Since the Ming and Qing dynasties in Yanzhou, calligraphy and painting celebrities have been examined
The content of this article is mainly compiled from Fang Zhi and related materials, and there are word-of-mouth information obtained from visits. I hope to reflect one aspect of Yanzhou culture over the past 600 years; I hope to be of little help to those who are interested in collecting local cultural relics. I have limited materials, this is the first draft, I hope readers do not hesitate to correct.
Liu Zizhong (劉子鐘) was a native of Yutian, Hebei, and because his grandfather was an official in Shandong, he was born in Yanzhou, but people still called him Liu Yutian. In the seventh year of the Ming Dynasty (1442), he entered the priesthood and served as a senator of the HuguangBu Political Department. Since childhood, he has a deep love and special talent for calligraphy and painting, and he can memorize the works he has seen once. After the dedication, he entertained himself with pen and ink at home, and there was an endless stream of calligraphers and painters. He was good at flower feathers and was a figure who had a considerable influence on the later Yanzhou calligraphy and painting circles. He once painted four ink bamboo paintings, depicting the different forms of bamboo in the wind and rain, which are very wonderful, and are carved in stone by posterity and embedded in the pavilion wall, which is the origin of the name of his hometown of Sizhuting Village in Xinglongzhuang Town. At present, the museum has two stone steles, "Reconstruction of Jinkouyan Record" and "Cui Xuan's Tomb Table", which are written by Liu Zizhong.
Han Zhi (汉智字愚夫), Akihiroji Gengzhi (1490) Jinshi (1490), the official was given to ShiZhong. He was able to write large characters at the age of 5 and was known as a child prodigy. His works that can be seen now include a piece of Bao Kemin's epitaph, and the small letter is extremely regular, but it does not lose its charm.
Bao Kexin Character Yicheng, number Donggao, Ming Chenghua Hongzhi was alive. In his lifetime, he was a person with many talents, "multi-material, clear medical science, good drum and piano writing". His calligraphy in the Yuan Dynasty, Zhao Ziang, YouGong Xiaokai; painting patriarchal Liu Zizhong, but also innovative, its ink bamboo and feathered flowers, some people think that it is better than Liu Zizhong. But he was a noble and vulgar person, and he did not easily paint for people, so his works were rarely passed down.
Zhu Dang 㴐 字望洋, Lu Fu Zongfu, was a Zhenguo general belonging to the juye king's clan. History records that he "read a wide range of books, has a wealth of books; has purchased different books, copied by hand, no less than 10,000 volumes; and is particularly skillful and inky, and is also very elegant and tame" in between. Most of his works that can be seen now are the seal covers of epitaphs, which shows that he is famous for his seal books; but he also made small works, such as writing zhiwen for Bao Jiwen. The earliest works that can be seen now are the sixth year of Jiajing (1527), and the latest is the thirty-eighth year of Jiajing (1559), including sun Yunzhong's epitaph cover, Ren Yingmu Cai's epitaph cover and so on.
Zhu Guanxian was a lieutenant of zhenguo in the lu clan of the juye king. He was good at painting orchid bamboo, and once painted the "Taiping Map" dedicated to the Jiajing Emperor and was praised. The Ming Shi Yiwen Zhi records two volumes of his "Painting Law And Public Opinion", which should be a work of painting techniques. According to Zhu Yizun's "Jing Zhiju Poetry" volume I, there is "Ji mei tang draft", which is his poetry collection; "HaiYue Ling Xiu Collection" is his poetry collection; "Hai Yue Ling Xiu Collection" is the Shandong Zhujia poems he edited. In the "Zhiyang County Chronicle", it is mentioned many times that he made a monument to the bridge, and his literary talent and calligraphy are also good.
Zhu Shouyong (朱寿镛字安宇), the ninth son of Zhu Yitan the Prince of Lugong, was initially enfeoffed as the King of Taixing, and in the ninth year of Yu Zhen (1636), he attacked the King of Lu, and three years later, Xue, the King of Su.
