This week, a series of activities to celebrate the centenary of the founding of the party have been launched across the country. In Beijing, the National Museum of China's "Silent Poetry Ode to the Thousand Autumns -- The Theme Exhibition of Party History in Fine Arts Classics" presents the centenary of the founding of the CPC with 100 most representative art classics reflecting the various historical periods since the founding of the Communist Party of China; the National Art Museum of China's "Great Journey era picture scroll -- Celebrating the 100th anniversary of the founding of the Communist Party of China" exhibits a large number of heavy-level masterpieces, which vividly reproduce in the form of art the century-long struggle of the CPC in leading the Chinese to the people on the road , touched countless viewers.
In Shanghai, Da Lu Ding and Da Ke Ding reunited after 17 years to appear at the "Ding Sheng Qian Qiu - Special Exhibition of Bronze Ding Donated by Shanghai Museum". Yangyang Huaxia, Hehe China, with thousands of years of civilization to establish the world, creating a brilliant bronze art. Legend has it that Yu harvested the gold of the Nine Mu and cast the Nine Dings, like Kyushu. The bronze Dading has always been a heavy instrument of the ancient state, symbolizing the Jiangshan Sheji; those who have inscriptions are even used to praise the beauty of the ancestors and the use of future generations. This special exhibition exhibits 21 pieces of Ming Bronze Ding, from the late Yin Shang dynasty to the Spring and Autumn Warring States, highlighting the style of China's Bronze Age.
At the Jiangxi Academy of Fine Arts Museum, "Rural Construction: Architecture, Literature and Art and Local Construction Experiment" starts from the specific experience and field examples of 22 representative groups of exhibitors currently participating in rural construction, including architects, artists, social organizations/groups, etc., covering the construction of rural public spaces, the revitalization and utilization of old buildings, the transformation of whole villages, the intervention of art in villages, aesthetic education, community construction, folk craft excavation, homestays and their operations. It presents the overall appearance and diversified paths of rural construction practice in the past ten years.
In addition, Shangbo's "Ten Thousand Years of Changchun: Special Exhibition of Calligraphy and Painting Art in Shanghai Dynasties", "Red" special exhibition of Shanghai Oil Tank Art Center, "Shuimu Zhan qinghua: Nature in Chinese Painting" and national museum "Picture Beings - The Life of ancients on Hexi Portrait Bricks" and other exhibitions of the Art Museum of Tsinghua University in Beijing also cut into different aspects of Chinese culture in the form of calligraphy and painting, contemporary art, cultural relics, etc., which include a large number of artistic works that are worth the audience's careful viewing.
Beijing | Silent Poetry in praise of the thousand autumns - the theme exhibition of party history in the classics of fine arts
At the "Big One" Meeting of the Party, Chen Yifei and Qiu Ruimin, 1977, Oil Painting, 147.5cm×173cm, National Art Museum of China
Sun Yat-sen and Li Dazhao, Wu Zuoren, 1959, oil painting, 186cm×140cm, National Museum of China
The third of the ten major tasks of the War of Resistance Against Japanese Aggression, Hu Yichuan, 1940, prints, 37cm×31cm, National Museum of China
Tunnel Warfare, Luo Gongliu, 1951, oil painting, 144cm×169cm, National Museum of China
Blood Coat, Wang Shikuo, 1959, Sketch, 192cm×345cm, National Museum of China Collection
Chairman Mao and the people of Asia, Africa and Latin America, Wu Biduan and Jin Shangyi, 1961, oil painting, 144cm×155cm, CAFA Art Museum Collection
People's Festival, Wang Xiaowei, 2020, oil on canvas, 250cm×600cm
Recommended words - they are the eternal brilliance of the century-old chapter of Chinese art!
Under the leadership of the Communist Party of China, Chinese art has gone through a hundred years of keeping pace with the times and sharing a common destiny with the people. With firm ideals and convictions, several generations of artists have adhered to the original intention of artistic creation, and created a large number of art classics that reflect the party's struggle process, the vicissitudes of Chinese society, and the great rejuvenation of the Chinese nation.
