When I watched the film, I kept wondering if the story would be true if the emotional line of the same sex was cut off. Then it didn't feel very valid. For example, the 55-minute push is a very critical point in the relationship between the two. If you give it up, or if you change the form, the latter will not hold.
What can't be given up is this one point, no matter how tossed and turned in the follow-up, pushing down that one is the peak. As for the ambiguity in the front, the guilt in the back plus the previous history, can be seen as the feelings between two good friends. If there is no crossing the line, it will probably be so calm.
The most disgusting kind of movie that changes the gender of heterosexual love and puts diamonds on his ass. Same-sex themes have their own set of grammar, and the most important thing is the irreplaceability of feelings. If you only change genders, and then do some action scenes, it will really become a wool film.
![Hidden deep in a seat of cold and warm swimming on the edge of time measuring a distance moored in the fingers of the years I woke up in the spring you are my eyes bathing in the unrestrained summer you are my days there is always a silhouette of time[fig]](data:image/gif;base64,R0lGODlhAQABAIAAAP///wAAACwAAAAAAQABAAACAkQBADs=)