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"Aesthetic power is a person's core competitiveness", in recent days, xinhua network culture channel and the National Theater jointly launched the "aesthetic power art micro-classroom" will bring you a new aesthetic experience, by the art masters to provide you with a wonderful literary and artistic appreciation class.
Mr. Tan Xinpei is almost unknown to the majority of theater fans. He not only founded the most important old school of Peking Opera, the "Tan School", but also filmed China's first silent film "Dingjun Mountain", which was also a famous "amphibious" star of the year.
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The Peking Opera family Of Tammen counted from Tan Xinpei's father, through Tan Zhidao, Tan Xinpei, Tan Xiaopei, Tan Fuying, Tan Yuanshou, Tan Xiaozeng, Tan Zhengyan a total of seven generations, such a bloodline and artistic inheritance is rare in the world. The forty-eighth issue of "Aesthetic Power and Art Micro-Classroom", let us follow Tan Xiaozeng, the sixth generation of Tan Men and a national first-class actor of the Beijing Opera House, to listen to the story of the old student of the Tan School of Peking Opera.
Stills from Tan Xinpei's "Dingjun Mountain"
Tan Xinpei's "Tan School" art has played a role in the innovation and development of Peking Opera. He absorbed the performance characteristics of flower face and green clothes, and integrated the tunes in the zizi and the big drum, so that the singing, reading and doing skills of the old students of Peking Opera were more abundant. Especially in terms of singing, Tan Xinpei changed the original straight tone, only relying on the voice and strength of the rough singing method, innovatively added a lot of round and soft, beautiful and changeable new cavity, shaping the character more delicate.
Portrait of Tan Xin Pei Wusheng in the famous painting "The Thirteen Absolute Perfections of Tongguang"
Due to practicing martial arts from an early age, Tan Xinpei's old students are also both literate and martial, and have a wide path of drama. For example, tan pai's housekeeper drama "Dingjun Mountain", in which the large sections of "Allegro" and "Erliu" highlight the superb singing skills; and the opening and knife flowers of "Chopping Yuan" show his solid martial arts and relying on skills.
Tan school art is the oldest school of Peking Opera with the most descendants and the greatest influence, and has had a wide influence and help on the Yu school founded by Yu Shuyan and the Ma school founded by Ma Lianliang, including Wusheng Yang Xiaolou, Danxing Mei Lanfang and Wang Yaoqing.
Stills of Tan Fuying's "Dingjun Mountain" by Tan Fuying, the fourth generation of Tan Men
Past period review
Issue 47: Aesthetic Power and Art Micro-Classroom - It turns out that "can't understand" classical music is normal, why should music "understand"!
Issue 46: Aesthetic Power and Art Micro-Class - You must know the famous Chinese violin songs
Issue 45: Aesthetic Power and Art Micro-Classroom - From "Turandot" to your indispensable tenor
Issue 44: Aesthetic Power and Art Micro-Class: Cellist Wang Jianman on Dvořák's Cello Concerto in B Minor
Issue 43: Aesthetic Power and Art Micro-Classroom - Should Beethoven's Fifth Symphony really be called "Destiny"?
Issue 42: Aesthetic Power and Art Micro-Classroom| have you not heard of such a popular Huangmei opera?
Issue 41: Aesthetic Power and Art Micro-Class - Can The Hand Dance Move?
Issue 40: Aesthetic Power and Art Micro-Class- Take You to Listen to the Famous Chinese National Percussion "Tiger Grinding Teeth"
Issue 39: Aesthetic Power and Art Micro-Classroom - Chinese folk music and folk songs ignite the most dazzling national style
Issue 38: Aesthetic Power and Art Micro-Class - How many Chinese national percussion instruments can you name?
Issue 37: Aesthetic Power and Art Micro-Class- The Great Beauty of Chinese Women's Illustrated Books
Issue 36: Aesthetic Power and Art Micro-Class - Take you to understand the predecessor of the piano- the harpsichord
Issue 35: Aesthetic Power and Art Micro-Classroom - How Can Drama Be "Played"?