The classic works of fine arts exhibited in the exhibition, taking the major events in the development of the party history in the past century as the time clue, in the collections of the National Museum of China, the Military Museum of the Chinese Revolution, the National Art Museum of China, the Art Museum of the Central Academy of Fine Arts, and the Guangdong Museum of Art, one hundred of the most representative art classics reflecting the historical period since the founding of the Communist Party of China were selected, covering Chinese painting, oil painting, printmaking, sculpture and other art disciplines, including the works of famous masters of various periods. There are also outstanding works of young and middle-aged artists that have emerged in recent years. Among them, a number of works created in the 1950s and 1960s, such as the oil painting "Mao Zedong Arrived in Northern Shaanxi", the sculpture "Trumpeter", and the Chinese painting "Qiaodu Jinsha River", are rarely exhibited to the public, which are rare and rare works. Selected by the Central Academy of Fine Arts, the National Art Museum of China, the Military Museum of the Chinese Revolution and the Guangdong Museum of Art, the oil paintings "The Construction Site of the Ming Tombs Reservoir", "The Red Army Crosses the Grassland", and the sculpture "Hard Years" vividly show the glorious course of the Cpc leading the Chinese the people's road in the form of art.
Exhibition time: June 22 to July 25, 2021
Exhibition venue: National Museum of China South 8, South 9 Exhibition Hall
Beijing | The Great Journey era picture - an exhibition of fine art works celebrating the 100th anniversary of the founding of the Communist Party of China
Recommended words - more than 420 classic art works present a magnificent picture of the times
The exhibition brings together more than 420 classic art works collected by the National Art Museum of China and related art institutions, as well as works on party history and realistic themes created in recent years. In the exhibition, there are both magnificent "pictures of the country and mountains" and statues of people of the times, presenting a long picture of the times for the audience.
Wan Shan Hongquan, Li Keyan, Chinese Painting, 69.5×45.5cm, 1973, National Art Museum of China
In front of Tiananmen, Sun Zixi, oil painting, 155×294cm, 1964, national art museum of China
Green Great Wall, Guan Shanyue, Chinese Painting, 144.5×251cm, 1974, National Art Museum of China
Exhibition time: June 16-July 25, 2021
Venue: National Art Museum of China
Shanghai | Prosperous and Prosperous - Shanghai Museum received a bronze ding special exhibition
Da Lu Ding (Courtesy of the National Museum Photo: Chen Tuo)
Part of Da Lu Ding (Courtesy of the National Museum Photo: Chen Tuo)
Recommended words - Da Lu Ding and Da Ke Ding reunited after a gap of 17 years
Yangyang Huaxia, Hehe China, with thousands of years of civilization to establish the world, creating a brilliant bronze art. Legend has it that Yu harvested the gold of the Nine Mu and cast the Nine Dings, like Kyushu. The bronze Dading has always been a heavy instrument of the ancient state, symbolizing the Jiangshan Sheji; those who have inscriptions are even used to praise the beauty of the ancestors and the use of future generations.
This special exhibition exhibits 21 pieces of Ming Bronze Ding, from the late Yin Shang dynasty to the Spring and Autumn Warring States, highlighting the style of China's Bronze Age. The exhibits are all generous and charitable acts of the Shanghai Museum since its establishment in 1952. Among them, the Lu Ding and Keding donated by the Pan family have gathered again, which is particularly eye-catching.
Lu Ke Shuangding, the leader of Dingzhong, was excavated in Mei County and Fufeng District of Shaanxi province in the nineteenth century, and later treasured by the Pan family, although it was still guarded by generations after frequent wars. After the founding of new China, Ms. Pan Dayu donated this double ding to the government free of charge on behalf of her family, becoming the "treasure of the town museum" of the Shanghai Museum. In 1959, on the 10th anniversary of the founding of the People's Republic of China, Da Lu Ding enlisted to go north and is now in the National Museum of China. This exhibition is the second meeting of Da Lu Ding and Da Ke Ding after a gap of 17 years.
Da Keding, King Xiao of western Zhou (late 10th century BC), height 93.1 cm, caliber 75.6 cm, weight 201.5 kg, donated by Ms. Pan Dayu, Shanghai Museum Collection (Courtesy of Shanghai Museum)
Da Ke Ding (Courtesy of Shanghai Museum)
It is understood that after the "Prosperous Thousand Autumns" exhibition, LuKe Shuangding will return to the National Museum to meet with the public.
