To say that the latest issue of "The Voice of China", the biggest attraction is that it should be Tan Xuanyuan, who returned with original works.
"Back to the pot meat" is not easy to make people like, and even many times, because of going too far, it will be complained that it is a relationship household.
So is Tan Xuanyuan a real force or a relation? We may wish to discuss it from a few aspects.
First of all, the first point, Tan Xuanyuan himself is the third runner-up of the voice, returning to participate in the program at the tenth anniversary, the biggest possibility is that the program team went to find him, and he was also willing to accept it.
So, let's throw away Tan Xuanyuan's status as the third runner-up of the voice, in fact, no matter what, anyone who loves music can sign up for the Voice of China, so this is naturally reasonable.
In addition, the second point is that Tan Xuanyuan's strength, conspiracy theories are not necessary, we can directly discuss the essence of Tan Xuanyuan's voice.
Being able to still navigate the three groups of small characters, keeping the voice steady and controlling it still maintains a fairly high chest voice ratio, this kind of player is the player that this year's "The Voice of China" does not have.
Before Tan Xuanyuan appeared, I even thought that this year may be the year with the most lack of heavy function and high proportion of chest voice, but the emergence of Tan Xuanyuan filled this gap.
Such a student with superb strength singing skills, I am afraid that even if it is a vegetarian, there will be mentors who are happy to turn around, and they can still go far to participate in "The Voice of China", and the strength is placed there, and there is no need to say anything more.
Finally, the third point, the mentors have no need to deliberately promote a good voice runner-up, with their musical qualifications, they don't have to care about this at all.
Therefore, it is completely unnecessary to question the reaction of the mentors.
If the first song is not so shocking, then the second song, when fighting Against Sun Langlang, Tan Xuanyuan's song has already "exploded" the whole audience.
Huang Xiaoyun's live reaction will not lie, and Huang Xiaoyun, who shook his head with the rhythm, obviously enjoyed such music, and also enjoyed Tan Xuanyuan's voice.
As for the reason, it is very simple, although bread likes the treble, but also, not only simply like the kind of brainless soaring treble, the treble also has technology, and the treble ability that can be recognized by Huang Xiaoyun obviously belongs to the category of technology.
I'd love to see a situation where there's a runner-up from the previous season who's been going all the way down the stage.
He may also be able to teach today's students a good lesson, let them know the good voices of the past, and what the strength of the students is.
Of course, Tan Xuanyuan is also very smart, he understands the changes in today's aesthetics, from the functional faction that did not start to know how to control now, behind which it is inseparable from silent practice.
What surprised me the most was that he said on the show that after he left the show, he went to study the arrangement, and it was obvious that he really wanted to make music well.
You know, many students who leave the good voice will be obscure and will not seek opportunities.
This year's "The Voice of China" is an opportunity for Tan Xuanyuan, and I hope that he can seize this opportunity to fire an original work, or a cover song.
This is a huge bonus for him.
After all, the next time there is such a stage, I don't know when it will be.
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