Wang Baojun I left the Cold Kiln Courtyard,
Wang Xiangfu counted the grain and walked around.
In my heart I can rejoice in that little goose,
It can communicate with Baojun I to pass on the letter.
That day the samurai po took the dish,
I watched the geese fall before my eyes.
Wang Baojun I wrote in blood,
Hongyan carries the book away from Baojun,
I Pinglang 369 day ascended Yin'an,
See the wild geese making noise.
Singles wild geese wingspan,
Drop half a blood shirt.
I Opened the shirt and looked,
I remembered Wang Baojun, who was suffering in the cold kiln.
He left the western cool land on horseback,
Even with three levels of night.
Yesterday in front of the samurai slope to cut the dish,
I was reunited in front of the slope.
When he went to the cold kiln, he said to me,
He said that eighteen years of grain had not been calculated.
Today I happen to meet the father's birthday,
As soon as I came to pay homage to my second handful of grain, I ran out of food.
Walking to see with your eyes,
Wang Xiangfu was not far away in front of him.
I have not been to the King's Mansion for eighteen years,
Wang Xiangfu's repair is not ordinary.
Gold depiction of lions and jade depiction dogs,
Jade railings with two sides.
Gold medal with a large vertical letter on the top,
Above-photo morning one article officer.
Step into the Courtyard of the Xiangfu,
The little girl greeted the three girls.
Ask my mother how she is,
My Father is safe.
The old lady cried for your eyes,
The old man is always worried about you.
My mother thinks of me a lot,
My father turned my face upside down.
Sister Yahuan before Mojiu station,
You said that the filial piety of BaoJun walked up to greet Ann.
Step into the inner hall courtyard,
The child was not filial to Wang Baojun.
Lyrics are for reference only
<h1 class="ql-align-center" > Jia Guilin's artistic career</h1>
<h1 class="ql-align-center" > Wu Chengren</h1>
Jia Guilin was born in a mountain village called Diao Wozui in the western suburbs of Datong, Shanxi. Her family was poor, and in her childhood, she successively studied with old artists Cheng Tai and Yang Sanwa, followed Yang Sanwa to sing in classes around Yanbei, and humbly sought advice and studied hard from the senior artists "Eight Eight Mouths" (Zhao Junqing), "Jin Lanhong" (Zhao Yuting), "Lin Lin Ugly", "Two Winds", "Guantang Hong", "Sixteen Red" (Jiao Yusheng) and so on. Therefore, the acting is becoming more and more mature, and the audience who loves her has given a stage name of "small electric lamp", and has become a well-known North Road Zikun Corner in the Yanbei area.
During the War of Resistance Against Japanese Aggression and the War of Liberation, Jia Guilin fled from Dai County, Shanxi Province, to Zhangjiakou, where he lived a long 11-year life of seclusion because of his resistance to the persecution of the japanese and puppets and the evil forces of the Kuomintang reactionaries.
Mu Dang'en re-entered the stage
At the end of the summer of 1954, Guilin's father fell ill, and she returned to Dai County to visit her. It happened that the county held an enlarged cadre meeting, and someone learned of her whereabouts and repeatedly asked her to show a performance to thank her father and elder in her hometown. She gladly resigned herself to borrow the Wutai County Theater Troupe, which performed here, and made a cameo appearance as Shen Hou of "Playing Golden Branch". In this performance, her heart was fiery, but her voice did not listen to her own domination, and it was thin and trembling, which made her ashamed. But this move became an important turning point in her life: the audience and the theater industry suddenly found that the "little electric lamp" that had been lost for seventeen or eight years was still alive and could still be sung! Surprise, excitement, hope, expectation, pervaded the land of northern Jin, inviting her to "go out of the mountain" contact followed, and finally came the old drama friend Li Yin'an. Old Li conveyed the audience's mood and requirements and invited her to join the Jinxin Opera Troupe of Xinxian Special District. Mentioning the singing in the class evokes the tragic memories of the stage life in the ten years before the Guilin War of Resistance, which makes people shudder! Listening to Li Yin'an excitedly talk to her about the respect and love of the new society for artists, and advised her not to look at the literary and art groups under the leadership of the Communist Party with old eyes, which made her eager to try. Guilin came to Xinxian county with a suspicious mood and performed a "Rich and Noble Map". She did not immediately join the troupe, and promised to discuss it with the sewing club where she worked and her husband Lao Wu.