Exhibition time: June 19 to July 18, 2021
Venue: The Second Exhibition Hall of Shanghai Museum
Shanghai | Ten Thousand Years of Changchun: A Special Exhibition of Calligraphy and Painting Art in Shanghai
Northern Song Dynasty, Mi Fu, Xingshu Dao Zu Ti Scroll, 27.9 cm in length and 44.4 cm in width, on paper
Yuan, Li Sheng, Andiyama Farewell Scroll, 23 cm in length and 68.4 cm in width, on paper
Recommended words - from the Jin Dynasty Shanghai Songjiang Lu Ji "Ping Fu Ti" (Tuoben), Song Dynasty Mi Fu calligraphy, Yuan Dynasty Ren Renfa paintings to see the modern masterpieces
For the first time, the exhibition systematically sorted out and studied the calligraphy and paintings of Shanghai dynasty from an academic perspective, and selected 146 related calligraphy and paintings (groups), spanning more than 1,000 years from the Three Kingdoms to modern and contemporary times, and presented them through four parts: "Artistic Pulse/Artistic Achievement", "Humanistic/Regional Interaction", "Collection/Artistic Influence" and "Tidehead/Maritime Style".
Ming, Ma Yu, Qidian Guanfeng Picture Scroll, 28.9 cm in length and 116.4 cm in width, on paper
Hyundai, Liu Haisu et al., Ten Thousand Years Of Changchun Chart Axis, 1956
From the Jin Dynasty Shanghai Songjiang Luji's "PingFu Ti" (Tuoben), the Song Dynasty Mi Fu calligraphy, and the Yuan Dynasty Ren Renfa paintings, we can see the masterpieces of modern and modern masters. After the Fall of the Song and Yuan Dynasties, literati painting gradually became the mainstream, of which Dong Qichang single-handedly influenced the nearly four hundred years after his death, if you add the achievements of thousands of years of calligraphy and painting on the sea outside the Dong family, then a history of literati painting can be described as half related to Shanghai.
Exhibition time: June 22 to September 21, 2021
Exhibition venue: Shanghai Museum, 3rd floor, Chinese Dynasty Painting Museum, Chinese Dynasty Calligraphy Museum
Shanghai | red
Recommended Quotes : 21 important contemporary artists working and living in Shanghai to explore the meaning of "red" together
The oil tank specially presents the theme exhibition "Red", which will be exhibited for one month. The exhibition "Red" focuses on 21 important contemporary artists working and living in Shanghai, focusing on the theme and imagery of "red", exploring the color connotation, social connotation and emotional expression of "red".
Exhibition time: June 11, 2021 - July 11, 2021
Venue: Shanghai Oil Tank Art Center
Shanghai | Reshaping the Chinese Soul : Innovation in the Ideological and Political Classroom of the Central Academy of Fine Arts
Recommendation - A Political Science Course with Great Innovative Consciousness and Artistic Characteristics - "Reshaping the Chinese Soul"
Starting from the spring of 2021, the Central Academy of Fine Arts has opened a political science course with a strong sense of innovation and artistic characteristics - "Reshaping the Chinese Soul".
This course is newly designed according to the "five-in-one" model of "curriculum stringing + famous lectures + classic reading + classroom discussion + practical teaching" of CENTRAL America, and integrates the "Outline of Modern and Contemporary Chinese History" and "Introduction to Mao Zedong Thought and the Theoretical System of Socialism with Chinese Characteristics" in the ideological and political courses of colleges and universities into the cases of modern and contemporary art history, especially in combination with the history of the Centennial Central Academy of Fine Arts, in connection with the history of the Cpc in the past century, and tells the great historical process of China's revolution, construction, reform and opening up in the past hundred years.
The exhibition vividly presents the results of the course in various forms such as documents, works, and performances.
Exhibition time: June 20 to August 8, 2021
Venue: Shanghai Ming Museum of Contemporary Art
Beijing | Picture sentient beings - the life of the ancients on the portrait bricks of Hexi
Fuxi portrait brick, Wei Jin, excavated in 1991 in Dunhuang City, Gansu Province, Buddha Temple Tomb Group
Herding Animal Portrait Brick 40720 (Replica), Wei Jin, Gansu Provincial Museum Collection
Lady Unboxed Portrait Brick, Wei Jin, Gaotai County Museum Collection
Recommended remarks - From the paintings of Wei Jincai in the Hexi region, the view of life and death and the cosmology of the ancient Chinese people are illuminated
Portrait tiles are bricks with portraits or patterns that are molded or depicted. China's portrait bricks are indiscriminately coveted in the Warring States, flourished in the two Han Dynasties, stretched to the Song and Yuan Dynasties, and continued to bloom on the historical stage for 14 or 5 centuries, which is a concentrated expression of the ancient Chinese people's concept of life and death, cosmology and religious concepts. When shaping portrait bricks, craftsmen often take the real society as a model, integrate extraordinary imagination and creativity, and vividly reflect all aspects of the material and spiritual life of ancient Chinese society in "between the immortals and the mysterious".
