I think the first season of "The Cultivation Method of the Passerby Heroine" was in 2015, and unconsciously 5 years have passed since then.
"The Cultivation Method of passerby heroine" is the first light novel work by Japanese screenwriter Marudo Shiaki, and the illustration part of the novel is written by popular illustrator Tsunehito Fukasaki, and was officially adapted into an anime in 2015.
The story is mainly about the otaku Ann, who one day met a young girl on a cherry blossom ramp and helped her pick up the beret that had been blown away by the wind, and Lun, who was deeply affected by this scene, also decided to make a fan game based on this girl.
In order to make the game, Lun also convinces Aome Takema and the same grade of painting master Ying Lili and the honor student sister Kasumigaoka Shiba and the real heroine to form a fan game club to start making the game, and the story begins here.
This work has been a popular work since it was first broadcast, after all, the original work is a very best-selling work, and the popularity bonus animation with the original work is also supported by the majority of netizens, and the heroine Kato Kei has become one of the goddesses among many fans.
Recently, "The Cultivation Method of passerby heroinefline" was finally officially listed on the domestic video website, for this theatrical version, there may have been many friends who have seen some places, and this time it is only the official listing of the domestic video website, but despite this, there is still a group of people to go to the scene when the theater version is officially on the shelves.
From the original first season, the second season everywhere this year's Fine, the series of passers-by heroine is finally coming to an end. In fact, from the perspective of the story of the passerby heroine, in fact, the story itself does not have those special points, and such a similar complex can be seen in many campus animations, but despite this, it has stood out from many animations and become a popular work.
Compared with the innovation of the story itself, "Passerby Heroine" is better than the innovation of the story itself, although it cannot be said to be all the characters, but the female characters in this work are almost all very popular (of course, there are also the credits of the illustrator Fukasaki Twilight), which shows how powerful the character shaping of this work is. Of course, the male character modeling is much weaker in comparison, and everyone's feelings about An Yilun may still be in the impression of otaku, otaku, and the love enemy who robbed everyone's "wife", and even some people have forgotten that he is a well-known ACG blogger and so on.
Then again, this theatrical version is the final chapter of the Passerby Heroine series, which means that there will be no new story behind this theatrical version (of course, if the love metronome is animated, it will be another story), so the theatrical version is like the English Fine at the end of its name (meaning the end of the score), everything is over.
The overall evaluation of the theater version is still very good, after all, it is a perfect ending, if you insist on saying the last words, it is that Xuejie and Yingli Pear were "dumped", but that is also no way, after all, if you get a Lun also all want the ending, I don't know what the current wind review will become. Ordinary stories have the power to make people want to immerse themselves, and I have to say that the passerby heroine is a relatively outstanding campus love in recent years, compared to the "real thing" next door, it is much better.
For fans, this theatrical version is the sugar they want, of course, they want more sugar when they eat a little sugar, and I don't know if the official will make an animation of the love metronome later. It would be great if there were. But poor Pear Pear..... There is no way to finish the "pear".
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