Zhu Yiyu (朱颐厓) was a member of the Juye King's clan and was the uncle of Shou Yong.[ He and Zhu Shouyong co-authored the book "Painting Method". The book is divided into eight volumes, including painting theory, feathers, figures, landscapes, painting lists, etc., which is an important material for studying and understanding Ming Dynasty printmaking. The book also contains works by Zhu Guanhuo District, Zhu Yipai and others. (See "Bibliography of Writings Since the Ming and Qing Dynasties in Yanzhou")
Xu Qingshi was a man of the late Ming and early Qing dynasties, and his life is unknown. He is good at collecting characters, especially the book of Wang Xi. At the end of the 1940s, there was a monument to the king under the walls of Yanzhou's Xiguan City, and in the middle of the half-soil, Mr. Fu Xingbo dug out and washed it, and before he could pound the city, the siege war began, and after the war, it was retraced, and there was no trace. The museum now contains the reconstructed Midas An Monument (Chongzhen Thirteen years), which is also a collection of Wang Xi's characters, but it is the "Chuqiu Xiyuan Zhenxia Collection", and only his guanshi, signed "Linyi Xuqingshi Mingqi", I don't know if it is what Mr. Fu saw. It can be known that his character is mingling, and Linyi may be his ancestral home. In addition, the present-day Qufu Confucius Temple also has his collection of characters.
Jiang Wei character Tianzhang, also spelled Shi Tian, was a person in the early Qing Dynasty. Originally from Anhui, he moved to Ziyang because he was a guest of honor in the Yanzhou prefect Cai Tingfu. He studied in Beijing Taixue, but the examination was unfavorable, and he later stayed in the Beijing Division to sell paintings for a living. Sixty peony figures were painted, each of which was extremely beautiful, and was sent to the palace by the Kangxi Emperor. The current city museum has one of his ink pen landscape halls, regardless of layout, pen and ink, and charm, there is a very high level. This figure has a large section of inscription, (according to the investigation of this paragraph text from Song Liu Daool's "Five Generations of Famous Paintings Supplement • Shanshui Gate") is signed "Pengchen Twilight Spring Old Roundabout River Wei", it can be seen that he also called himself Old Pedantic. According to Peng Chen, it is the twenty-seventh year of the Kangxi Dynasty (1688). His son Jiang Huangang is also famous for his calligraphy and painting.
Niu Mengying (1691-1750), also known as Zhuoran, also spelled Meicun, was the uncle of the famous scholar Niu Yunzhen. With Xianliang Fangzhengke as the zhi county of Henan County, he soon abandoned the official home. Gongshu is good at painting, "there are more than a thousand kinds of inscriptions in the family collection, from the Qin Seal Han and the Jin and Tang Dynasties, the Law Chapter Grass, jing does not study the mo, and the eight points of the late years are uniquely refined, the most powerful "Lu Jun" and "Ritual Instrument" two stele, when in the Canggu to see the Strange Kun". His paintings "are made with the brushwork of the seal, each of which is a strange stone of the forest tree, a genus of bamboo, wood and grass orchids, and the shape does not have to be similar to the spirit of life." The inscription is poured, splashed with ink and scrawled grass, and there is a state, such as a broken stele bronze vessel" (see Niu Yunzhen's "Uncle Meicun Cemetery Inscription" above). Calling themselves villas to others, people get their pieces of paper to compete for treasure. He can also make finger paintings, and the museum has a small frame of his landscape, which is inscription: "This mess is also in the chaos, all seen in the chaos, and it is a different style among painters, although the Yuan people use it much, there is no exclusive." It is also titled "The snow on the cliffs is still frozen, the smoke of the distant trees has brought spring, and the little finger of others in the Villa of Xin Youyuan Day is dipped in ink." According to Xin You, the first year of Qianlong (1736), it is his 50-year-old work. Mounted on the same axis as this finger painting is a small line book "Writing in the Summer Rain Window of Nonzi", which is also quite elegant and elegant, and is the only calligraphy work of his that can be seen now.
