Ten or twenty years ago, the villains of film and television works were not as facial as they are now, and they played the bad guys with fresh makeup.
In particular, some actresses, who look obvious and pure but are thoroughly bad, have become the childhood shadows of countless people, such as Jiang Yuyan in "Little Fish and Flowers", good people and bad people have been killed by her; such as Bai Feifei in "The History of Wulin", with a harmless face of a human animal, but he is not soft at all; for example, Xu Yingying in "Supreme Red Face", who looks very poor, but does the most vicious bad things.
Years later, the film and television drama market has undergone great changes, the cost of each drama is getting bigger and bigger, the service is visible to the naked eye that a year is not as good as a year, the costumes and styles are the same, the portrayal of the characters is also superficial, the silly white and sweet makeup is fresh makeup, the bad guys must be poisoned lipstick, smoky makeup, how the hair is messy, how to come, it is almost to the actor's face to write "I am a bad person" four words.
The contrast between actresses doing smoky makeup is already amazing, and the male actors are even more so, some show evil charm, and some have hot eyes. Let's take a look at the ten most representative smoky makeup representatives in film and television dramas.
The first character in the impression to wear smoky makeup was the demon in "The Legend of the Paladin Sword", because when chasing this drama, he was attracted by this sentimental persona, and for a long time learned that he called himself "Honza".
In that era when he was still very middle-aged, he didn't know the words evil charm and madness, but he just felt that the shape of the actor Huang Zhiwei was quite avant-garde, a burgundy ion was hot, eyebrows flew into the sideburns, eyeliner was pulled to the temple, the poison was like poisoning, and the flower tin in the center of the forehead was also particularly eye-catching.
Huang Zhiwei once said in an interview that the makeup set took four hours to complete. However, it is worth affirming that this kind of exaggerated shape not only does not look feminine but also quite handsome on him, and there is a kind of demon and domineering.
This character is a big boss in the original game, in the play was changed by the magic to weaken the force value, was captured, and even pulled out by the evil sword fairy, once caused a large number of game fans to complain, but also caused the actor not to fire.
But from the image point of view, Huang Zhiwei is tall and has deep facial features, which is particularly suitable for performing heavy buildings. And the game aside, the people in the heavy building are also quite cute, he only did three things in the play: find Fei Peng to fight, love Zi Xuan to save Zi Xuan, drink, and his demon identity has a strong contrast. Many fans of the drama feel that Zi Xuan is somewhat ignorant of lifting because they like to re-build.
A demon supreme being in the heavy building hall could not love it, and was defeated by Xu Changqing. Many years later, another Seven-Slayer Saint Emperor killed Que Mo with a similar fate to him. Kill The Stranger loves Flowers and Bones, but Flowers Loves White Bones.
Oh, the people they love are all in love with Huo Jianhua.
Marco's late makeup, which plays the killer, is also very windy, the eyeliner goes straight to the mountain root and the two sideburns, the lip color is a very powerful pig liver color, a large shawl hair that flutters at will is even more debauched, and a big move is like broadcasting shampoo advertisements.
Compared with the cowering male protagonist Bai Zi painting, the person who killed the "sister" is more pleasing. But Marco's style to say "the first beauty of the six worlds" is really far-fetched, and his acting skills are also slightly exaggerated, and the appearance of teeth and claws is cut into emojis every minute.
In the "Biography of Chu Qiao", the originally gentle and pure Yan Xun Shizi experienced the trampling of dignity and personality in Jiuyoutai, witnessed the murder of his mother, and the destruction of the entire Dingbei Hou Mansion, and injected the seeds of hatred with enthusiasm. After three years of enduring humiliation and burden, on the day of his marriage to Yuan Chun, he was officially blackened.
After blackening, he was invincible all the way, returned to Northern Yan to kill all those who disobeyed him, and became the king of Northern Yan.
In the early days, Shizi Taoguang was obscure, did not have too many heart tricks, and grinned all day with a pair of big white teeth without heart and lungs. In the later period, the blackening of life changes is reasonable, and Dou Xiao's acting skills also portray the contrast between before and after.
In order to distinguish between the vengeful Yan Xun and the silly white sweet period of Yan Xun, a great adjustment was made in the makeup, and the eyebrows changed from the previous eyebrow tail to the eyebrow tail up, and the thick sword eyebrow looked more fierce. The eyeshadow intensified, the lower eyelids were shadowed, and the whole person looked a little more evil.
