"Huang Feihong · In "The Lion King", there is a famous scene that everyone talks about:
Huang Feihong, who had just won the championship, said to Li Hongzhang with the gold medal in his hand:
Lord Li, the so-called winner is the king, and the loser is Kou. Just now the cannon sounded, if it is not the sky lantern to block the gun, who really does not know who will win or lose, now the gold medal is in my hands of Huang Mou, not I won.
In order to show the might of our people, this battle of the lion king was carried out by adults, killing and injuring so many people, in front of the world, in fact, we all lost.
From the perspective of the small people, we must not only practice martial arts to strengthen our bodies and resist foreign enemies, but more importantly, we should broaden the wisdom of the people and unite wisdom and force, which is the way to make the country rich and the people strong. Whether a brand can change the national fortunes, please ask Lord Li to think twice. This sign will be kept for you as a souvenir.
Hello everyone, I am a pumpkin, the second part of the last issue of Huang Feihong, tells the process of three groups of people trying to find a way out for China, but how to make the Chinese people work hard, Huang Feihong at that time did not want to understand.
In the third part of Huang Feihong, the Qing government thought of a strange method - the Lion King Championship.
Today we will tell you how the third part of the Huang Feihong series explores this problem.
1
At the beginning of the film, two paper-tied "royal lions" dance to eerie music, and for this performance, the Qing government even emptied the square of the Forbidden City, trying to create a solemn feeling.
As soon as the picture turned, Li Hongzhang, who had put aside his official duties and came to be the general director of this circus, trotted all the way to Cixi to ask for peace, and invited Lafayette to come to the table to watch the performance.
A group of foreigners holding various positions in the palace were also arranged to put on robes and coats, and prostrate themselves in a row below, a scene that made Lafayette feel extremely good.
At this time, the Eight-Power Alliance had already invaded China, and compared with the second part, the burden and shackles on the backs of the Chinese people were heavier.
But the ignorant Qing government still couldn't come up with any way to work hard.
While looking at the lion dance, Cixi said to Li Hongzhang: "There are so many tricks of foreign devils, when we say to our face that the Qing Dynasty naval ships are strong and sharp, they will sink our warships as soon as they turn around." ”
"Zhongtang, do you see our thousand-headed male lion, and have you not exterminated the yang (sheep)?"
Upon hearing this, Li Hongzhang obviously hesitated.
What time is this, Lafayette, you still have to hi, the harmonic terrier is going to deduct money!
However, in front of Cixi, he did not dare to say it directly, and when he thought of this, Li Hongzhang said that it would be better to hold a lion king championship.
Externally, we can show foreigners the divine might of our Qing Empire, and internally, we can encourage everyone to practice martial arts and fitness, and train soldiers to be strong and strong.
Cixi nodded and said yes, so the Lion King Tournament was decided.
In order to compete for this brand of lion king, martial arts masters from all over the country are ambitious and rush to Beijing.
Around this brand, there are several forces in the film, and their attitudes towards the Lion King Tournament are completely different.
The first is the protagonist, Huang Feihong.
Huang Feihong's father, Huang Qiying, opened a Guangdong guild hall in Beijing, and our master Huang took thirteen aunts and Liang Kuan to Beijing to see his father's pharmaceutical factory.
Coupled with the fact that he and his thirteen aunts have established a relationship, this somewhat "chaotic" love also has to find a way to obtain his father's consent.
So, in a state of anxiety, Huang Feihong took a train, roared through the fog, and came straight to Beijing.
Therefore, in the opening shot of the movie, we will see that many people who came to Beijing with Huang Feihong came to the Lion King Championship.
Huang Feihong was not interested in this at all, but it was too big, and most of the things he encountered in Beijing were related to this championship.
As soon as he arrived at his father's guild hall, Huang Feihong first saw that his father was injured by Zhao Tianba, and then witnessed the people of the major martial arts halls in the capital fight for such a sign, and they fought for the head and blood.
This made Huang Feihong, who always disliked being competitive, very disgusted.
Huang Feihong felt that this lion king battle for hegemony was too absurd, so he came forward to stop it, and the various martial arts centers looked at Huang Feihong's face (wu) zi (gong), pretended to give up their hands and made peace, and also jointly wrote a letter to the imperial court, but Li Hongzhang only let Huang Feihong do something perfunctory.
