Today, Xiaobian brings you a Korean movie released in 2019 - "She Is Seamless". The film tells the story of the unrelated 72-year-old Grandma Mo Shun and the 7-year-old "granddaughter" Princess Luo living together. The film is starred by the famous Korean veteran actress Grandma Luo Wenji, who has always been the queen of word of mouth in the Korean film and television industry, and every movie she starred in is a high-scoring work. Although the storyline of this movie is not so ups and downs, and even many netizens said that its plot is completely expected, it really earns many people's tears. Xiaobian feels that it mainly has the following three reasons, let Xiaobian analyze it for everyone!
First of all, because the main emotion of the movie is family affection, and family affection has always been an emotional pain point in the hearts of many people. When it comes to family affection, I think most people have a sour feeling in their hearts. The film focuses on the intergenerational affection between the grandmother and the granddaughter, and the interesting point is that the grandmother and the granddaughter are not related by blood, but they love each other very much and become a real family.
One day, the home of grandma Moshun, a 72-year-old widow, welcomed a princess Luo who claimed to be her granddaughter. Princess Luo was holding her mother's urn in her hand and carrying a baby girl named Luo Pearl. Grandma Sushun accepted the two sudden granddaughters. So Grandma Sushun and Princess Luo took care of the baby pearls together, but Grandma Sueshun has always made a living by selling the white silk scarves she made. The sudden arrival of the two granddaughters made the originally poor life even more difficult to open the pot. So Grandma Moshun took Princess Luo with her to "steal" the supermarket diapers and milk powder giveaways. But later, when they were discovered, they also voluntarily admitted their mistakes.
The editor believes that in order to make the film more suitable for our real life, the director did not overly beautify the character image. In line with the needs of plot development, let the real character personality be reflected. For example, supermarket theft, and Princess Luo stealing money from her classmates in order to buy reading glasses for Grandma Sueshun and so on. These are the ways in which the director expresses affection to each other in order to reflect the two protagonists who are forced to live. With such expression, the audience will have more compassion and sympathy for the family affection expressed in the movie, thus causing emotional resonance.
The second is the film theme aimed at the problems of the vulnerable groups, widows, the elderly and left-behind children, which makes the theme of the film more meaningful. One is that the living conditions of grandma Su shun, the widowed and widowed, are not very rich, and it is the living conditions of most of the lonely and widowed elderly people now. The second problem of left-behind children is reflected in Princess Luo's body, and the princess's behavior of stealing in order to buy reading glasses for Grandma Sushun is the director's concern about the lack of correct education for left-behind children. It is hoped that society can cause reflection on the lack of psychological counseling function of left-behind children. Art comes from life, but to some extent it can also serve life. The director has attracted the attention of the public through the film to make the society pay attention to these two real problems, which I think should be the profound meaning that this film wants to express.
Finally, there is the shaping of the character image. Because the film tells the story of the intergenerational affection between Grandma Sushun and Princess Luo, in order to eliminate the heaviness brought by the film itself and reduce the sense of gap between the characters, the director shaped Grandma Sushun into a relatively "younger" grandmother, who will wear a brightly colored silk scarf every day, and often carefully take care of her gray hair, which is a "trendy" grandmother image, rather than the old man image of the old man in real life. I think the original intention of the director's design should be to break people's inherent perception of the image of the elderly, because the age group of the moviegoers is different, and the director's image shaping can also narrow the communication barrier between the audience and the audience.
And the shaping of Princess Luo's personality is also in line with reality. Although there is not much mention in the film, we can know that Princess Luo was physically abused by her mother. But she did not complain about herself, but took her sister Pearl to work hard to live together. And when taking care of her sister Pearl, it also reflects her very sensible side, and even sensible people are a little distressed. At the end of the film, Grandma Sueshun was driven away by Princess Luo after suffering from Alzheimer's disease, and Princess Luo, who was already living in a new family, was not happy, and finally she returned to Grandma Sueshun's side to take care of her. Here we can see Princess Luo's emphasis on family affection and her kind heart. I think this should be the character of many left-behind children today, who understand things too early, worry about their family's financial resources too early, and do not receive normal educational guidance, making them insecure.
Xiaobian hopes that after watching this movie, you can also pay more attention to the widows and elderly people and left-behind children around you. If there are other feelings after watching the movie, remember to tell the editor in the comments below!