Life is a stage everywhere, and we are the protagonists of our lives
The long shot of the last hour of the recent hit "The Last Night on Earth" allowed the audience to experience a long "journey" and today's bear boy wants to say this one shot from beginning to end, shooting only one hundred minutes a day for six consecutive days, directed and written by Japan's "national drama master" Mitani Yuki TV movie "Big Airport 2013"
The film still inherits the film style of Mitani Yuki, stretching out with a very small entry point, using small things to foresee the big world, so that the audience can also reflect on how to read the "difficult scripture" in their own home.
Large Airport 2013
The film is set at Matsumoto Airport in Nagano Prefecture, where a plane flying from Saga to Tokyo had to dock at this small mountain airport to await delivery due to weather problems at Tokyo's Haneda Airport. At this time, the ground staff of Da Hanoi was stalked by the village director's marriage proposal. The Tsuruhashi family, who had just finished their funeral, arrived at the waiting hall, and under the "mourning (duo) heart (guan) disease (xian) madness (shi)" in the airport ground in Hanoi, where the good things happened, the Tanged Tang family, who had just returned to Beijing after handling the funeral in Saga, also began from here.
As a lawyer, Tianyecang met Yuriko, who was a dentist, by chance, and the two began an unspeakable "extramarital affair" on the way to Tianyecang, Yuriko secretly accompanied him to make him "very big" and even more big, or his lover Yuriko and his wife appeared in the same frame, so that they experienced a feeling of a heart beat.
Miyoko, who is bored with her marriage, can only swallow her own bitter fruit when she realizes her husband's strange condition, but then encounters the handsome swindler Mukugida Shu, who falsely claims to be her old classmate and becomes a pilot, but for some reason needs 202,000 yen. (Such a strange amount is to force obsessive-compulsive disorder?) The ground staff Hanoi tried to dissuade him, but he could not resist Miyoko's "I want to go crazy once too" (rich people are too crazy... ）
Miyoko's elder brother, Kuranosuke, was preoccupied with building a planetarium, and pestered her sister and brother-in-law to borrow money, but was rebuffed. In desperation, the good Ōkawa shows the eldest son Kuranosuke a path to money, to secretly photograph things he doesn't believe in killing—evidence of the infidelity of his handsome brother-in-law.
Kiyomasa Tsuruhashi, the old man of the field warehouse, cleaned up the grief of his widow, and actually announced in public at the airport that he was "out of the closet" and told his family to break his glasses, but here is also enough to earn enough laughter.
Tanakura and Miyoko have not yet eased up from the impact of the old man's "coming out", his twenty-one-year-old daughter Makoto announced at this time that he had a forty-six-year-old and divorced three-time love object, which was strongly opposed by Tabakura and Miyoko, but Mako's uncle and grandfather were very supportive, and in the panic, the eldest son Kuranosuke wanted to blackmail his brother-in-law Nogaura again, but he did not expect to steal the chicken and not to eat the rice, and the memory card was snatched up by his brother-in-law and swallowed into his mouth.
The family must be neat and tidy, the people in the family are so chaotic, the son will certainly not be an ordinary person. It wasn't immediately the son's turn, the son who wanted to learn acting was about to miss his most important interview, and when the family was at a loss, the daughter's boyfriend said that he had a helicopter and could reach Tokyo in an hour, so that the family had a little change in his mind, and instantly promoted from a short and poor to a short rich man.
(To be honest, I really can't see it)
At the end of the film, when Ōkawa, who has sent the family away, considers not accepting the proposal of Director Muraki, he is told by his good friend Sunada that Director Muraki has just proposed to her, and she has also agreed to Muraki's proposal. This news called the three views of the great Hanoi a bit collapsed, and the small universe also exploded in an instant.
(Kind of cute haha)
Although this film is a shot to the end, up to a hundred minutes, but the rhythm of the plot is still relatively compact, the baggage one after another, dazzling, and all the time of this film is consistent with the real time, the director's arrangement, perhaps to tell us, life is everywhere on the stage, we are the main actors of our lives, no cut and no repetition, only all the way down, no way back.
At the end of the film, there is a sentence that Bear Boy wants to share with everyone: "Everyone has their own secrets, but those people do not want to destroy the family, but lie because they want to protect the family." ”
I hope that everyone can take life seriously and take themselves seriously.
Your watching is my motivation Bear Boy will continue to work hard!