【Editor's Note】
The light of The Mindu passed on the torch.
On March 24 this year, General Secretary Xi Jinping came to Fuzhou Sanfang Seven Lanes to inspect, listened to the introduction of the protection and restoration of Fuzhou Ancient House and Sanfang Seven Lanes, and also inspected Nanhou Street and Langguan Lane on foot to visit Yan Fu's former residence. General Secretary Xi Jinping has repeatedly stressed that it is necessary to "let history speak and let cultural relics speak" and "let the cultural relics collected in the Forbidden Palace and the heritage displayed on the vast land come alive."
This year, the 44th World Heritage Conference will be held in Fuzhou. It is imperative to protect the historical and cultural heritage, retain the cultural roots, keep the soul of the city, build the international brand of Mindu culture, and consolidate the cultural foundation for accelerating the construction of a modern international city.
To this end, "Minsheng" magazine launched the "Qingfeng to the Deceased - The Ink Of Fujian Celebrities in recent times", which is the physical evidence of the Collection of Fujian Calligraphy and Painting, more than 40 famous artists old ink, 200 pages and 200,000 words, more than 100 pictures, involving the late Qing Dynasty and the Republic of China academic circles, political circles, business circles, calligraphy and painting circles, collection circles, religious circles, education circles, literary circles and other fields, with historical and artistic value that cannot be underestimated.
This book is a monograph on Mr. Lan Ruo's calligraphy and painting collection, involving many knowledge sections such as original works, interpretations, small notes, examinations, appreciation, and reviews. We will continue to publish the wonderful content of "Qingfeng To the Past - InkBlot Talk of Fujian Celebrities in recent times", return to the "old bright moon" with you, touch those words with history, temperature and interest, and appreciate the profound and profound spiritual outlook of Fujian culture.
Lin Changyi (1803-1876), the characters Huichang, Qianxi, late tea, alias Wuhushanren and so on. A native of Houguan of Fujian (present-day Fuzhou). Famous poet and poet of the Qing Dynasty. In the nineteenth year of Qing Daoguang (1839), he successively taught in Jianning and Shaowu, Fujian, and in his later years lectured at The Haimen Academy in Guangzhou. He is the author of "Three Rites of Interpretation", "XiaoshiquGe Anthology", "Poetry of Shooting Eagle Building", "Poetry of Yi chu Shan Fang", "Yan Gui Xulu" and so on. The Draft History of the Qing Dynasty has been passed down
In the thirtieth year of Daoguang (1850), Lin Zexu returned to Fuzhou due to illness from his post as governor of Yungui, and in March of that year, he made a special trip to Nanhoujie GongXiang to visit an old friend, when "people were looking up to him, and the streets were boiling". Lin Gong laughed and said, "The ancients looked at Xu WeiYue and looked at Xu Dongpo, but now don't they look at Xu Wei Andhu?" Also see its witty and funny.
This good friend of Lin Gong is the famous poet Lin Changyi. Lin Gong asked Lin Changyi to write a poem for his father Lin Binri's "Feeding Crane Diagram", and he also wrote a poem on Lin Changyi's mother's "Reading Map of a Lamp Lesson". It was night, And Lin Gong also invited Lin Changyi to visit Fuzhou West Lake at night, and Lin Chang Yi gave a poem "Mr. Jia Shaomu Summons a Tour of Xiaoxi Lake Night Pan" Chronicle.
Lin Changyi, "Reading Pictures of a Lamp Lesson" (by Qing Wang Fang)
Lin Changyi's family was poor, his father was a Confucian student, when he was a child, his father went abroad to do business, and his mother Wu's family was very strict, personally supervising classes every day. At the age of 4, Lin Changyi had already emerged, reading the "Three Character Classic" at the age of 4, copying the "Six Classics" at the age of 11, and ranking among the best in the county and government examinations at the age of 17. At the age of 20, he was appreciated by Chen Shouqi, the head of Aofeng Academy, and worshiped under his disciples to govern the scriptures with Sinology. Chen Shouqi's family had more than 80,000 volumes, and Lin Changyi spent seven years "reading through the best people as a summary" and reading his collection thoroughly. Lin Changyi once said: "Yu Zhizhi is a man, the casting of his mother Wu Tai'an; Yu Zhizhi's reader, Chen Gongfu (that is, Chen Shouqi) teacher's casting also." "When he was young, he was full of warp,
Chen Shouqi also praised: "In recent days, the scriptures have been transmitted in the sea, and there are few such as the essence of Qianxi (Lin Changyi) and Boye. Lin Zexu's daughter Lin Puqing and son-in-law Shen Baozhen all worshiped him as their teachers.
However, Lin Changyi's examination luck was really poor, and he did not win the examination until the nineteenth year of Daoguang (1839), when he was thirty-six years old. It is said that when the list was issued, Lin Changyi's good news arrived first, ranking seventy-seventh, and Lin Changyi was ecstatic. Shen Baozhen said, "How is the first one expensive?" After a while, Shen Baozhen's good news also arrived, and the third place was in. Shen Baozhen hurriedly got up and put on his shoes, but he couldn't find his socks. Lin Changyi also said, "First Of All You?" Panic too. Teachers and students looked at each other and laughed.