Niu Yunzhen (1706-1758) Zi Jieping, Number True Valley, known as Mr. Kongshan, Jinshi, Ren Anzhi County, Gansu, was a famous incorruptible official and scholar, and the "Draft History of the Qing Dynasty" has been passed down. He also has a high level of literacy in calligraphy and gold stones, and has cooperated with Chu Jun to compile the book "Golden Stone Diagram", all of which are miniatures according to the original form, and the first stone inscription to record the painting of the shape. The early refinement of his collection of the Sacred Order was mentioned many times by Chong'en, the collector of the Mo Emperor's Book at the end of the Qing Dynasty. Niu Yunzhen's poems mention his love and study of calligraphy many times, such as "Spring Mourning from Brother Yuanzhen": "Hard Yellow Tuoben Old Stall, Brother Linchi Spring Day Stop." He wrote the Orchid Pavilion with a pen and tears in his eyes." "Journey of Yi Ji Chun": "Tian Ji Sheng came, sent Li Taibaitu, brought more than ten kinds of Fa Ti to sell, and came to Fa Ti in the afternoon." He also wrote books for people during his time in Qin'an, such as the anthology volume 9 "Qin An Created the Wenbi Pavilion Stele": "Yu Inscription Qi's Forehead Wenbi Pavilion" There are still some handwritings in Gansu, such as the Hu clan in Qin'an County, which has a large plaque with the "Phoenix Pond" written by him; Lanzhou Wuquan Mountain has a gate that he inscribed: "The wild sky is low with trees, and the mountains are full of moons and full of buildings"; not long ago, I heard that someone in Tianshui hid the couplets he wrote; Yanzhou only knows that there is a manuscript of "Golden Stone Map" and the Yanzhou Library.
Wang Ke (王珂) was a Qianlong dynasty man. He was erudite and capable of writing, and worked part-time in calligraphy and painting. He ran to increase the number of Ziyang students, and finally succeeded. Later, he served as a teacher in Linqingzhou, and in his later years, he was an apprentice at home and died at the age of 83.
Chen Alcohol An Zhenbai, a native of Changzhou, Jiangsu Province, was first appointed to Zhiyang Zhi County in Jiaqing. The calligraphy is pro "Orchid Pavilion Preface", which can get its god-like. He was impeached for losing money in Zhixian County, and when he was about to be arrested, Ziyang Gentry Democratically raised funds to repay the deficit for him. Later transferred to Fushan County, he was deposed again, poor and could not return, and sold words in Jinan for a living.
Feng Yunpeng (Chinese: 冯云鹏; pinyin: Fányồng) was a native of Nantong, Jiangsu, and the brother of Feng Yunhu of Zhixian County, Ziyang County, in the last years of Jiaqing, and a professor of Yanzhou Fuxue. Gongshi wen seal engraving filler words, calligraphy seal is all worker. He is the author of "Red Snow Words" and "Sweeping Red Room Poetry Collection". When he was in Yanzhou, he and his brother enthusiastically collected Jinshi scripts, and wrote their own proofreading and interpretation, which became a book called "Jinshi Suo", which was engraved and printed in the Ziyang County Bureau in the first year of Daoguang (1821), which is an important Jinshi monograph. Feng Yunpeng's calligraphy works are now in the museum's collection of stone carvings of "Zheng's Family Villa", which were excavated from the Zheng's Manor in Xi Village, Yandian Town.
Wu Buhan (1798-1866) Zi Jintang, Xiaoyan, Liumen. A native of Tancheng (present-day Linshu), Zhongjinshi was appointed to Wangduzhi County, Hebei Province, and offended Qincha for not doing a good job of greeting and rewarding Qincha, and resigned his official post to avoid disaster, and later became a professor of Yanzhou Fuxue. He was a famous scholar in Shandong during the Daoguang period. It is known as the first talented son of the Eastern Province. He is the author of the "Collection of Seventy-Two Stones", "The Abandonment of the Seven Rocky Mountain Houses", "The Seal Of the Seals", and "The Seal of the Hundred Stones Mountain House". The calligraphy is unique, like the flavor of Zheng Banqiao. When I was a teenager, I saw his "Liumen Xueshu" volume, which is very charming.
Fan Keyjin Character Shuangnan, self-proclaimed Shangshan Lou resident. His wife was Niu Yunzhen's younger sister, who was well educated and authored the Collected Works of Yuzhao Lou. Fan Keyjin's calligraphy "Gong Xiao Seal Division", and he also likes the study of Jinshi characters, and has a rich collection of books. His sons Fan He and Fan Bin were both known for their talents at the time, and Fan He was the brother-in-law of the famous scholar Gui Fu. Fan Keyjin's works that can be seen now include a seal book couplet: "In the Yuanming Ji, in the home Painting", and the section is signed "Qianlong Forty-four Years (1779) On the First Day of the First Century, Shangshan Lou Fan Keyjin", which was printed in the "Gucun Township Chronicle".
Wang Mustard Sun The character is heavy, Xiucai. Jiaqing Daoguang was alive at the time of the light. His grandfather Wang Yingxuan and father Wang Weizu were both famous scholars in Yanzhou. Wang Wasa sun once painted the "Xing Yin Tu", which was written all over the way.