The plot of this book should be based on the story of Sun Yat-sen's "Book of Li Hongzhang".
In 1894, when our eldest brother Sun had not yet taken the lead in the rebellion, he had been thinking hard about ways to enrich the country and strengthen the army, and he finally wrote a long article of more than 8,000 words and made four suggestions.
This article is not only clearly organized, but also very popular, and was published in the Bulletin of the Nations, which caused a lot of discussion.
As a result, Li Hongzhang did not look at it, and asked his subordinates to give Sun Yat-sen a passport for "going abroad for investigation" and sent him away.
Just like Mr. Zhongshan at that time, Huang Feihong could not see the sincerity of the government and could only rely on his own initiative to stop it.
The second force is Zhao Tianba, compared to the villains of the first two parts, Nalan Yuanshu, Yan Zhendong and others, this villain is relatively less complicated, it is a complete villain, the head snake.
As a rogue in the city who was well versed in the chain of social contempt, Zhao Tianba was very hungry for the title of "Lion King" given by the imperial court, and felt that this was a perfect opportunity to go to the official palace and make a golden sign for himself.
In order to achieve the goal, Zhao Tianba did not hesitate to let the people of the major martial arts halls withdraw from the competition early, and those who could buy were bought, and those who could not be bought were demolished.
He first let the ghost foot seven kick and injure Huang Qiying, and then tried to bribe Huang Feihong, but after Huang Feihong refused, he used all kinds of means to attack Huang Feihong, and tried to kill people.
Before the Lion King's battle, the major martial arts halls danced lions together in the streets.
Zhao Tianba's men were also the dirtiest of them, they stabbed people's legs in the process of lion dance, spewing fire and injuring people; after being trampled by people in other martial arts halls, they went up with a knife, killing people and robbing qing.
Moreover, Zhao Tianba was very bad to his own people, and the people under his hands usually did things that made him slightly dissatisfied, so he punched and kicked, treating everyone as a tool person, and Principal Jiang called out to the insider.
After the ghost foot seven who was loyal to him was smashed by the horse shed on the day of the street chasing Liang Kuan, he heard that he could not be cured, and he took the ghost foot seven as garbage with his backhand, obviously he himself said that when he was willing to go upstairs to call him a bully at the celebration banquet, he gave the red envelope.
However, just as Ghost Foot Seven was dragging his injured leg and limping upstairs, his former partner fell into the well and laughed at him and insulted him in a different way.
At the same time, Zhao Tianba, who was playing mahjong in the room, scolded and threw away a waste card.
This makes the audience even wonder, what does such a bad person rely on to maintain the team, and who is willing to give his life to such a ruthless and unjust person?
The third group of people is a Russian force, represented by the thirteenth aunt's classmate Du Wenqi in britain.
As soon as Huang Feihong left the station, he met him, a foreigner who had come all the way to China in order to chase after his thirteen aunts, working as an interpreter in the Russian embassy.
Du Wenqi took Aunt Thirteen's hand and touched and kissed it, making Master Huang angry.
Most of the bridges in this role in the movie are driven by Huang Feihong's love enemy.
When he met, he unabashedly expressed his good feelings for The Thirteenth Aunt, sent the Thirteenth Aunt a camera and a picture machine, and helped the Thirteenth Aunt repair the steam engine that was damaged by Liang Kuan, so angry that Master Huang overturned the vinegar jar as soon as he saw him.
But in fact, this character has more plans to come to China.
At that time, Russia and Japan were fighting for the interests of the Liaodong Peninsula, and Li Hongzhang gave this benefit to the Japanese, so the Russians planned to assassinate Li Hongzhang in the lion king competition.
Du Wenqi was the executor of this plan.
Ironically, Du Wenqi's side is the "yang" that Cixi wants to scare, but from the beginning to the end, they have no interest in Cixi, the lion king championship, and they are only concerned about whether they can take this opportunity to win their own interests in China.
While helping Aunt Thirteen repair the steam engine, Du Wenqi and Huang Feihong said an intriguing passage.
Du Wenqi said that the invention of the steam engine replaced a large number of manpower and changed the world economy, because of the emergence of the steam engine, there will be new nobles in the world, and their status will replace the emperor to rule the world, and Russia and the Qing Empire cannot avoid this historical change.
The new aristocracy here is the capitalist.
From this passage, it can be seen that Du Wenqi actually represents the views of a certain part of the powers and capitalists on the development of science and technology.
