After writing the last time I wrote the bad film "What to do when the second brother came", many friends told me that "The Sky of the Burning Wild Boy" is the one that is more intelligent.
I watched two big bad movies in a week, and alas, it seems that everyone is suffering.
According to the publicity of the film, this is a comedy film in which young boys and girls dare to challenge themselves to release their youth. But as an audience member, I don't think there is a normal person in the whole film, and everyone seems to be madder than anyone else.
Why?
You listen to me speak carefully to you.
The director of this film is Zhang Yibai and Han Yan, and the screenwriter Isrin.
The male protagonist, Peng Yuchang, plays a boy named Old Dog in the story.
Judging from the same choreography team and male casting, as well as very similar titles, many people will definitely feel that this movie has something to do with the youth comedy "The Sky of the Wind Dog Boy" broadcast last year.
But who would have thought that these two works really had nothing to do with each other.
When this new film was released, there were many fans who went to the movie and finally cursed and grinned and returned disappointed.
In this film, the old dog played by Peng Yuchang is a student who failed the college entrance examination, and in order to repeat his studies, he ran away from home to a middle school in Hainan.
Here I would like to ask the screenwriter first:
Can you tell me why the male protagonist crossed the province to a very bad school to repeat the school?
The old dog arrived at the school on the first morning and deliberately entered the wrong school.
This is only because the heroine Xiao Huang (Xu Enyi) fell in front of him, and then he just happened to hear students dancing at the girls' school.
Then he rushed into the girls' school, and he watched the female students dance in the playground. What is even more outrageous is that in the hundred or so people, the male protagonist can accurately grasp the position of the female protagonist who has only seen one side.
Then, he was touched by the heroine, and probably fell in love with people at first sight, and then he went to the director of teaching and said: He wanted to transfer to a girls' school to learn to dance.
At this point I didn't know what words to use to express my shock.
Less than ten minutes after the beginning of the movie, I saw such an outrageous plot.
I looked back patiently, and sure enough, more strange things were still behind.
The heroine Xiao Huang appeared, and the character and encounter of this character made me think that the screenwriter and we may not live on the same planet.
Xiao Huang grew up under the care of her father (Huang Jue).
His father was a strange man, running a salted fish shop, driving a golden convertible Sports car, and paying for someone to tie a pink bow to the salted fish for his daughter.
Every time Xiao Huang asks him who my mom and dad really are, his dad will point to the TV and say that your mom is Zheng Xiuwen.
I could feel that the heroine did not believe this statement to her father.
But you say she doesn't believe it, and she has to tell her classmates and teachers that my mother is Zheng Xiuwen.
This indirectly led to the exclusion of everyone in the girls' school where the heroine was located.
That's right, it's everyone!
Everyone nicknamed her: The Daughter of the Sea, hated that she looked black and short, smelled of salted fish on her body and wanted to join the dance team, and laughed at her fantasy that her mother was a big star.
The whole school girls use school violence against Xiao Huang, and everyone will laugh at the heroine in front of her face when they see her, and they will deliberately push her out of the whole team when they dance in the group dance.
What's more, the girls in this school not only look down on the heroine, but also look down on the boys at the opposite Sunshine Middle School.
yes?
Is this girls' school specializing in recruiting students who engage in school violence?
In my opinion, the school violence of female school students against the female protagonist may only reflect the female protagonist's bad situation, and then further reflect how important the arrival of the male protagonist is to the female protagonist.
But this extremely brainless method of creating contradictions is too blunt.
Not to mention, the turn behind is too strange.
In the last second, all the girls were using school violence against the heroine, and did not want her to join the dance team to participate in the dance miracle competition with everyone.
In order not to let the heroine be bullied, the male protagonist and the old dog came up with a way to temporarily form a dance team with his friends to invite the heroine to dance.
The next second, because the old dog and friends danced, the students of the girls' school were touched by the male and female protagonists to dance with them in the rain?
From the collective exclusion of the female protagonist to the voluntary rain dance, from looking down on the boys to everyone dancing happily, there is no change in the process, directly reversed.
What is even more eye-popping is that after the dance in the rain was over, the students of the girls' school began to ridicule and ridicule the heroine as the daughter of the sea.
What, is there something wrong with everyone's brain?
The girls' school students on Xiao Huang's side are engaged in school bullying here, and the boys in the old dog school are crooked dates.
Everyone plays ball and cooks every day, but they don't see anyone studying seriously. Seeing the people in the old dog dormitory, someone will definitely jump out and complain that if it were not for you, the female students would not look down on us!