Qiu Yinglin,also spelled Longchuan,also spelled Shi Zhou,was the grandson of the famous scholar Qiu Yangwen. Good reading, good poetry, especially fine painting, good at freehand flowers, "but three or five strokes and posture", its own style, different from the current.
Zhang Tinggui is a small mountain, a young prodigy, and his poetry and calligraphy are excellent. He is also good at painting, "the landscape and flowers are all wonderful". He has painted "Dengdai Tu" and "Qiulin Reading Map", and invited celebrity inscriptions all over the place. He died at the age of 28, and people regretted it.
Fan Yuqin The word Lu Qian, Xiu Cai. Poetry and painting are good at, calligraphy is the most eight points, painting well as colored flowers, people are better than the Qing Dynasty famous yun Nantian. Sometimes it is a large landscape, similar to the style of the five generations of Dong Yuan, which is the weight of the times.
Li Zhixiu The word Is a gui, lifting people. The grandson of Li Zhonghe, a famous scholar in The Qianjia period of Yanzhou, Gong Shi was good at calligraphy.
Tang Zhen Zi Wei Zhou. After Zhongxiucai, he abandoned his career, entertained himself with poetry and wine, and wrote letters from ICBC. "Enter the room, the scrolls are scattered, the gold and stone piles, the antique, the hundred years old." He was the father of Tang Yu, the leader of the later Yanzhou gentry's movement against foreigners to build churches.
Zheng Zao character Chunhua. The village of Cen Wei (present-day Hongfu Temple) in Jufeng Mountain. Gongshu, You Jing Xiaokai, Linjin Wang Xianzhi's book "Thirteen Elements", Tang Dynasty Zhong Shaojing's book "Lingfei Jing", see the people think that it is like a god.
Fan Jun Character Dongmei, Number Stone Tree, Xiu Cai. Gongshu is good at painting, flowers are yun shouping brushwork, landscape studies Ni Yunlin, Huang Zijiu. The calligraphy seal is all-encompassing, and the seal is engraved, "easy pen for iron, for stone to pass on, seal luo a few stones, sitting and lying in between." The "Stone Tree Seal" was famous at that time. There are hundreds of "Shou" characters in the history of the Zengji Classics, which are printed as four screens of "Hundred Life Maps", and people treasure them.
Tang Yu character Renfu, Tongzhi twelve years of tribute. Gong calligraphy. Andy Lau's "Yixuan Caotang Poetry Manuscript" has "Autumn Memories of Friends and Huai Classmates", which called him "the great order of the king of calligraphy, the fiber is medium, and the short degree is repaired." ”
Fan Xitang character tree, Andy Lau said that it "works to write flowers, has the meaning of Ouxiangguan (Yun Shouping) penmanship, between the landscape, straight stone valley courtyard people." He once painted the "Zhiyang County Chronicle", including the map and the "Eight Scenic Maps", which were published at the beginning of the Guangxu Edition County Chronicle. The department is "Yi Ren Miao Sheng Fan Shu Yu Painting".
Wei Zhaorong Character Xiang Zhai, trumpet Pavilion. He once lived in Beijing, interacted with celebrities, and "learned from Hongwen and moved under the name". Gong calligraphy, Kai Shu Zong Tang Chu Sui Liang, but also good at making big characters. Sexual silence, closed all day, no interaction, "the book seeker is wrong at the door", and few people get it. There was once a stone square in Shimadi, on which the four words "Wenwu Sage" were written by him.
Jiang Shu (江曙字晓塘), courtesy name Yi'an, was a descendant of the famous Kangxi dynasty scholar Jiang Wei. Sexual dilution does not seek Rongli, and after Zhongxiucai, he is desperate to do the examination and is bent on sending love to Jinshi calligraphy and painting. History says he was "erudite in calligraphy, and he was not familiar with the grass of the outer line." He is also proficient in connoisseurship and has a rich collection. At present, the museum has some of his seals, some of which have been found in Jiang Wei's works, and most of the rest should be self-carved by himself. I have seen the Shandong Provincial Museum in the Collection of the Western Han Dynasty Xiaoyu Stele on the "Tongzhi Gengwu, Yangzhou Gongben Xian, Gong Yu, Rencheng Liu Enying visited this stele in Pingyi", "Jiang Shu, Gao Wenbao came to see", Tongzhi Gengwu is 1870, so it can be known that he and Gao Wenbao's approximate birth date.