Originally, all new technologies and new machines are essentially to serve people.
But people like Du Wenqi, they care about whether this new machine and new tools can help them dominate the king in this world, opening their mouths is the survival of the fittest, in fact, the subtext is just "because I am technologically advanced, so I am right about what I do to you", to put it bluntly, it is to find a grand excuse for their own aggression and bullying, social Darwinists.
In other words, what is the essential difference between the great powers represented by Du Wenqi fighting for their interests in China and world hegemony, and Zhao Tianba fighting for the gold medal of the "Lion King"?
Departed from the human-centered goal itself, even the best technology and machines are nothing more than raising a new batch of vampires and new oppressors.
If the Qing government itself is counted as a force, then this movie revolves around the four forces of the Lion King's struggle for hegemony. Zhao Tianba is on the first floor, Du Wenqi is on the third floor, Huang Feihong is on the fifth floor, and Li Hongzhang and Cixi are on the first floor.
As the Lion King Tournament approaches, the above-mentioned forces are also getting bigger and bigger.
Huang Feihong was originally reluctant to participate in the fight, but an accident changed his mind.
On the day of the lion dance in the major martial arts halls, the seven legs of the ghost foot were injured, and when Huang Feihong saw that the ghost foot seven was thrown on the street to die, he healed his injury regardless of the previous suspicions and accepted him as his apprentice.
It can be seen that after the Ghost Foot Seven was cured, Zhao Tianba invited Huang Feihong to a banquet in the name of a dignitary, but in fact laid down a heavenly net, hoping to kill Huang Feihong, the most tricky enemy, before the Lion King competed for supremacy.
This fight scene in the restaurant was extremely exciting, Zhao Tianba knew the strength of Foshan's shadowless feet, and used his own oil to slip the floor in advance and seal Huang Feihong's feet.
But unfortunately, Zhao Tianba's plan was used in the wrong direction, and he should try to smash Huang Feihong's stereo.
Even though the restaurant was full of oil, Master Huang, who carried the stereo, was still invincible in the world, and seeing that the plan was ineffective, Zhao Tianba quickly cheated Hu and ran away.
When Huang Feihong escaped and returned to the guildhall, Aunt Thirteen told him that on the day of the lion dance parade, a Russian assassin died in the alley, and this scene was coincidentally filmed by her picture machine.
Moreover, before his death, the assassin left a letter revealing their plan to assassinate Li Hongzhang on the day of the Lion King's battle for supremacy.
Therefore, in order to save Li Hongzhang, stop the conspiracy of foreigners, and also to wake up the contestants, Huang Feihong came out as a lion in his personal name and participated in the lion king battle that he did not want to participate in.
In this way, all the contradictions in the whole movie were also piled up on the day of the Lion King's struggle.
The last play must have been watched countless times by the little friends from small to large in the central six sets, even if compared with Huang Feihong himself, it is also a good look in the whole series, wonderful.
Du Wenqi saw the thirteenth aunt on the city wall with a picture machine, guessed that his secret had been discovered, and came to hunt down the thirteenth aunt.
In this scene, Du Wenqi finally exposed the face of his invaders, and he said to the thirteenth aunt, "The changes in history cannot be avoided, two hundred years ago, you were not satisfied with being ruled by the Manchus, but now you are not also used to it, and you will also be used to being ruled by other nationalities in the future." ”
But the thirteenth aunt said emphatically: "In two hundred years, the affairs of our Han people should be decided by us Han people ourselves, and we don't need you to worry about us." ”
In the end, the Russian conspiracy was exposed, and Duvinci was exterminated by his own people.
Huang Feihong also got the brand of lion king, said the classic line to Li Hongzhang, and drifted away.
The film ends here, but in addition to the main plot, several supporting roles and branches of the film also have a deep meaning.
2
The first is Aunt Thirteen.
In these films, Aunt Thirteen has always played a role in enlightening Huang Feihong, introducing Western technology to Huang Feihong, trying out new Western machines, teaching Huang Feihong to say "love tiger oil", and so on.
Thirteen aunts, who have always been educated in the West, are avant-garde in thought, and she does not care about feudal etiquette and these things, but only wants to be with her beloved.
She has the frankness of the progressive youth of that era, and there is also the beautiful fantasy of an ordinary girl about love.