For the first time, the exhibition focuses on the fine works of Wei Jincai paintings and related cultural relics in Hexi, and through the display and interpretation of 258 pieces (sets) of colorful paintings and related cultural relics in three units of "Picture World", "Life Hundred States" and "Ningping Blessing", it truly reflects the life and spiritual outlook of the people of all ethnic groups in ancient Hexi.
Exhibition time: May 21 to August 21, 2021
Exhibition venue: North Ninth Exhibition Hall, National Museum of China
Beijing | Mizuki Zhan Qinghua: Nature in Chinese Painting
Recommended words - to evolve the "nature" of philosophy into life
In 2021, the 110th anniversary of the founding of Tsinghua University, the Art Museum of Tsinghua University and the Capital Museum jointly held the exhibition "Mizuki Zhan Qinghua: Nature in Ancient Chinese Painting" based on ancient fine paintings. "Mizuki Zhan Qinghua", a classic of the Southern Dynasty Xie Chao's poem "You Xichi", "Jingfang Songbird Collection, Mizuki Zhanqing", which not only tells the name of "Tsinghua", but also a poetic revelation of the theme of this exhibition. "Mizuki Zhan qinghua" can be regarded as a watershed in the transformation of people's "view of nature" in this period, marking the ancients' vision from the grand and distant natural thinking to the specific and close natural beauty, the philosophical "nature" evolved in life, and finally lived a "physical" life and realized the artistry of life.
Exhibition time: April 20-20, 2021
Exhibition venue: Hall 10, 4th Floor, Art Museum of Tsinghua University
| Jingdezhen, Jiangxi Rural Construction: Experiments in Architecture, Literature and Local Construction
The Map of China's Rural Construction was first published in Bishan 03: Returning to The Country and Returning to the Countryside, Zuo Jing Studio, 2013
Recommendation - 22 groups of field cases of contemporary rural construction provide sample inspiration for the current local cultural revival
In the past decade, China's urbanization process has undergone a new turn, which has become two sides of the same problem with the changes in rural society, responding to different propositions at different historical stages. If we say that for a long time with the city as the core of development, we are fulfilling the needs of "rapid development", then the comprehensive attention to rural revitalization is in response to the demand of "how to sustainable development". In this process, civil forces participated in the movement of rural construction in various vivid ways. In the face of different rural social relations, different regional and cultural customs, it is the complexity of rural society itself, as well as the differences in the knowledge background, values and exploration purposes of the people involved in rural construction, which make today's practitioners create different cooperation models in quite difficult experiments, and reflect the cross-field characteristics of absorbing all social forces to participate in rural affairs.
Tunnel of Light, Echigo's wife has a land art festival, and in 2018 Ma Yansong _MAD architectural affairs
Fishing Village Tea House, Jiande City, Hangzhou, Zhejiang, 2021 Meng Fanhao
Baimei Village Su - Gaoling Suji, Xiyuan Village, Ji'an, Jiangxi, 2020 Wang Qiu'an_ Anzhe Architecture
The "Yellow River Suji", which opened in 2019, has made the abandoned village a popular tourist destination xia Yuqing
As the opening exhibition of Jiangxi Academy of Fine Arts Art Museum, the exhibition starts from the specific experience and field examples of 22 representative groups of exhibitors currently involved in rural construction, including architects, artists, social organizations/groups, etc., covering the construction of rural public space, the revitalization and utilization of old buildings, the transformation of the whole village, the intervention of art in the countryside, aesthetic education, community construction, folk craft excavation, homestay and its operation, etc., presenting the overall appearance and diversified paths of rural construction practice in the past ten years. In the words of curator Zuo Jing: "These weaving, construction and activation of rural spaces provide a vibrant sample for the current local cultural revival." ”
Exhibition time: May 22, 2021 - August 22, 2021
Exhibition venue: Jiangxi Academy of Fine Arts Museum
(Editor: Tai Xinyao)
Source: Art China