Gao Wenbao (高文保字砚臣), a Zhejiang Huijian (Zhejiang Huijian), was a scholar of Ziyang during the Tongzhi dynasty, good at writing and calligraphy, painting and seal engraving, and was famous for his time.
Wang Zhichuan (王挹青), Yiqing (一卿), Tongzhi Ding Di (1867) was a former official in Xiangcheng Zhi County, Henan. Originally from Fei County, he moved to Yanzhou because he married Niu Yunzhen's granddaughter. He was the father of Wang Jingxi of the late Qing Dynasty. The name of the pavilion is "See Mountain Caotang", "Yi Yun Xuan" and so on. He once wrote and engraved the Yiyun Xuan Ti, and there is also a record of his good calligraphy in Wang Jingxi's poetry collection. Yanbo has a line of his book, "Ding Wei (1907) Autumn Day", and the seal of "Fifty Years Ago Twenty-Three", which shows that he was born in 1834.
Wang Zetong (1876-1933) Character Lu Sheng, Guangxu Ding You (1897) Bagong, graduated from the Japanese Hongwen Academy. His ancestral home was Guancheng (present-day Yanggu), and because his father was a yanzhou teacher, he went to The Yang family. He has been engaged in education all his life, was a professor at Shandong University, founded a lithography, and published a collection of paintings. Gong calligraphy, good at painting, especially good at Meilan Zhuju, has compiled art calligraphy textbooks, and contributed to art education. The works were circulated throughout the province of Beijing.
Zhu Kunru is a native of Shenguantun Village in the west of the city. At the end of the Qing Dynasty, Xiucai, in the early Minchu Dynasty, he taught at The First Middle School of Jinan Province. Calligraphy mainly learns Yan Zhenqing's "Scramble for Seats" post. When the warlord Tang Tianxi of the early Ming Dynasty was stationed in Yanzhou, the gentry erected a monument for him, "Lumen Youyi", that is, Zhu Kunrushu.
Zhou Yuanying, the character Zhongshan, in his later years, called himself the old man of Hongxue, xiucai at the end of the Qing Dynasty, wrote on the stele written by the Wang clan in chengnan in the fifth year of the Republic of China (1916), with the inscription "Five Pin Titles Jiangsu ChangzhouFu Deacon, Dingwu Army Sitcha □□ County Governor, Nian Gong". Later, he devoted himself to education and compiled the "Rural History of Ziyang County". His calligraphy is famous at that time, and it is rumored that the Germans built a church in Yan and asked for it as a book plaque at a high price; and the warlord Shi Congbin's political monument "Wei Xuan Yan Wai", that is, his book.
Qiao Hongyu Character Zhixiang, Fan Yuan, XuanTong First Year (1909) Tribute. Good at calligraphy, at that time, the urban and rural gentry were proud to be able to obtain the Shouping inscription written by Qiao Bagong. The "Yanzhou Chronicle" said that "Zhou Yuanying and Qiao Hongyu are good at landscapes and flowers, and are valued by the world", and they are also good at Danqing.
Wang Jingxi (1867-1932), also spelled Yanquan, was the editor of the Hanlin Academy, and was the secretary general of the State Affairs Department during the Republic of China. The poetry is excellent, its calligraphy is elegant, and the small lines are particularly exquisite. He has also studied jinshi and edited books such as "Jinshi Interpretation" and "Hanwadang Script". In his later years, he sold words in Tianjin for a living. His works have been circulated in Tianjin, Jinan, Jining, Zoucheng and other places.
Hou Jingxiu (1856-1940) Character Keting, late Qing Dynasty Xiucai. He was the head of the Yanzhou Confucian Society. His scholar Yan Zhenqing was famous at that time. At present, there are stone carvings of "South Heavenly Gate" in Yishan Mountain, "Records of Rebuilding the South Heavenly Gate of Mount Yishan", "Records of Rebuilding the Marquis of Lingyan in Yishan Mountain" and so on. There are also traces of its writings in Qufu Kongfu.
Shu Zhitian Guangxu Yiyou (1885) raised people. He was a famous scholar of Yanzhou in the late Qing Dynasty and the beginning of the People's Republic of China, and the inscriptions at that time were more than his hand.