Lin Changyi and Lin Zexu are brothers of the same ethnic group, and the two are like-minded. Lin Changyi once sent Lin Zexu "Sixteen Strategies for Pingyi" and "Breaking The Rebellion", and Lin Zexu praised him: "During this period, the planning is zhouxiang, which can be called perfect, and this long strategy of winning hundred battles is very consistent with his brother's intentions." When the brother was in Guangdong, the five sieges of the ghosts and the three seized the ships, and the two of them withdrew from the outer harbor and did not dare to fight, all of which were also the same. It is considered to be "a true book of salvation, a useful work." Unfortunately, both books have been lost.
Lin Changyi's Poetry of shooting eagle building (Xianfeng engraving)
Later, Lin Gong was appointed as the minister of Qincha to go to Guangxi, and Lin Changyi wrote a poem entitled "Sending Mr. Shao Mu's Chief Teacher guangdong west" for his sake, and soon after, Lin Gong died of illness in Puning, Chaozhou, Lin Changyi heard this bad news, wept, and wrote a prayer: "Serve the country and be loyal, have no cause, have no jealousy, be fearless and difficult to rest assured, work hard and complain, and be proud of the pillars of the jiangshan capital; meteors follow the number of qi, watch the war, watch the dispatch of the matter, guan ping out of the teacher, the merit is not completed, and the life and death of Si are in danger", which shows his respect for Lin Gong.
After the First Opium War, the rusty gates of the Qing court were suddenly pushed open by external forces, and the winds and rains of the sky were intertwined. After Fuzhou was forced to open up trade, Lin Changyi hated the "foreign smoke and poison" the most, and the Jicui Temple on Wushi Mountain opposite his bookstore was also occupied by the British. Lin Changyi witnessed the heartbreak, Si Cao strong bow poison arrow to shoot it, because of the painting of the "Shooting Eagle to Drive Wolf Map" to see the zhi, the name of the residence of the 'Shooting Eagle (Ying) Lou', and also wrote a joint statement: "Lou to Wushan, half beast hoof bird traces; Tu Phi Tiger Brigade, with poisonous arrows and strong bows." After Lin Gongzhi knew it, he praised: "The fate is very high, and the so-called ancient sad people do not have their arms." ”
Most famously, Lin Changyi's "Poetry of shooting eagle building" collects poems reflecting the Opium War, commenting on more than 200 poets of the Qing Dynasty, especially the poems of Jiaqing and Daoguang dynasties, and giving more space to the progressive poets of the time such as Wei Yuan, Lin Zexu, Zhang Jiliang, and Zhang Weiping. Lin Changyi's poems pay attention to "fate" and "sustenance", emphasize that "there are poets everywhere", and put forward that poems "originate from temperament" and "although the poems are small tricks, their origins are from the history of the scriptures." It must also be stored in thousands of volumes, and it will be driven by enough to be driven", which actually reflects the poetic tendency of "the words of scholars and the words of poets" at that time, and was also respected by the later "tongguang body" poetry school.
Lin Changyi's "Xingshu Yong Yang Hua Sentence" is draped in silk
As a poet, Lin Changyi's poetry has more deep experience and grasp, and his poems are strong and strong, shenxiong and healthy, with golden stone qi and jiang guiqi. He was sad and hurt the world, appealed to poetry full of sorrow, expressed the feelings of cynicism in elegant words, and left nearly 900 poems in his lifetime, his poems were concerned with social reality and full of patriotic passion, such as "Three Chapters of Pavilion Words" and "Market Price Line", denouncing the greed of officials and caring for the suffering of the people; "Worries" and "Crossing the Sea" expressed their worries and anger about imperialist invasion and expressed their strong will to resist. Lin Zexu said that his poems "sigh the times, embrace the grand and deep" and "the wind and bones are heavy, the emotions are poignant, and the talent and learning are both possessed". The Biography of Lin Changyi of the Qing Dynasty: "In the nineteenth year of Daoguang, he raised a man, ruled the scriptures with great knowledge, and knew the mysteries from the three rites of inquiry, but to penetrate the scriptures." The poems and ancient words are strong and deep, and they enter the room of the ancient sages. ”
Lin Changyi was very knowledgeable, and he was also involved in the study of all the sons and hundreds of schools, and also had achievements in astronomy, geography, botany, medicine, mathematics and craftsmanship, all of which can be found in his other work" Yan Gui Xulu. Unfortunately, this well-learned patriotic poet is full of talent but ambitious. In the eighth year of Xianfeng (1858), he presented the book "Three Rites of General Interpretation" to the imperial court, and was given the position of "professor", and for a long time he made a living as an apprentice in Jianning and Shaowu in northern Fujian. In 1876, Lin Changyi died, and Shen Baozhen's "Weeping Master Sleeping Right" said: "The general horn waits for the dragon gate, the wind and rain whistle, and the heart is like yesterday; the light Qiu returns to Ma Du, the waves are at hand, and the lost arm is lost all day long." ”
Lin Changyi has very few ink marks, and his early years came from the famous calligrapher He Shaoji in the late Qing Dynasty, and he naturally had some insight into calligraphy inscriptions and had profound calligraphy skills. Yu Yuzang Lin ChangYi gave poetry inkblots, which can reflect the meaning of his calligraphy unintentionally, and his calligraphy is rooted in the Minang Palace and Dong Qichang, which is elegant and beautiful, with a detached and quiet atmosphere, casual and natural, and achieves a wonderful state of poetry and book unity.
The poet began to write yanghua flying down, full of sorrow, and the voice of the heart when hurting was overflowing with paper and ink. The poet wrote by hand with a careless and sparse stroke, ethereal and detached, and it was really full of paper!
Source: Minsheng Media