The first Shanxi Provincial Opera Observation and Performance Conference will be held soon, which will be the first grand meeting for Shanxi's theater circles to implement the party's policy of "a hundred flowers blooming". The leading comrades of the party and government of the Xinxian Special District decided to visit the north road artists scattered in various places and form a delegation to go to the province to participate in the exhibition and performance, and invited everyone to see the almost absolutely loud north road poles, which naturally found Jia Guilin again.
After a period of intense rehearsal, Jia Guilin accompanied the delegation to Taiyuan to participate in the performance, and what amazed her was that at the beginning of the bus, the propaganda director of the Shanxi Provincial CPC Committee and the director of the Cultural Bureau came to visit the dormitory. At the opening ceremony, she was "teased" (Guilin himself said so) to the rostrum, and the secretary of the provincial party committee and the governor came to shake hands with her and say hello. This was the first time in her life that she had shaken hands with someone, and it was with such a big "official"! These "officials" are really good, and there is no shadow of the "old masters" in her memory! At dinner, she sat with the chiefs, completely different from the old society! It's different, the poor entertainer has indeed turned over!
When the North Road Zizi exhibition was performed, first Zhiwen Chengdou and Li Yuemei's "The Water Prison" and then Dong Fu, Gao Yugui, and Yao Runtao's "She's Rice", and the finale was Jia Guilin's "Weeping Hall". Inside the curtain, a large lifting board of "Silver Screen Woman Tied Qin Ying to the Temple to Plead Guilty", that crisp and loud voice, novel and unique singing, immediately won a full hall of applause. Then, the lieutenant escorted Qin Ying to the scene, and Princess Yinping followed with a heavy heart. Qin Ying called out, "Mother, loosen the ties with your son!" Only to see the silver screen princess was stunned at first, and then thought of this troublesome wrongdoer who had no remorse, a moment of fire, lifted the wat board and went to the child, but the wat board just reached the mid-air, several swings, but finally could not bear to hit and only painfully pushed him away with the wat board, accusing him of a "slave!" Then turn to the son's large singing voice.
Dozens of sentences of "random bombing", in one breath, the slow plate of three turns and nine turns, the splint of the intestines and the stack of the board that understand the words, simply attracted the audience to silence, and the bursts of applause swirled in the air like a storm, so that someone shouted "good". The day after the performance, Tian Hanyou, a dramatist and director of the Arts Bureau of the Central Ministry of Culture who was present at the meeting, invited Jia Guilin, as well as "nine-year-old red" Gao Yugui, and the leader of the team, Guo Kaike, to come to his residence, saying that he greatly appreciated this extremely rich and passionate drama genre, and had already suggested that the party and government leaders of Shanxi Province restore and support this drama genre, and instructed Jia Guilin and Gao Yugui to be good pillars and pillars, do a good job in the North Road, and contribute to the revolutionary literary and artistic cause. Jia Guilin thought: Even the head of Beijing has placed so much hope on himself, what else can he say? Jia Guilin made up his mind: go out of the house and participate in the reconstruction of the North Road Zizi Professional Theater Troupe!