Gui Bo'an Gui Jiliang Gui Shaoliang is known as the "Three Gui". From the late Qing Dynasty to the Republic of China, he lived in Guijia Hutong in Yanzhou. Gui Jiliang studied in Germany in his early years and served in the railway department. Gui Shaoliang worked in the Shandong Provincial Anti-Provincial Academy and the Ministry of Education, and served as a tax inspector in Sichuan and Kang provinces during the War of Resistance Against Japanese Aggression. According to Gui Bo'an, the father of The Brothers Ji Liang and Shao Liang, he can be called a toshihiko. The author has seen the fan surface of the "Zuyan" model, painted with folded branches and flowers, very rhymed, and the lower plutonium "Gui Jiliang" seal, can know the Jiliang character Zuyan. I have also seen the flower and bird fan surface of the signature "Bo'an GuizuFa", imitating Huayan's penmanship, and the seal is the word "Qu'an"; and Yu Jianhua's "Dictionary of Chinese Artists' Names" quotes the "Yousheng Painter's Record": "Gui Peiying, zi Bo'an, Gonghua", which is probably this person. In this way, Bo'an, Kakuan, Peiying, and Zufa are all one person.
Zhang Zilian Was an art teacher at the Sixiang Division in Ziyang in the early 1930s. I have seen his painting "Changyang Zhang Zilian in the Ancient Yanliu Garden". According to the ancient name of Laiyang, Shandong, Changyang, Zhang was a native of Laiyang, Jiaodong. He was a painter with strong patriotic ideas, and after "9/18", he participated in the petition activities of teachers and students going south to Nanjing, and has since left Yanzhou. In 1936, the Sixiang Division once stoned the thirteen episodes of "Zilian Painting Draft" for his apprenticeship, which coincided with the War of Resistance against Japanese Aggression and was rarely circulated. His painter Wu Changshuo, a famous artist at that time, had a great influence on the Yanzhou calligraphy and painting circles, and Later Fu Xingbo, Kong Lingchen, Xu Jinghe, etc., who were active in the painting world, all studied from him, and the modern painter Cui Zifan was also taught by him.
Zhang Jiwu (張集五字若谷), a famous scholar in Yanzhou in the 1930s. Excelling in kai, and at the same time. During the Japanese and puppet times, he wrote the "Moral Administration" stele of the pseudo-county magistrate Jin Jiayi, "Ten Thousand People Mengxiu" and "Ten Thousand Families Born of Buddha". It is said that the former is a harmonic sound taken from "the people are humiliated"; the latter was originally intended to be "Fulu Shoukao", Fu Harmonious Fu, mocking the arrest of the people at that time; Lu Harmonious Killing, which refers to the killing of innocents; Shou Harmonious Suffering, which means that the people are unbearable; and Examination harmonic torture, referring to severe torture. It was a tortuous way to ridicule the tyranny of the people by the traitorous and cool officials, which was probably too tortuous, and then it was finally useless. It can be seen that Zhang Jiwu is a literati with a certain sense of justice.
Gong Zixi, a famous gentry in Yanzhou in the late Republic of China, was good at calligraphy and calligraphy, and the inscriptions at that time were more than his hands.
Zhang Yunting Character Qingtu. Good at homemade chicken pen writing small letters, for a while no one can match, but also cursive writing. In 2008, I saw a pair of his seven-word couplets in a shop in The Antique City in Jiangbei, Qufu, with the words "Homemade Chicken Book" signed. His brother Zhang Heting also has good calligraphy.
Sun Hongpan The people of Sun Jia Lou in the south of the city. He and his father, Sun Tongde, were both good at writing. Profound skill, the best at orthography, walking grass is also extraordinary.
An Yutian, a native of Gaomiao Village in the north of the city, a folk artist, good at mural paintings and makeup sculptures, once held a meeting in Yanzhou Wenzhai Painting Shop, and later Mr. Fu Xingbo, who was famous in the painting world, studied from it. His works can still be seen now, including a statue of Confucius, a vertical axis, imitating the tang Wu Daozi paintings, and the line drawings are flowing and vivid.
Wei Xueqiao's name is Guangrui, Wei Zhaorong's grandson. Graduated from Shanghai Meichuan. Chen Zifen's "Yuyuan Painting Friends" said that he "did not return to the river during the War of Resistance, and worked freehand flowers". Its pen and ink are pure and vivid. In the 1930s, he held a painting exhibition in Jinan, and he also held an exhibition in Langzhong, Sichuan, and won good reviews. After liberation, he went to Teach at Taoyuan Normal College in Hunan Province and was killed during the Cultural Revolution. His works were mostly circulated in the southern provinces, and now yanzhou can see Mr. Fu Xingbo's old lotus vertical scroll, which was published in the "Yanzhou City Chronicle".