Issue 34: Aesthetic Power and Art Micro-Classroom - Small Emblem, University Question: The Story Behind the Design of the Emblem of the 2022 Winter Olympics
Issue 33: Aesthetic Power and Art Micro-Class - Introduce you to the behemoth pipe organ in the concert hall
Issue 32: Aesthetic Power • Art Micro-Class 丨 Listen to conductor Lu Jia share the reasons for loving Schubert's music
Issue 31: Aesthetic Power and Art Micro-Classroom 丨 Follow the dance drama "Marco Polo" to explore ancient China
Issue 30: Aesthetic Power and Art Micro-Class - How is Opera Made? Listen to conductor Zhang Guoyong speak
Issue 29: Aesthetic Power Art Micro Class 丨 Look at the big flower face of "called Chirp"
Issue 28: Aesthetic Power and Art Micro-Classroom 丨Why is it said that conducting is the soul of an orchestra?
Issue 27: Aesthetic Power and Art Micro-Class丨 Look at wind instruments that can play sonorous and powerful songs
Issue 26: Aesthetic Power and Art Micro-Classroom丨Percussion is not just "Bang Bang Gong"
Issue 25: Aesthetic Power and Art Micro-Class丨 Listen to young dancer Li Xing's narration of "To That Time"
Issue 24: Aesthetic Power and Art Micro-Classroom 丨How much do you know about the development of Chinese symphony?
Issue 23: Aesthetic Power and Art Micro-Classroom 丨Why is the old student in Peking Opera also called "Xu Sheng"?
Issue 22: Aesthetic Power and Art Micro-Class 丨 Take you to listen to folk songs from the north and south of the motherland
Issue 21: Aesthetic Power and Art Micro-Classroom 丨 Lyricist Wang Xiaoling tells the knowledge and stories behind the creation of lyrics
Issue 20: Aesthetic Power and Art Micro-Classroom 丨 With peking opera master Shi Yihong savoring the beauty of the four famous Dans
Issue 19: Aesthetic Power and Art Micro-Class 丨Lei Jia takes you to understand Chinese national opera
Issue 18: Aesthetic Power and Art Micro-Classroom 丨 Come and learn about the "long novel" of the music world - symphony
Issue 17: Aesthetic Power and Art Micro-Class 丨 Ten minutes to take you to understand the "ugly behavior" in opera
The sixteenth issue: Aesthetic Power And Art Micro-Classroom 丨 "Five Hu Le Girls" takes you to know Hu Qin
Issue 15: Aesthetic Power And Art Micro Classroom丨Why is the violin so expensive?
Issue 14: Aesthetic Power Art Micro Class 丨 Zhang Jigang tells you how many steps to create the dance "Thousand Hands Guanyin"?
Issue 13: Aesthetic Power and Art Micro-Classroom丨 From "Rebound Pipa" to "Ten Faces Ambush", Wu Man takes you into the world of pipa
Issue 12: Aesthetic Power and Art Micro-Classroom 丨 Follow Zhang Weiliang to the world of flutes
Issue 11: Aesthetic Power And Art Micro Classroom 丨 The Story of the Ballet "Sleeping Beauty"
Issue 10: Aesthetic Power and Art Micro-Classroom 丨 Familiar piano music in "Tom and Jerry"
Issue 9: Aesthetic Power and Art Micro-Classroom 丨What was the Pianist's Childhood Like?
Issue 8: Aesthetic Power and Art Micro-Classroom 丨How to Appreciate the Chorus Gracefully?
Issue 7: Aesthetic Power And Art Micro-Classroom 丨 Cellist Qin Liwei tells his story with the cello
The sixth issue: Aesthetic Power and Art Micro-Classroom 丨The hometown of "Peacock Dance" - the Water-like Dai
The fifth issue: Aesthetic power and art micro-class 丨 When the kite meets the poem, it is even more intoxicating
The fourth issue: Aesthetic Power and Art Micro-classroom 丨Kunqu Opera, "Empty Valley Youlan" in the Hundred Gardens of Opera
The third issue: Aesthetic power and art micro-class 丨viother Lu Siqing some words to the piano children
The second period: Aesthetic Power and Art Micro Class丨 Learn Chinese classical dance with Wang Yabin
The first issue: Aesthetic power and art micro-class 丨Hu Wenge talked about the beauty of "Mei Pai" in the end?
Producer: Xinhua Culture Channel, National Centre for the Performing Arts
Planner: Yuan Sitao
Coordinator: Xing Heyang
Editors: Chang Ning, Tan Shirley, Yi Yuan, Xing Heyang, Liu Lanfang