Recently, the experiment of digital artworks in China is very popular, and its universal and inclusive characteristics will surely play an extraordinary role in the vigorous development of Chinese culture and art. Studying the market data of overseas digital artworks, it is found that the characteristics of digital artworks: more advanced, more personalized, the popularity of digital artworks, only a small number of works, whether it is GC, PGC, UGC, or C-end B-end, there are great financial risks. How to judge the success of the release of the work is extremely difficult, which requires a very high level or appreciation of digital art in the future. Yesterday I joked that if our company does a similar project, the first consultant to recruit is a 10-year-old child. Returning to the truth, we continue to share the "Time and Early Appearance of Guangcai Creation" by Guo Xuelei of Shenzhen Museum: in 2005, Sotheby's London auctioned a pair of Po enamel Western character plates, brocade patterns, four-open light forms, which have the same characteristics of the times as the blue and white decorations of the Kangxi Dynasty, and the deep purple carmine is also obviously consistent with the characteristics of the Kangxi Dynasty court enamel color. The "First Lesson" of Mr. Wu Hong (Professors Haffer and ZhiDa): "West Garden Yajitu" or "Spring Travel FuShiTu", a painting by the Southern Song Dynasty painter Ma Yuan, now in the collection of the Beautiful Nelson-Atkins Art Museum, 16 celebrities in the painting, gathered in the West Garden of the Mansion of the King of The Horse, including the Su Shi Brothers, Huang Tingjian, Li Gonglin, Mi Fu, Cai Xiang, Chen Jingyuan, and four children. Professor Wu Hong's "Rui Statues, Divine Objects, and Spiritual Realms in Chinese Art and Visual Culture" is not the visual culture planned by today's metaverse?
Zhang Sufujin
October 27, 2021