People are as light as chrysanthemums, and their faces are like peach blossoms| the flower and bird paintings of female painter Tang Wei are appreciated

Tang Wei

Former name: Tang Yizhi

Member of China Artists Association,

Member of China Gongbi Painting Society,

Member of China Women Painters Association,

Member of Guangxi Artists Association,

In 2014 and 2015, he graduated from the Chinese Painting Research Institute of Baohualou in Hangzhou, under the supervision of Mr. He Shuifa.

Chinese painting works have participated in national art exhibitions many times and won awards:

In 2014, the work "The Dignity of Taishan" National Landscape Painting Exhibition (sponsored by the China Artists Association) was selected.

In 2014, the Chinese painting exhibition "Yu Ji Bi Ban Cha" in the "Auspicious Grassland Lucheng Danqing" won the Excellence Award (sponsored by the China Artists Association).

In 2015, the "Huangshan Soul Chinese Dream" Chinese Painting Exhibition (sponsored by the China Artists Association) was selected for the work "Apricot Blossom Shadow Lock Light Cold".

In 2018, the "National Style Festival" - the first national Exhibition of Chinese Paintings (sponsored by the China Artists Association) was selected for the work "Mountain Flowers Pressing Sideburns to Catch the Song".

In 2018, the 9th "National Hundred Flowers Award" - The exhibition of fine art works of various ethnic groups in China (sponsored by the China Artists Association) was selected for the work "Dong Family Lark".

2018 3rd China National Art Biennale, the work "March 3" won the Qualification Work Award (sponsored by China Artists Association)

In 2019, his work "March 3" was selected for the 12th China Arts Festival National Excellent Fine Art Exhibition. (Shanghai, China)

Main Exhibitions:

In 2014, he Shuifa teachers and students exhibited in "Baohua Qiushi". (Hangzhou, China)

2017 "The Glory of Friendship" Chinese Contemporary Calligraphy and Painting Masters Exhibition (Toronto, Canada)

2018 "Spring in Huazhi" - He Shuifa Teacher-Student Joint Exhibition (Hangzhou, China)

2018 "Art and Beauty Collection"——Exhibition of Calligraphy and Painting Works of Chinese Craftsmen and Artists (Shanghai, China)

The painter Tang Wei often studied traditions, chased after the Song and Yuan dynasties, and absorbed the strengths of the Qing Dynasty Yun Shou ping families, forming a boneless technique of part-time work with writing. Respecting the natural interest and combining his own inner and meticulous feelings, he integrates the moving gestures of flowers and birds with the experience in classical poetry works, is good at absorbing the atmosphere of the times, creating works of art with national characteristics, and at the same time can write quiet, loose and poetic aesthetic life pictures at will.

The work "March 3" relies on the natural form of the simple and natural Sanjiang Dongzhai Song Festival in Guangxi, depicting the scene of the third day of the third month of the third month of the lunar calendar, when the Dong family girls in festive costumes carry flower umbrellas through the villages and villages, singing and dancing to a gorgeous song party. The song is sent with the heart, and the heart is vigorous with the song, showing the happy and healthy living conditions of the ethnic minorities in the southern Xinjiang of the motherland.

In the composition processing of the work "March 3rd", the picture is processed into three screens, and a freehand deformed Dongzhai is used to break the queue of girls to catch songs. The large black of the costumes in the painting, the sharp corners of the flower umbrellas, and the fluttering ribbons depict the dynamic beauty of the Dong girls on the way to sing. The whole painting rhymes, situations, spaces, and lines, and these images intuitively and clearly highlight the national characteristics, and can indirectly trigger the association of the viewer.

Tang Wei's boneless flowers and birds boldly used the painting expression technique of hitting water and contrasting colors, breaking the traditional brush double hook color filling expression technique, breaking ink with water, breaking ink with ink, breaking ink with ink, and breaking ink with color, forming colorful stains in the color block, with a sense of flow, so that it not only maintained the brilliance of the color, but also broke through the "ingenuity" dyeing effect, and achieved the painting effect of "loose", "easy" and "sparse" advocated by literati painting, which met the aesthetic standards of literati painting.