When Huang Feihong taught her to dance, Aunt Thirteen would look at the shadow and imagine herself and Huang Feihong dancing; when she measured Huang Feihong's clothes, Aunt Thirteen would look at the shadow and imagine that she was touching Huang Feihong's face.
When the Tenth Screening Room first commented on this, it said, "In some warm passages, Aunt Thirteen's imagination of the light and shadow of her and Huang Feihong on the wall proves that she has the potential to become an excellent film director." ”
But this character who wears a dress and has been counted by Huang Feihong several times as "not like Chinese", her patriotic enthusiasm is no less than anyone in this play. Her words in the face of Du Wenqi's gun are the best proof.
Correspondingly, Huang Feihong accepts more traditional Chinese culture, he has never been able to break through his own knot, he does not dare to face his feelings for aunt thirteen.
Aunt Thirteen asked Huang Feihong to call out his name, and Huang Feihong always twisted and pinched and embarrassed to say.
Aunt Thirteen asked Huang Feihong to confess the marriage to Huang Qiying, and Huang Feihong could not summon up the courage to say that he chose the most appropriate time.
When you can see Du Wenqi's feelings for Aunt Thirteen, Master Huang can always make a room full of vinegar.
For his feelings for himself and his thirteenth aunt, Huang Feihong himself and the people around him are well aware of it, but they can't break through the shackles of that layer of traditional concepts.
Until he returned from Zhao Tianba's feast and saw the letter left by the thirteenth aunt, Huang Feihong thought that the thirteenth aunt had left, and anxiously looked around.
Until he saw Aunt Thirteen again, Huang Feihong could no longer suppress his feelings, he ignored the eyes of others, rushed over and hugged Aunt Thirteen, and called out her name.
At this time, Huang Feihong also completed his inner breakthrough and was truly the same as the thirteenth aunt in thought.
There is also Huang Feihong's father, Huang Qiying, the relationship between Huang Qiying and Huang Feihong created in this movie, and now young people can definitely find a sense of substitution in the story of the two of them.
Because similar to in the movie, because China is developing too fast, the two generations are already completely different life experiences.
So in the eyes of our young people, the concepts of our parents' generation are always a little old, old, and always feel that they can't understand themselves.
Like us, Huang Feihong also felt that his father might not accept Western technology like him, nor would he accept his marriage to his thirteenth aunt.
But what I didn't expect was that although Huang Qiying was old, her mentality was not old.
When He first arrived in Beijing, when Huang Feihong gave Huang Qiying medicine, Huang Qiying told him that he had bought a steam engine from a foreigner and returned, so that the factory could produce finished drugs on a large scale, which was more convenient than soup medicine.
Good guy, Huang Feihong didn't use anything in Baozhilin, but Huang Qiying used it first, and he took several steps faster than his son.
Originally, because of the generational division, Huang Qiying was a bit resistant to the marriage of the thirteenth aunt and his son, and sighed at the thought of it, but when he saw that Huang Feihong and the thirteenth aunt were unwilling to separate, embraced together in front of everyone, and faced their feelings, this father said a meaningful word:
"I see, those old lion heads are all thrown away, and the obsolete things should not be kept."
On the day of the Lion King's struggle for supremacy, he also personally called the thirteen aunts and daughters-in-law and accepted her identity.
In the face of new things and new concepts, Huang Qiying is far more enlightened than Huang Feihong imagined.
There are also Liang Kuan and Ghost Foot Seven, liang kuan's role has changed actors since the second part, and Mo Shaocong's Liang Kuan has always been responsible for providing jokes to the audience.
But while laughing and scolding, Liang Kuan retained his most precious spirit as in the first part - lecture on morality, heavy feelings, and at critical times, Liang Kuan never let the people he loved disappoint.
As soon as he arrived at the guildhall, he heard that Huang Qiying had been beaten, and he knew Huang Feihong's temper, so he wanted to take the brothers to settle the account and avenge the master.
Ghost Foot Seven and his countless grievances, but after Ghost Foot Seven repented, Liang Kuan did not embarrass him, treated him like other disciples, and kindly threw a peanut to Ghost Foot Seven who was still bandaging, and smiled and took revenge.
In this scene where Zhao Tianba came to the door to ask Ghost Foot Seven to go back, it was also Liang Kuan who stood up first to block in front of Ghost Foot Seven.
