Schneider and Lukino Visconti have become "good girlfriends".
The "sensitivity" of these two directors to the image of male actors is not available to other male directors, René Clement's "Dead In the Angry Sea" made Alain Delon famous, and Lukino Visconti's "Rocco Brothers" made Alain Delon win the recognition of the film industry and let the global audience know Alain Delon.
Alain Deron's early popularity in Europe was due to the work of these two comrades who directed films, which benefited him immensely, and he later collaborated with René Clement on Joy, Life Che Gioia vivere (1961), Les Félins (1964) and Paris Brûle-t-il? (1966), and Lucino Visconti on Dommage qu'elle soit une putain (1961) and Leopard Ilgattopardo (1963).
At this time, Alain Deron was thinking about how to climb to the top again, but always appearing in the films of these two directors would also tie his image.
Alain Delon on the cover of a French magazine in 1962
He needed to break through and at the same time accept fresh young people into his world, when his future male bodyguard and lover, Stefan Malkovich, and his first wife, Natalie Delon, appeared in front of him at the same time in the summer of 1964.
It was during this period that his facial features gradually took on the breath of a masculine man, which was completely different from the previous image.
Location of the film Leopard Ilgattopardo (1963), directed by Lukino Visconti (right) and Alain Delon
In early 1967, when Alain Deron learned that Lukino Visconti was going to bring to the screen the literary masterpiece of the French writer Albert Camus (1913-1960), The Outsider Lo straniero (1967), he called the director in hopes of starring in the film.
But Lukino Visconti is a first-class director, he will not be obsessed with beauty, he would rather choose the Italian male who is more relevant to the characters in the book (the male protagonist in the original book is a Frenchman who grew up in Algeria)! This made Alain Delon very sad.
Alain Delon's image in the film Le samouraï (1967).
See, the director of this creature is also a strange animal, just like our domestic director surnamed Zhang and director surnamed Chen, will never pay more for others, of course, the actor himself also understands the truth of life like a play, but the actor prefers his own value in the director's heart, but the director is ruthless than the actor!!!
The second peak of Alain Deron's film career came after the filming of Jean-Pierre Melville's "Le samouraï" (1967), directed by Jean-Pierre Melville (1917-1973), which allowed him to gain a complete foothold in France and Europe.
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