Zhao Banshan is the three leaders of the Red Flower Society, nicknamed Thousand Arms Rulai, which means that the speed of his dark weapon is dense as if there are a thousand hands, while Rulai means that he has a face and heart. Although Zhao Banshan is good at dark weapons, but the dark weapons never use poison, he believes that the dark weapons are also a decent martial art, and fists, feet, instruments are one of the three gates of martial arts, just to the shameless villain a feeding poison, which makes people look down.
In addition to the dark weapon, Zhao Banshan's Taijiquan and Taiji Sword are called the three absolutes with his dark weapon Kung Fu, and in the Flying Fox Biography, the original text gives his Taijiquan cultivation the evaluation of the highest realm of martial arts. This article will talk about the martial arts level of Zhao Banshan in different periods of the book Sword and Flying Fox.
Zhao Banshan
< h1 class= "pgc-h-arrow-right" > the shujian period</h1>
If you don't count the abuse, Zhao Banshan's first battle was against the fire judge Zhang Zhaozhong, the hard stubble, when Zhang Zhaozhong caused the wheel war of the Red Flower Society, after relying on the condensed bi sword to cut off the dustless long sword, Zhao Banshan took over, and in an instant, a large number of dark weapons were sent out, iron lotus seeds, bodhi seeds, money darts, flying locust stones, steel darts, hidden arrows, etc. All attacked Zhang Zhaozhong in an instant, and Zhang Zhaozhong was indeed successful, although he was busy with his hands and feet, he was still not injured, and he could even catch some of the dark weapons and fight back.
However, at this moment, Zhao Banshan launched his ingenious "HuiLongbi" and "Feiyan Silver Shuttle", Huilongbi is actually a boomerang, used in conjunction with the Feiyan Silver Shuttle, when Zhang Zhaozhong went to pick up the Dragon Wall but was surprised because the boomerang turned back on its own, the Silver Shuttle attacked from left and right, and there was another mechanism above the Silver Shuttle, and when Zhang Zhaozhong jumped and dodged, it shot upwards and successfully injured Zhang Zhaozhong's calf.
Then Zhao Banshan's sword came with him, hitting Zhang Zhaozhong and secretly frightened.
Zhang Zhaozhong
Strictly speaking, although Zhao Banshan was extremely brilliant in this battle, he could not be considered to be stronger than Zhang Zhaozhong, because this battle was not fair, Zhang Zhaozhong had fought Chen Jialuo and Wucheng two first-class masters, and it was already the third battle to Zhao Banshan, and when fighting Wucheng, because Wucheng's martial arts were above him, Zhang Zhaozhong fought very hard, and finally relied on the sharpness of the condensed sword to barely repel Wucheng, and finally was kicked by Wucheng.
Zhang Zhaozhong in this state, although Zhao Banshan had the upper hand, he could not lift him too high.
The second game related to the positioning of Zhao Banshan is in the battle of the Liuhe Pagoda, the Liuhe Pagoda has a total of thirteen floors, the red flowers will be from weak to strong, in turn upwards, each layer will arrange a master, the higher the higher the master strength, and Zhao Banshan is arranged on the ninth floor, his upper tenth layer is Zhou Zhongying, the eleventh layer is the mianli needle Lu Feiqing, here it seems that Zhou Zhongying and Lu Feiqing's positioning seems to be above Zhao Banshan.
The old woman listened, stopped fighting with the crowd, flew up, and pulled her left hand on the corner of the seventh-floor tower, taking advantage of the situation to flip up to the eighth floor. There was no one on this floor to stop it, and it was still turned over to the ninth layer in this way. When she came up from below, [knowing that the martial arts of each layer of the Guardians were higher than one layer], although she avoided Zhou Zhongying's boldness and two swords, she knew that he was a Shaolin master, fighting on the ground, not weaker than herself.
In another evaluation, in Zhao Banshan's view, Lu Feiqing was above him.
Lu Feiqing
Zhao Banshan took the sword in his sleeve, no longer in love with war, and thought to himself: "Lu Feiqing's eldest brother is guarding the eleventh floor for more than ten years, thinking that his martial arts will inevitably improve, [he will definitely be able to restrain this old woman." All the brothers admired him for his high righteousness, but they had never seen his super sword skills. He let the old woman go up, with the intention of making his friend Lu Feiqing show his face and make a name, otherwise he would cut through the cuffs, and he could fight again, and he might not lose.
Zhao Banshan thought that he and Guan Mingmei would not lose if they fought again, but he thought that changing to Lu Feiqing would definitely be able to restrain Guan Mingmei. And Zhao Banshan's battle with Guan Mingmei was indeed a little worse, he fought with Guan Mingmei for more than a hundred rounds, and wanted to launch the dark weapon, but Guan Mingmei's sword technique was too fast, he couldn't even slow down, and when he wanted to take the dark weapon, he was cut through the sleeve by Guan Mingmei.