Perhaps it is precisely because of this that even if Liang Kuan always does something out of the ordinary, the masters and disciples still love him very much in their hearts.
Ghost Foot Seven is relatively complicated, because he was originally Zhao Tianba's thug, and after being abandoned, he was taken in by Huang Feihong, and eventually became Huang Feihong's apprentice.
This role is very similar to the former Kuomintang soldiers who were incorporated into the People's Liberation Army during the Liberation War.
Many of them had lived chaotic lives before, had been pulled in as strong men in an inexplicable way, and had also done some bad things for the tiger.
But the reason why they are bad people is because the rotten old army did not give them the opportunity to be good people at all.
In such an army, you can only survive if you are fierce enough and strong enough, and once you have no use value, you will be like the ghost foot seven in front of the Three Laughing Buildings, and you will be brutally humiliated by your former comrades-in-arms.
But after being adapted, they found the ideal in the new team, and the previous evildoers also changed their ways.
For example, the 50th Army that took the lead in attacking Seoul during the War to Resist US Aggression and Aid Korea was the Kuomintang 60th Army before, and many of its soldiers did some bad things to the people, but after finding the ideal, they proved with their own actions that they could become people's heroes.
In the movie, the ghost foot seven who took the peanut rice thrown by Liang Kuan no longer had the fierce and evil look on his face when he appeared, and he smiled quite cutely.
In the final Lion King Competition, it was also Liang Kuan and Ghost Foot Seven who went hand in hand, supporting each other and helping Huang Feihong win the gold medal.
3
By the end of the third part, our childhood hero Master Huang not only had a successful career, but also achieved a harvest of love and a winner in life.
But the historical Huang Feihong was not so lucky.
Huang Feihong was born in the late Qing Dynasty, he grew up following his father to learn martial arts, relying on selling art around to live a wandering life without food and clothing, which is very similar to Master Yan in the first part.
Huang Feihong's young artist's art drawings, taken from the Huang Feihong Memorial Hall in Foshan
In order to find a way out for his son, under the introduction of Huang Qiying, Huang Feihong practiced martial arts with the Hongquan master Lin Fucheng and practiced a special skill, and there were few opponents in the local area.
If he had been born 50 years earlier, Master Huang's martial art would definitely have been able to join the army and fight for a meritorious name.
But when Huang Feihong's martial arts were complete, the times had changed, and the army was equipped with fast guns and artillery, and there was no need for martial arts.
Fortunately, Foshan's shipping and trade were developed at that time, and people who ran ships and traded needed a large number of bodyguards, and Master Huang finally opened a martial arts hall by teaching martial arts, and did not have to sell art everywhere like his father.
If you look at the standards of the time, Huang Feihong can also be regarded as relying on his own ability to become the elite of that era, but the reality is that Huang Feihong is far less dashing than in the movie, although he has also been an instructor of the Black Flag Army and a water master, he has not had the opportunity to go to so many places and seen so many big worlds.
He didn't even leave a single photo, and posterity heard that his son looked a lot like him and often used the photo to guess what he looked like.
Although Huang Feihong also performed heroic deeds and righteousness in his life, and received countless disciples, he could not bear the weight of life, he lost his wife twice, lost his son in middle age, and his life's painstaking efforts, Bao Zhilin, was also burned during the riots of the Guangdong business group, and finally died depressed in the midst of poverty and illness, which was quite desolate.
At the end of the movie, Huang Feihong's words to Li Hongzhang are very classic, but that paragraph is actually only half said, and a few points need to be added.
Traditional analysis always emphasizes that China's backwardness at that time was the spiritual backwardness of the people. Therefore, "broadening the wisdom of the people" and "integrating wisdom and martial arts" are the best ways to save the country.
But in fact, the point that is not clear in this statement is that the initiators of the "unopened wisdom of the people" are precisely the rulers such as Li Hongzhang and Cixi.
At the end of the Qing Dynasty, The Duke zaize of Zhenguo, who was in charge of studying abroad, once told the people around him that foreigners grunted in foreign languages because they had beads in their mouths. When I went to the West, I asked them to spit out the beads, and I bought one and learned the foreign language.
These elites themselves do not have a good understanding of the world, and what qualifications do they have to always feel that the common people are ignorant?
The historical Qing Dynasty tried to "open up the wisdom of the people", many of the people they selected to study in Japan were from civilian origins, and Li Hongzhang and Zhang Zhidong opened factories, translation bureaus and colleges, which can not be said to be careless.