Xian Zhongchun (1882-1960) Mingyuan Zhang. At the end of the Qing Dynasty, he graduated from the provincial excellent normal school, and in the early minchu, he served as the director of Yanzhou Persuasion And later served as the head of the education section, and was a famous resident in the education circle of Yanzhou. When Jin Yunpeng was the premier of the state, he served as his secretary in charge of calligraphy and painting collections, and also served as the governor of Xingze County, Henan. After liberation, he served as a member of the CPPCC county committee. Gongshu is good at painting, especially good at painting orchids, elegant in pen and ink, likes to use the method of breaking ink, and has its own style. Sai name Ken Kao Sai. His heir, Mr. Xian Fumin, was a famous painter who still has several paintings of orchid grass in his collection.
Gao Qixiang is a famous Chinese medicine practitioner and a famous democrat in Yanzhou. His calligraphy was born from the Jin and Tang dynasties, handsome and elegant, without vulgarity, and was a famous artist in modern Yanzhou. He once wrote a trek for Fu Xingbo's album, and the commentators said that it was comparable to Qi Baishi's trek. Today, Mr. Xu Jinghe still has his orthography couplet.
Wang Ruomei (1909-1973) was a guanglin and a daughter of Wang Ze. Family origins, poetry books full of belly, known as talented women. Graduated from the Chinese Painting Department of Beiping Art College, he was greatly appreciated by Master Qi Baishi, who has cooperated with him many times. He has devoted most of his life to education and has been teaching at Yanzhou No. 1 Middle School for many years. Member of the CPPCC County Committee. He is good at painting flowers and grass insects, elegant and elegant, with a high style, and the calligraphy is also graceful. There are not many works passed down, and the fifth series of "Yanzhou Literature and History Materials" has been specially introduced, and several works are attached.
Guo Zizhong (1909-1987) Ming Xiusong. He entered a private school at an early age, was familiar with the history of the Bible, and was also a good Linchi, and he already had a book title in his teens. His calligraphy is the deepest in Zhao Ziang, and it is also written in zhengyi. Before the War of Resistance Against Japanese Aggression, he was in good agreement with the Yansun Tongxuan Division, and his good deeds and righteous deeds were many to help. He also participated in the writing of local chronicles, and was on a par with Gong Shunheng, Zhou Jinzhi, and Yao Qiyuan, and was known as the "Four Little Sages of Ziyang". He is also very familiar with the local palm, and has the elegant name of "Yanzhou Pass". For the famous enlightened gentry. After liberation, he served as a member of the Standing Committee of the Chinese People's Political Consultative Conference. His calligraphy works were published in the second series of Yanzhou Literature and History Materials.
Fu Xingbo (1910-1994) was a famous Guichen. When he was a teenager, he learned makeup sculpture, murals and lacquer from the folk artist An Yutian, and later studied under Mr. Zhang Zilian. In the 1940s, Qi Baishi saw his paintings and greatly appreciated them, saying: "Xingbo painting can do everything at hand." There are people in the world who only know self-esteem, but they can't know Xingboye", mr. 33 years old at the time. After that, he worked in the construction industry, painting for the rest; until his retirement, he formed a golden period of artistic creation in his later years, and his reputation rose up. His works have been exhibited in Beijing, Jinan, Qufu and other places, collected at home and abroad, published in Shanghai "Fine Arts Series", "Shandong Pictorial" and other publications, and compiled into the "Dictionary of Contemporary Chinese Painters". He is a member of the Standing Committee of the Yanzhou Municipal Committee of the Chinese People's Political Consultative Conference and the chairman of the Yanzhou Artists Association. He is the best at freehand flower feathers, especially eagle paintings, and his sketches of grass worms and landscapes are also very charming. With the pen vigorous and spicy, with ink condensed, people say that there is a style of everyone. Taste the self-signed studio name Teng Xuelu, "vine" refers to Xu Wei of Qingteng, "snow" refers to the eight mountain people Zhu Yun, Lu refers to the number of the eight mountain people Zhu Yun, Lu refers to the number of Wu Changshuo, they are the three painters he has been most convinced of in his life.