If you recognize the ranking of the Liuhe Pagoda and the evaluation here, then zhao Banshan's martial arts at the time of the book sword should be slightly inferior to That of Lu Feiqing, and it is known that Lu Feiqing thinks that he is not as good as Zhang Zhaozhong, then from this point of view, the real martial arts of Zhao Banshan in the era of the book sword are inferior to Zhang Zhaozhong.
<h1 class="pgc-h-arrow-right" > the flying fox epilogue period</h1>
During the Flying Fox Transmission Period, Zhao Banshan's martial arts were mainly displayed when teaching Hu Fei in the Merchant Fort.
Zhao Banshan and Hu Fei
Zhao Banshan saw that Hu Fei was clever and clever, a natural martial arts wizard, but obviously did not have the teaching of a famous teacher, so he used Chen Yu's kung fu to teach Hu Fei the taijiquan kung fu he understood. Here Zhao Banshan explains the profound theory of Taiji martial arts in a simple and simple way, and everyone understands it.
As he spoke, he drew the shape of the rings and said, "With the force of the ring, I pushed the enemy into my invisible circle, and when I wanted his left, he was left, and if he wanted his right, he was right." Then, with four or two micro forces, the enemy is stirred. Strike at the enemy's flank with my vertical strength. The number of victories and defeats in Tai Chi chuan lies in finding the right point and hitting the landing point. "[The reason he said about fist is clear and simple, and everyone can understand it], but it is really reasonable. Everyone in the hall was a good martial arts master, listening to his mouth, hand and foot comparison, all out of God. To hear such a martial arts master talk about the essence of boxing is a great opportunity to meet and not seek in a lifetime. Hu Fei listened intently, and his heart blossomed, just like smelling heavenly music.
Here you can compare Zhang Sanfeng to explain Tai Chi to Yu Daiyan, and the result is that Yu Daiyan seems to understand non-understanding, and can only understand three or four percent. It can only be said that in the era of Zhao Banshan, because he stood on the shoulders of giants and after hundreds of years of development, in terms of Taiji cultivation, Zhao Banshan was especially above Zhang Sanfeng, and it is not known.
Yu Daiyan listened without a word, knowing that the situation was urgent, and had no time to ask questions, although there were many things he did not understand in the middle, but he could only remember that if the master was very unpredictable, these tricks were always passed down by himself, and in the future, the wise and intelligent people would deduce the essence of them.
Zhang Sanfeng
The original text directly states that Zhao Banshan's Taijiquan cultivation has reached the highest realm of martial arts that wants to be free from involuntariness.
According to common sense, one person lifting the opponent is already in a position of inevitable defeat, but Zhao Banshan knows that the other party's skill is too far from his own, so he is in danger, and he wants to use the most refined force to fight the fist with the most refined force that he has realized in his life, pointing out Hu Fei, his feet off the ground, his body is in the air, his action cannot be free, he has reached the extreme, all the tricks and strength must be purely in line with the opponent, and he must be free from involuntary, which can be said to be the highest realm of martial arts, and those who Hu Fei does not know are also here.
It can be considered that in the era of flying foxes, Zhao Banshan made further progress in martial arts through the intensive study of Taijiquan, and was almost reborn, and he was no longer the Zhao Banshan who was inferior to Lu Feiqing in the shujian period.
In addition, Zhao Banshan also washed away a big stain on the kung fu of Tai Chi, and in the Laughing Pride River, Ling Hu Chong once commented that the defensive level of the Hengshan Sword Law was second only to the Taiji Sword, but the Hengshan Sword suddenly attacked in defense but was above the Taiji Sword. Because of this evaluation, the Taiji Sword Method is regarded as having its own strengths with the Hengshan Sword Method.
Make the fox rush
However, Zhao Banshan mentioned a very important martial arts theory, that is, gaoming martial arts must be attacking and defending, defending and attacking, if there is a difference between attack and defense, it is not a superior martial art.
Speaking of the word 'flashing forward', when dodging the enemy's attack, it is also necessary to counterattack at the same time, which is a defensive attack; and when you attack yourself, you must also dodge the enemy's attack at the same time. In the boxing technique, he said: 'What is fighting?' What is Gu? Fight is care, care is to fight, start is. What is flash? What is in? Advance is flash, flash is forward, do not have to ask for far. [If there is a difference between attack and defense, it is not a superior martial art."
In contrast to the laughing pride of the jianghu, Ling Hu Chong and Ren Yixing compare swords, and every move and style of both sides is both offensive and defensive, while Ling Hu Chong and Chong Fei compare swords, and Chong Hui combines dozens of defensive moves into one offensive, which embodies the principle of superior martial arts attack and defense.
If the corresponding Hengshan Sword Technique is tested by this standard, mainly defensive, and then suddenly attacks, the essence is that there is a difference between attack and defense, in fact, it is inferior.
Rush the void