Li Li Sanyang Kaitai chart axis, Qing Dynasty ink flower and bird painting vertical axis, first-class cultural relics. Author Li Li. Paper. Old collection. Height 169cm, width 91cm. Li Li (1686 ~?) The character Zong Yang, the number of Futang, and also have other names such as Chagrin Daoist and Bitter Lee. Jiangsu Xinghua people. Hua Bird was a disciple of Jiang Tingxi, and he also had to be highly respected, because the painting style was not tolerated by the court, but sold paintings in Yangzhou, which was one of the "Yangzhou School of Painting". On the left side of the picture, three willow trees, two dead branches and old poles are painted in a boneless brushwork, and one of them has grown new branches, the clothes are drooping, and the spring water between the slopes is gushing. On the right side, a primrose plum blossom is extended, the buds are pink, and a delicate Taihu stone is placed in front of it, and a magpie perched on it, with its neck cocked and tail, singing with a swooping magpie on a willow branch. On the right side of the picture, there is a blank ink book poem with a long title: "Valley ethereal Ben Taihu Lake, three willows on the banks of the Hundred Flowers; not only happy on the plum tip, it is Sanyang Kaitaitu." Mei liu crossing the river spring, solid is the year of the dynasty of the wonderful sentence, and not as good as the old Du's so-called "shore to wait for the wax will shu willow, the mountain means cold to put the plum" sentence, the New Year's residual scenery is two wins. In recent times, those who painted Sanyang Kaitai, all the old people powdered the book, and now there are three poplar trees, and one stone in Taihu Lake, although they cannot open another face, they like to have no writer's habits. Qianlong XIV (1749) in the year of Layue Kehu Village painted and inscribed Futang Chagrin Daoist Li Li "钤 "鱓印" (白), "Zong Yang" (Zhu) "YibaiShanren" (朱). Li Qi, who was 63 years old at this time, used his pen to gallop across the line, was not informal, and was full of fun, which was a representative masterpiece of his very personal style. It is now the Wuwei City Museum.
(Gansu Provincial Bureau of Cultural Heritage)