But what about the result?
As a result, these Students who had received a new type of education in Japan found that the most liked to betray their own interests was the Ruling Class of the Qing Government who sent them abroad, and did not overthrow them, and everything else was nonsense.
Therefore, these students who studied in Japan basically became revolutionary parties and launched the Xinhai Revolution with the weapons of the Hanyang Arsenal run by Zhang Zhidong.
I guess this is definitely not the "broad opening of the people's wisdom" that Lord Li wants.
Facts have proved that new ideas and new technologies need new systems to match, and with the Manchu Qing swarm of insects, how to do a good job of politics?
In addition, the so-called broadening of the people's wisdom actually has a problem of direction, not that as long as it is education, it can teach bold and loyal patriots and make the country rich and strong.
After the founding of the Republic of China, there were many intellectuals under various warlords in China, such as Liang Shuming under the Shandong warlord Han Fuyu, Wang Yongjiang, a subordinate of the northeastern warlord Zhang Zuolin, and Wang Geng, Lu Xiaoman's husband and a high-ranking official of the Beiyang government.
But these people, instead of leading us to "making the country rich and the people strong," are helping the counter-revolution. The route is wrong, and the more knowledge there is, the more reactionary it becomes.
Just like our regimental commander Li complained: Chiang Kai-shek is highly learned, do we all have to listen to him?
In reality, we often see that there are many people who are obviously highly educated and have a very high level of professional knowledge, but they have sided with our enemies on issues concerning the country and the nation, especially during the epidemic period, there are still many people who wash the ground for western herd immunity, but criticize our epidemic prevention measures.
I would like to ask, is this kind of education an enlightenment? What's the problem?
The problem is that in the past, when the elites talked about "broadening the wisdom of the people", they meant "top-down" enlightenment and enlightenment, and he often implied a misconception that the elite had already grasped the truth and the people only needed to accept the indoctrination.
Once the other party does not accept, some people will begin to yin and yang strangely, lamenting that thirty years of enlightenment have failed, and we are very ignorant of his thoughts.
Moreover, such education often teaches a group of people who have solid professional knowledge but do not know who they know what they have learned and who should be used.
However, in the revolutionary period, we actually talked about "broadening the wisdom of the people", which was the combination of workers, peasants, soldiers and intellectuals, and the combination of study and revolutionary practice.
On the Long March Road, each soldier had Chinese characters posted on his back, and he learned literacy training (deletion) by taking turns to read the stickers on the front row, and after arriving at the Yan'an base area, the soldiers had 4 hours of study and exercise time every day.
And the intellectuals who give you cultural lessons are also learning from everyone the skills of fighting and producing wars on the battlefield and in the fields, and they also need to learn from the laborers and improve their understanding of theory in the course of labor.
For example, as everyone knows, Wang Ming is very high in terms of theoretical level, but as a result, he almost buried the Chinese Red Army in one operation; Li Lisan was also a big man who had studied abroad and had a deep study of the revolutionary history of the Soviet Union, but his emphasis on launching a riot in a big city "Li San Line" made us suffer heavy losses.
On the contrary, the teachers who had never been abroad and wrote the "Report on the Investigation of the Peasant Movement in Hunan" through hands-on practice and thoroughly understood the situation in China's rural areas finally found the correct route.
The 1975 film "Breakup" also deeply discussed the issue of education and practice.
It is precisely because our educational route is fundamentally different from before, so although there have been many people in our team who are as strong in martial arts as Huang Feihong in history, their endings are much better than those of Master Huang in history.
For example, General Xu Shiyou, who studied art at the Shaolin Temple, such as Marshal He Long, who participated in the Brotherhood of Elders, such as He Bingyan, who went down from Wu to the mountain and became the founding general and one-armed sword king.
They were bullied in their hometown, and although they all organized resistance, they always failed because of lawlessness.
But after joining the revolutionary contingent, they found the right direction, and with a strong contingent, their strength was multiplied, and they eventually became one of the founders of new China.
At this point, Huang Feihong's "China's Past" trilogy has since ended.
The overall style of the later Huang Feihong series of movies is already very different from these three, and we will not elaborate on them.
But if you see other good old movies, Pumpkin will still share and share with everyone, talk together, this series will continue to go on, we will see you in the next movie.