Judging from everyone's behavior, I think it is too light to describe them as secondary two diseases.
The old dog's three roommates have become his little classmates since the first day the old dog transferred to school. If the male protagonist wants to dance, they will dance with it, and he will not learn the three without learning.
Everyone excitedly wandered between girls' and boys' schools every day, no matter what they did, no matter how exaggerated they came.
The director let me shine, and I grinned. The director told me to burn, and I jumped hard.
Although the three people are different in appearance, they are tall, fat and thin, but the human settings are the same soulless.
However, the funniest character in this school still belongs to Dahua played by Yin Zheng.
A person who returned to junior high school at the age of 28 because he had not attended school.
One left his wife alone at home to earn money.
He was not a good student in school, and he followed the male and female protagonists to dance.
I was stunned to see that his wife spent half a month's income to invite the male and female protagonists and their friends to dinner and ask them not to let Dahua dance again in order not to let him dance again.
Why can such a person have a wife, what a magical and brain-dead story!
Against the backdrop of so many strange characters, the emotional development of male and female protagonists seems unremarkable.
The relationship between the two of them, from establishment to deepening, did not make me feel a trace of the sweetness of love. I didn't see where the shining point that could attract the opposite sex was in the two men and women, nor did I know how the feelings between the two of them sprouted.
Anyway, after the old dog met the heroine on the first day of the transfer, the two people have inexplicably been meeting since then. The screenwriter seems to be telling you that this is the male and female protagonists so the two of them are going to be together.
The male protagonist likes her when he sees the female protagonist dancing? The heroine wants to dance the male protagonist to help her dance, so she fell in love?
Or is it because the male protagonist said to the female protagonist that "no one but me can soak you, nor can the rain" this earthy and greasy love story?
Big brother and big sister, if you have this time, you might as well read more books.
After the characters have finished complaining, I will say another important point next.
The poster of "Burning Wild Boy's Sky" wrote that this is a youth song and dance film, and I would like to ask the director what is the understanding of the youth song and dance film?
In a normal song and dance film, although the plot can be simpler, the key song and dance parts should be highlighted, and should be able to portray the character's heart or promote the progress of the story.
However, in this film, the elements of song and dance not only have no highlights, but also do not integrate with the whole story at all, and even the minimum mobilization of the audience's emotions cannot be done.
Two examples.
In the form of song and dance, a scene related to learning was filmed (it should be the only scene related to learning in this school movie), and the content is probably that students learn the wave-particle duality of light together.
But the scene appeared very suddenly, like a performance of an art class performance. The set is also completely fictional, with co-ed classrooms, completely breaking the previous setting of male and female branches.
Giving up the rationality of the story in this way is the biggest failure for a song and dance movie.
The scene where the heroine dances on the roof is the same.
The heroine was crying alone on the balcony at that time, probably because she didn't know who her mother really was, but after a while she actually stood up and danced a love-themed dance.
What's more coincidental is that the male protagonist happened to see her dancing on the roof of another building at this moment.
Later, the two people chatted happily with their hands on a steel pipe, a few meters from the ground, and their arm strength was amazing and they were not afraid of falling to their deaths.
In short, whether it is the male and female protagonists picking up steel pipes or the emergence of these song and dance elements, it seems to be a joke.
The last large-scale group dance in the film undoubtedly brings the whole story to the climax of the key scene.
As a youth song and dance film, after performing for so long, the children can finally break through their own youth and dance to the fullest!
The male protagonist has also been stressing that it doesn't matter if we can't win this game, as long as we lose happily!
But!!!
Did you lose? Your dance is bigger than anyone else's, and it's neater than anyone else'!
The level is comparable to the advertising film made by others!
That's right, this is a commercial film directed by Yuyuki Okuyama for a well-known Japanese beverage in 2017.
This is the large group dance that appears in the last scene of "Burning Wild Boy's Sky".
I will not say more, the creativity of the two stages, the background and the costumes of the actors, including the formation, how similar the degree of similarity should be everyone can see it.
Even if you don't mention the fact that these two stages are very similar, doesn't the director feel ridiculous when he shoots here?
How on earth is it possible to perform this last dance?
The students had not gathered to practice dance before, and everyone was still busy with campus bullying and engaging in small groups?
How did this dance come out?
Could it be that because the heroine said a few words to the live TELEVISION, everyone in the boys' and girls' school left the house at the same time, took a boat from land to the wind farm at sea, and danced to support her?
I have nothing to say.
It's not easy to shoot so ugly, right?