Like Dou Xiao, the makeup has changed greatly with the change of human settings, and Chen Weiting in "The Legend of the Swordsman of the Shushan War Chronicle", the makeup itself is very thick, especially the heroine Yu Wuxin played by Zhao Liying is very heavy. And the shape of Ding Yin, played by Chen Weiting, was tragically damaged by the iron bangs in the early stage, and the cheap head cover pressed the appearance value by three points.
After Ding Yin blackened, his hair was scattered, his eyes were red, and his beautiful pupils were also arranged. Without the iron bangs, the appearance value has rejuvenated, and after entering the magic, the special effects have blessed the whole process of beauty and skin polishing, and the texture has also improved a lot.
In the play, these big thick makeup is really a bit spicy when there is no filter, the makeup feels dirty, and there is a feeling of a fancy Indian mythological film. The addition of filters has a hint of a two-dimensional feeling.
Chen Kun in the movie "Dragon Gate Flying Armor" one person played two roles, the factory gong Yu Huatian is very colorful, the ghostly makeup on Chen Kun has no sense of violation, feminine and domineering, and the cape is not affected by the fight.
Although he is a villain, he is talked about by the audience, and his favorability is much higher than that of another character he played in the same drama.
Chen Xiaoyu played Lin Pingzhi in the genuine version of "Smiling Proud of the Jianghu", which is the boldest makeup after blackening in the previous version, right? In the previous old version, Lin Ping's sense of illness and delicacy mainly appeared from the actor's manners, Chen Xiao's version not only became "delicate and delicate" in form after practicing the evil sword spectrum, but also the makeup could be seen at a glance that it was blackened, purple eyeshadow, husky with the same beautiful pupil, and a strand of hair pulled down from the left sideburns was particularly eye-catching, which surfaced a demon-like image.
The reputation of this version of "Smiling Proud of the Jianghu" is not good, but there is one thing to say, Chen Xiao's Lin Pingzhi is still very successful, evil but not pretentious. The handsome appearance coupled with the tragic life is strange and pitiful.
In addition, in the play, in addition to playing the male protagonist Ling Huchong, Huo Jianhua also played the role of Yang Lianting. In the original work, Yang Lianting is a man with a "large body, a full face and a beard, and an extremely strong and powerful appearance", because of his manly appearance and outstanding charm, he makes the East undefeated fall in love. Yu Ma turned Dongfang Undefeated into a woman, and also became a female number one, and Yang Lianting also became a pseudo-bride, wearing smoky makeup and flaming red lips, tone, and tea in the look.
If the above makeup is to reflect the evil charm of the characters after blackening, then the following three have completely ugly the image of the actor.
Hu Ge, who often appears on the inventory list of beautiful men in ancient costumes, has a surprising appearance in "Traces of The Heaven of Xuanyuan Sword". Yuwen Tuo, who he played in the play, was shaped like an old demon in Montenegro, his hairstyle was half black and half white, his head was yin and yang, his eyeliner and eyeshadow were longer than his eyebrows, his lips were black, and he looked not only evil, but also some bad taste.
Probably the heavy building saw a sigh of emotion: Sedum, why are you poisoned deeper than me.
However, the demon characters in this kind of fairy drama can be understood with exaggerated shapes, because it is not blackened, but a symbol of status.
Deng Lun played the fox demon Zi Xuan in "Fengshen Yanyi", and even the characters in the play had to ask "Are you a demon or a ghost?" ”
The messy white hair in the backlight fluttered under the action of the blower, the eyeliner on the top was somewhat charming, the special effects were added to the green eyeballs, and most importantly, the teeth became uneven like a vampire.
Is this setting because the fox has bad teeth?
Zhang Han's blackened style in the "Classic of Mountains and Seas" makes people cry and laugh, the purple glowing robe is difficult to control, the eye makeup is particularly exaggerated, and the black eyeshadow is brushed with a layer of yellow bright powder, blingbling, how crazy and how crazy.
But Zhang Han really does not fit this kind of big thick makeup, how bad the bad guys are not felt, and the smile of the fans has become an emoji in minutes. The score of the play is only 3.9 points, people who don't know still think that the director and makeup team came out of the whole audience, the plot is no longer important, and the light costume is enough to dissuade.
In recent years, "Xianjian drama" has been rampant, all kinds of exaggerated magic cult images have been deeply rooted in the hearts of the people, and for a long time, makeup artists have entered a misunderstanding, and even "human hero dramas" must reflect the psychological changes of the characters from the styling. Sometimes it's a good guy one second, and the next second it's blackened, and the transition is bluntly put on a big makeup.
In general, makeup can only play an auxiliary role, and the most important thing in the portrayal of characters depends on the acting skills of the actors. If the makeup is too exaggerated, it will be noisy and counterproductive.