After the performance, Jia Guilin and Gao Yugui participated in the preparatory group headed by Guo Kaike. After the leadership decided: the Jinxin Opera Troupe and the Xinxian Theater Troupe were merged as the basic team, and the well-known artists an Bingqi (Ya 800), Zhang Yin (Pingwanghei), Zhang Buqing (Liu Liu ugly), Guo Yunlai (Jiujiusheng), Bai Juxian, Xiao Guifeng, Li Yuemei, Han Dongmei, Hou Yufu, as well as the famous pianist Tian Jingui and the famous drum master Hao Yutang were invited back to form a strong business backbone team, and on February 16, 1955, the Xinxian Special District North Road ZiZi Troupe - Xinxian Special District People's Jin Opera Second Branch Troupe was formally established. Guo Kaike was the commander of the general regiment stationed in the second division, and Jia Guilin served as the deputy head of the second division. At this time, Jia Guilin's husband Wu Shizhe vomited blood due to the excessive force of pulling the car, Jia Guilin could not rest assured of him, and with the approval of the leadership, Wu Shizhe also joined the troupe as the director of the general affairs unit and accountant.
Restore the old work for the cause
Jia Guilin's comeback was not smooth sailing, and there were not many disturbances and difficulties. Before the formal establishment of the troupe, how many troupes were fighting for her, some said to give 30 yuan a day to "do the work", some said to let her share three or seven, 30% of the performance income, some proposed to her a variety of preferential treatment... For Jia Guilin's family, who had gone through poverty, the abundant economic conditions were not without temptation, but she finally stayed behind in order to rebuild the "revolutionary literary and artistic undertaking" of the North Road Zizi.
The difficulty also comes from the other side: after almost 18 years off the stage, the waist is stiff, the legs are stiff, the voice is narrow, and even a little cool. How can it be done to temporarily make up a few performances to cope with, and to be a pillar for a long time? To get the old skills back and learn new things, this is not easy for a person who is nearly forty years old! However, on the road of life, Jia Guilin has never had a record of losing. It's nothing more than getting a little older, it's nothing more than suffering a little more than others, didn't the master say when I was a child: "If you want to win the green in front of people, you must suffer behind your back." As long as you are not afraid of suffering and suffering, you will have them all.
Jia Guilin has worked very hard to restore and develop his artistic skills. Her typical daily activity schedule is: get up at five o'clock in the morning, take a sip of cold water to go to the wild to shout her voice; return to the group half an hour later, start practicing and singing; wash up at half past eight, and eat at nine o'clock; participate in the political and cultural studies in the group after dinner, and then go to the rehearsal field or the day field until three o'clock in the afternoon; after lunch, you can rest for an hour or two, practice for an hour, enter the people's hall to perform, often until late at night. This is true every day, every year, Sunday, public holiday, new Year's Day, even if you go out for a meeting, you don't mistake the morning to shout a few times and practice. Until now, when he is over the age of flower armor, this rule has not been abandoned.
Diligence is only a condition for Jia Guilin's success, and it is also necessary to be skillful and to obtain the Fa. People once reflected that her voice was narrow, she practiced the singing voice, and practiced the sixteen red voice singing voice, thus obtaining a rich "collapse tone" (that is, bass), so that her vocal range extended to sing two octaves and stretched freely. The small number of plays is another major shortcoming after Jia Guilin resumed his artistic life. She learned from the artists of her generation, from the young actors who recorded a lot of plays, from the choreographer comrades, and from all the insiders in the society. No wonder a famous actor in our province said: "Don't say anything else," Gold, Treasure, Blood, Li 'four plays, we dare not compare with Jia Guilin. ”
Out of enthusiasm for the cause of North Road Zizi, guilin has loved the group since the early days of its establishment. At that time, self-made, financially strapped, the box was returned on credit, and the actors and staff did not even have a serious foothold. The leaders of the troupe proposed to raise funds for self-reliance to build houses, and Jia Guilin responded first, generously donating money and taking out 20% of the salary. Under her leadership, the cast and crew were not willing to be left behind, and soon built a permanent "base area" to end the embarrassing situation of the traditional drama class "homeless everywhere".
Jia Guilin also showed great enthusiasm for social welfare undertakings from the beginning. This year's donation of winter clothes, later drought relief, donation of books, etc., as long as the government called, she did not once fail to show initiative and her deep sympathy for her basic audience, farmers.